|
Treasure Hunters (1981 Film)
''Treasure Hunters'' aka ''Master of Disaster'' () is a Shaw Brothers film directed by Lau Kar Wing, starring Alexander Fu Sheng and Gordon Liu. It was released in 1981. Plot This kung-fu comedy combines Fu Sheng with his real-life brother Chang Chan Peng. The former stars as a wily kung-fu conman who uses all of his skills to trick an important official of his wares during the film's opening. Now on the run from the law, he runs into a wealthy yet bored young socialite who wants the chance to prove himself to his family. Bearing this in mind, the spoilt son proposes a venture to his new associate: to find the fabled treasure of Chan Po Chu and satisfy their respective needs for wealth and acceptance. With a tenuous agreement put into action, the two adventurers set out in search of the very sought after treasure. Also hunting down the Chan Po Chu booty is a small band of kung fu fighting monks and, the most fearsome of all, the ruthless Lord Mo. Through a series of intricate es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lau Kar-wing
Lau Kar-wing (born 1944) is a Martial Artist, Hong Kong people, Hong Kong Chinese martial arts, martial arts film director, Stage combat, action choreographer and actor. Background Born in the Xinhui District of Jiangmen in Guangdong, People's Republic of China, China, Lau Kar-wing was the fourth child of Lau Cham (), a martial arts master who studied under Lam Sai-wing, pupil of the legendary Han Chinese, Chinese folk hero, Wong Fei-hung. Lau began learning kung fu in his early teens, learning in secret at his father's school. When his older brother, Lau Kar-leung, discovered this, he began teaching Kar-wing himself. Film career Before becoming famous, Lau worked as an extra and choreographer on the black & white Wong Fei-hung films, which starred Kwan Tak-hing as the titular hero. Lau was given his start working under his father and brother in these films, and followed his brother to become a Stunt performer, stuntman and assistant choreographer. In the 1960s he became one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Fu Sheng
Alexander Fu Sheng () (born Cheung Fu-sheng (); 20 October 1954 – 7 July 1983), also known as Fu Sheng was a Hong Kong martial arts film star in the 1970s. Life and career Born Cheung Fu-sheng in British Hong Kong in 20 October 1954. He was the ninth child of a wealthy New Territories indigenous inhabitant businessman Cheung Yan-lung. His birth mother was Angela Liu Fung-wo. In 1971, he enrolled at Shaw Brothers Southern Drama School and instantly drew the attention of director Chang Cheh. Cheh had Fu Sheng train with Lau Kar-leung for 6 months. Fu Sheng made his film debut as an extra in the 1972 film ''The Fourteen Amazons''. His first lead role was in Cheh's ''Police Force''. Some of his other films include ''Heroes Two'', ''Five Shaolin Masters'', ''Shaolin Temple'' and the '' Brave Archer'' series. He eventually made a total of 23 films with Cheh. In 1976, he married singer and actress Jenny Tseng, who had appeared with him in the film ''New Shaolin Boxers''. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Liu
Gordon Liu (Lau Kar-fai ); born Sin Kam-hei () August 22, 1951) is a Chinese martial arts film actor and martial artist. He played the lead role of San Te in ''The 36th Chamber of Shaolin'' (1978) and its sequels, and later played two roles in Quentin Tarantino's ''Kill Bill'' films: Johnny Mo, the leader of the Crazy 88 Yakuza gang in '' Volume 1'' (2003); and kung fu master Pai Mei in ''Volume 2'' (2004). Early life Liu was born Sin Kam-hei in Guangdong Province, China on August 22, 1951, prior to his adoption into another family. He is often wrongly cited as being the adopted son of Lau Cham, and adoptive brother of directors and actors Lau Kar-leung (Liu Chia-liang) and Lau Kar-wing (Liu Chia-Yung). He was not adopted by the family but is Lau Cham's godson. In his youth (ages 15–20), he skipped school to train in Chinese martial arts without his parents' knowledge. He trained at Lau Cham's martial arts school of Hung Gar discipline, which descended from Wong Fei-hung's gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaw Brothers
Shaw Brothers (HK) Ltd. () was the largest film production company in Hong Kong, and operated from 1925 to 2011. In 1925, three Shaw brothers— Runje, Runme, and Runde—founded Tianyi Film Company (also called "Unique") in Shanghai, and established a film distribution base in Singapore, where Runme and their youngest brother, Run Run Shaw, managed the precursor to the parent company, Shaw Organisation. Runme and Run Run took over the film production business of its Hong Kong-based sister company, Shaw & Sons Ltd, and in 1958 a new company, "Shaw Brothers," was set up. In the 1960s, Shaw Brothers established what was once the largest privately owned studio in the world, Movietown. The company's most famous works include ''The Love Eterne'', ''The One-Armed Swordsman'', ''Come Drink with Me'', ''King Boxer'', ''Executioners from Shaolin'', '' Five Deadly Venoms'', and ''The 36th Chamber of Shaolin''. Over the years the film company produced around 1,000 films, some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong
Hong Kong ( (US) or (UK); , ), officially the Hong Kong Special Administrative Region of the People's Republic of China ( abbr. Hong Kong SAR or HKSAR), is a city and special administrative region of China on the eastern Pearl River Delta in South China. With 7.5 million residents of various nationalities in a territory, Hong Kong is one of the most densely populated places in the world. Hong Kong is also a major global financial centre and one of the most developed cities in the world. Hong Kong was established as a colony of the British Empire after the Qing Empire ceded Hong Kong Island from Xin'an County at the end of the First Opium War in 1841 then again in 1842.. The colony expanded to the Kowloon Peninsula in 1860 after the Second Opium War and was further extended when Britain obtained a 99-year lease of the New Territories in 1898... British Hong Kong was occupied by Imperial Japan from 1941 to 1945 during World War II; British administration resume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rowman & Littlefield
Rowman & Littlefield Publishing Group is an independent publishing house founded in 1949. Under several imprints, the company offers scholarly books for the academic market, as well as trade books. The company also owns the book distributing company National Book Network based in Lanham, Maryland. History The current company took shape when University Press of America acquired Rowman & Littlefield in 1988 and took the Rowman & Littlefield name for the parent company. Since 2013, there has also been an affiliated company based in London called Rowman & Littlefield International. It is editorially independent and publishes only academic books in Philosophy, Politics & International Relations and Cultural Studies. The company sponsors the Rowman & Littlefield Award in Innovative Teaching, the only national teaching award in political science given in the United States. It is awarded annually by the American Political Science Association for people whose innovations have advanced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Lung-wei
Wang Lung Wei () (born 1949), also known as Johnny Wang, is Hong Kong martial artist, actor, director, producer, and action choreographer, who has starred in over 80 kung fu films, mainly for Shaw Brothers Studios. Wang's first Shaw Brothers film role was as the traitor Ma Fu Yi in the Chang Cheh-directed film ''Five Shaolin Masters''. This became a pattern, in that he was cast as the villain in the majority of his movies, with ''Martial Club'' being a famous exception. In 1985, Wang moved behind the camera, choreographing fight scenes, writing, and directing many movies such as '' Hong Kong Godfather''. He retired from the industry some time before 2009. Filmography * '' Marco Polo AkA The Four Assassins'' (1975) * ''Master of the Flying Guillotine'' (1976) * ''Shaolin Temple'' (1976) * '' Five Deadly Venoms'' (1978) * '' The Avenging Eagle'' (1978) * ''Crippled Avengers'' (1978) * ''Vengeful Beauty'' (1978) * ''Kid with the Golden Arm'' (1979) * ''Dirty Ho'' (1979) * ''Ten Tiger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kung Fu Films
Kung fu film () is a subgenre of martial arts films and Hong Kong action cinema set in the contemporary period and featuring realistic martial arts. It lacks the fantasy elements seen in ''wuxia'', a related martial arts genre that uses historical settings based on ancient China. Swordplay is also less common in kung-fu films than in ''wuxia'' and fighting is done through unarmed combat. Kung fu films are an important product of Hong Kong cinema and the West, where it was exported. Studios in Hong Kong produce both wuxia and kung fu films. History The kung fu genre was born in Hong Kong as a backlash against the supernatural tropes of wuxia. The wuxia of the period, called ''shenguai wuxia'', combined '' shenguai'' fantasy with the martial arts of wuxia. Producers of wuxia depended on special effects to draw in larger audiences like the use of animation in fight scenes. The popularity of shenguai wuxia waned because of its cheap effects and fantasy cliches, paving way for the ris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Kong Martial Arts Films
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards. The first Hong Kong action films favoured the ''wuxia'' style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by kung fu films that depicted more down-to-earth unarmed martial arts, often featuring folk heroes such as Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
