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Trigger Alpert
Herman "Trigger" Alpert (September 3, 1916 – December 21, 2013) was an American jazz bassist from Indianapolis, Indiana. Music career A native of Indianapolis, Alpert attended Indiana University, where he studied music. Soon after, he played with guitarist Alvino Rey in New York City, then toured with the Glenn Miller band in the early 1940s. Alpert's enthusiastic playing style is on display during a performance of ''In the Mood'' in ''Sun Valley Serenade'' (1941). During the rest of the decade, he worked with Louis Armstrong, Roy Eldridge, Ella Fitzgerald, Bud Freeman, Woody Herman, Jerry Jerome, Bernie Leighton, Ray McKinley, Frank Sinatra, and Muggsy Spanier. In the 1950s and early 1960s, he recorded as a sideman with Don Elliott, Coleman Hawkins, Gene Krupa, Mundell Lowe, Buddy Rich, Artie Shaw, and the Sauter-Finegan Orchestra. Alpert's only album as a leader was ''Trigger Happy'' (Riverside, 1956), which he recorded with Al Cohn, Urbie Green, Tony Scott, Ed Shaughn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indianapolis, Indiana
Indianapolis (), colloquially known as Indy, is the state capital and most populous city of the U.S. state of Indiana and the seat of Marion County. According to the U.S. Census Bureau, the consolidated population of Indianapolis and Marion County was 977,203 in 2020. The "balance" population, which excludes semi-autonomous municipalities in Marion County, was 887,642. It is the 15th most populous city in the U.S., the third-most populous city in the Midwest, after Chicago and Columbus, Ohio, and the fourth-most populous state capital after Phoenix, Arizona, Austin, Texas, and Columbus. The Indianapolis metropolitan area is the 33rd most populous metropolitan statistical area in the U.S., with 2,111,040 residents. Its combined statistical area ranks 28th, with a population of 2,431,361. Indianapolis covers , making it the 18th largest city by land area in the U.S. Indigenous peoples inhabited the area dating to as early as 10,000 BC. In 1818, the Lenape relinquishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray McKinley
Ray McKinley (June 18, 1910 – May 7, 1995) was an American jazz drummer, singer, and bandleader. He played drums and later led the Major Glenn Miller Army Air Forces Orchestra in Europe. He also led the new Glenn Miller Orchestra in 1956. Career Born in Fort Worth, Texas, United States, McKinley's parents bought him his first drum set at the age of nine. Soon after he began playing with a local band called The Jolly Jazz Band in the Dallas–Fort Worth area. He left home when he was 15 and played with Milt Shaw's Detroiters and the Smith Ballew and Duncan-Marin bands. His first substantial professional engagement came in 1934 with the Dorsey Brothers' Orchestra. It was with the Smith Ballew band in 1929 that McKinley met Glenn Miller. The two formed a friendship that lasted from 1929 until Miller's death in 1944. McKinley and Miller joined the Dorsey Brothers in 1934. Miller left for Ray Noble in December 1934, while McKinley remained. The Dorsey brothers split in 1935, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Scott (musician)
Tony Scott (born Anthony Joseph Sciacca June 17, 1921 – March 28, 2007) was an American jazz clarinetist and arranger with an interest in folk music around the world. For most of his career he was held in high esteem in new-age music circles because of his involvement in music linked to Asian cultures and to meditation. Biography Born in Morristown, New Jersey, United States, Scott attended Juilliard School from 1940 to 1942.Fox, Margalit"Tony Scott, Jazz Clarinetist Who Mastered Bebop, Dies at 85" ''The New York Times'', March 31, 2007. Accessed July 23, 2012. "Anthony Joseph Sciacca — his family name is pronounced "Shaka" — was born on June 17, 1921, in Morristown, N.J., to parents who had come from Sicily." In the 1950s he worked with Sarah Vaughan and Billie Holiday. He also had a young Bill Evans and Paul Motian as side-men on several albums released between 1957 and 1959. In the late 1950s, he won on four occasions the ''DownBeat'' critics poll for clarinetist in 1955 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Cohn
Al Cohn (November 24, 1925 – February 15, 1988) was an American jazz saxophonist, arranger and composer. He came to prominence in the band of clarinetist Woody Herman and was known for his longtime musical partnership with fellow saxophonist Zoot Sims. Biography Alvin Gilbert Cohn was born in Brooklyn, New York. In addition to his work as a jazz tenor saxophonist, Cohn was widely respected as an arranger. His work included the Broadway productions of ''Raisin and ''Sophisticated Ladies'', and his arrangements of his own compositions were recorded by big bands led by Maynard Ferguson, Gerry Mulligan, Terry Gibbs and Bob Brookmeyer. Also, Cohn did arrangements for unreleased Linda Ronstadt recordings from the 1980s. Cohn also appeared on stage with Elvis Presley in June, 1972, as a member of the Joe Malin Orchestra at Madison Square Garden. Al Cohn died of liver cancer in Stroudsburg, Pennsylvania in 1988. Cohn's first wife was singer Marilyn Moore. His son, Joe Cohn, is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riverside Records
Riverside Records was an American jazz record company and label. Founded by Orrin Keepnews and Bill Grauer, Jr, under his firm Bill Grauer Productions in 1953, the label played an important role in the jazz record industry for a decade. Riverside headquarters were located in New York City, at 553 West 51st Street. History Initially the company was dedicated to reissuing early jazz material drawn from the issues of the Paramount and Gennett and Hot Record Society (H.R.S.), labels among others. Reissued artists included Jelly Roll Morton, King Oliver, Ma Rainey, and James P. Johnson, but the label began issuing its own contemporary jazz recordings in April 1954, beginning with pianist Randy Weston. In 1955 the Prestige Records contract of Thelonious Monk was bought out and Monk was signed by Riverside, where he remained for the next five years. During the next few years, Cannonball Adderley, Bill Evans, Charlie Byrd, Johnny Griffin, and Wes Montgomery made substantial contributio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sauter-Finegan Orchestra
The Sauter-Finegan Orchestra was an American swing jazz band popular in the 1950s. The orchestra was led by Eddie Sauter and Bill Finegan, who were both experienced big band arrangers. Sauter played mellophone, trumpet, and drums, and had attended Columbia University and Juilliard; Finegan had studied at the Paris Conservatory. They began recording together in 1952, using inventive arrangements that made use of a variety of unusual instruments, including many orchestral instruments as well as oddities like the kazoo and the beaten human chest. A June 7, 1952, article in the trade publication '' Billboard'' described the new group as "a creative band, which will combine dance music as well as mood interpretations." The group initially had a three-year contract with RCA Victor, with plans "for about 16 sides a year." Their first chart appearance was with "Doodletown Fifers", their version of a Civil War tune called "Kingdom Coming and the Year of Jubilo". "Nina Never Knew" (featuri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mundell Lowe
James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician. He produced film and TV scores in the 1970s, such as the ''Billy Jack'' soundtrack and music for '' Starsky and Hutch'', and worked with André Previn's Trio in the 1990s. Career The son of a Baptist minister, Lowe grew up on a farm in Shady Grove, Mississippi, near Laurel. He started playing guitar when he was eight years old, with his father and sister acting as his first teachers. When he was thirteen, he began running away from home to play in bands. Occasionally his father would find him, bring him home, and warn him about the dangers of whiskey. At sixteen, Lowe worked in Nashville on the ''Grand Ole Opry'' radio program. He was a member of the Jan Savitt orchestra before serving in the military during World War II. At basic training, he became friends with John Hammond, who organized weekend jam sessions. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Krupa
Eugene Bertram Krupa (January 15, 1909 – October 16, 1973), known as Gene Krupa, was an American jazz drummer, bandleader and composer who performed with energy and showmanship. His drum solo on Benny Goodman's 1937 recording of "Sing, Sing, Sing" elevated the role of the drummer from an accompanist to an important solo voice in the band. In collaboration with the Slingerland drum and Zildjian cymbal manufacturers, he was a major force in defining the standard band drummer's kit. Krupa is considered "the founding father of the modern drumset" by ''Modern Drummer'' magazine. Early life The youngest of Anna (née Oslowski) and Bartłomiej Krupa's nine children, Gene Krupa was born in Chicago, Illinois, United States. Bartłomiej was an immigrant from Poland born in the village of Łęki Górne, southeastern Poland. Anna was born in Shamokin, Pennsylvania, and was also of Polish descent. His parents were Roman Catholics who groomed him for the priesthood. He spent his grammar s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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