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Transmutation Live
''Transmutation Live'' is a live album by experimental rock band Praxis, recorded during a performance in Zurich, Switzerland, in the summer of 1996. The album features the lineup of bassist Bill Laswell, guitarist Buckethead, drummer Brain and Invisibl Skratch Piklz, the Bay-Area collective of turntablists DXT, Q-Bert, Mix Master Mike, Shortkut, and DJ Disk. The album's four tracks are labeled simply as Movements 1 to 4 and are predominantly ambient soundscapes that frequently give way to heavy metal grooves. Track listing Personnel *Bill Laswell – bass guitar *Buckethead – electric guitar *Brain – drums, percussion * Invisible Scratch Pickles – turntables, samples Production staff * Bacon – design * Cimarron – design * O'Brien – design * Oz Fritz – engineer * James Koehnline James Irvin Koehnline () is an American collage artist whose work has appeared in many anarchist periodicals and books, as well as music CDs. He has co-edited a number of b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxis (band)
Praxis is the name of an experimental rock project, led by producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Brain in nearly every incarnation of the band. The group worked with many other artists such as Serj Tankian from System of a Down, Iggy Pop, DXT and DJ Disk. Biography Early days Bill Laswell initially used the name Praxis for an experimental solo EP recorded for Celluloid Records in 1984, simply named "1984". 1992–1996 The band's debut album, '' Transmutation (Mutatis Mutandis),'' released in 1992, was well received by critics. Praxis was composed of guitarist Buckethead, keyboardist Bernie Worrell, drummer Brain, bassist Bootsy Collins and Afrika Baby Bam as "AF Next Man Flip" on turntables. Bill Laswell masterminded the project and served as producer and co-writer of much of the album's material. Praxis combined elements of different musical genres such as funk, jazz, hip-hop and heavy metal into highly improvised music. The P- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invisibl Skratch Piklz
The Invisibl Skratch Piklz are an American group of turntablists. The members of the group were originally hip-hop DJs, who were among the pioneers of the turntablism movement in the 1990s; turntablists create musical pieces by mixing samples from records, and by using multiple turntables as instruments. The group started in 1989 as Shadow of the Prophet, with DJ Qbert, Mix Master Mike, and DJ Apollo, who left the group in 1993. The group later added DJ Disk, Shortkut, DJ Flare, Yogafrog, D-Styles, and A-Trak to their lineup. They released numerous mix projects and albums and were featured in documentaries such as ''Battle Sounds'' and '' Scratch''. The Invisibl Skratch Piklz performed their last show on July 1, 2000 at the Skratchcon 2000 conference in San Francisco, California. They were asked by the Disco Mix Club (DMC), an international DJ association, to stop competing since they were discouraging other DJs from entering. The Piklz produced most of their work around 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Koehnline
James Irvin Koehnline () is an American collage artist whose work has appeared in many anarchist periodicals and books, as well as music CDs. He has co-edited a number of books and had his work collected in ''Magpie Reveries''. He designs and edits the yearly ''Autonomedia Calendar of Jubilee Saints'' which is also the thematic core for the Daily Bleed Calendar. He lives in Seattle, Washington, and worked for some years at Recollection Used Books. Art career Koehnline has been creating works of art, in various media all his life, largely influenced by his father's passion for surrealism. He attended the Minneapolis College of Art and Design before moving on to Columbia College Chicago, Columbia College in Chicago. Most recently he studied digital media at the Art Institute of Seattle. Meeting at Columbia College, Koehnline gained further direction under the mentoring of collagist, sculptor and host of the weekly Radio programming, radio broadcast "Art and Artists" (WFMT), Harry Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turntables
A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogue recording and reproduction of sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones. The phonograph was invented in 1877 by Thomas Edison. Alexander Graham Bell's Volta Laboratory made seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Laswell
William Otis Laswell (born February 12, 1955) is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles. According to music critic Chris Brazier, "Laswell's pet concept is 'collision music' which involves bringing together musicians from wildly divergent but complementary spheres and seeing what comes out." The credo of one record label run by Laswell which typifies much of his work is "Nothing Is True, Everything Is Permitted". Although his bands may be credited under the same name and often feature the same roster of musicians, the styles and themes explored on different albums can vary dramatically. Material began as a noisy dance music band, but later albums concentrated on hip hop, jazz, or spoken word readings by William S. Burroughs. Most versions of the band Praxis have included guitarist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Disk
DJ Disk is a turntablist from the San Francisco Bay Area. He is of Panamanian, Colombian, and Nicaraguan descent. Born Luis Quintanilla on October 7, 1970, in San Francisco, Disk began scratching and mixing vinyl at a young age. In 1992, he joined his long-time friend DJ Qbert among the Rock Steady Crew DJs, later changing the group's name to the Invisibl Skratch Piklz. As a founding member of the Invisibl Skratch Piklz, Disk has been an enormously influential DJ and is credited with inventing the 2 Click Orbit, the echo fade technique and the 2 Click Flare Lazer Orbit techniques. He was later a founding member of El Stew, which, according to Allmusic, "dealt with the more experimental side of electronic music." In addition to extensive hip hop work with the Piklz and others, Disk has collaborated with a wide variety of musicians working in other genres, including Herbie Hancock, Bill Laswell, Buckethead, Zakir Hussain, Mike Patton, Norah Jones, Flavor Flav, Rancid, Primus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mix Master Mike
Michael Schwartz (born April 4, 1970), better known by his stage name Mix Master Mike, is an American turntablist best known for his work with Beastie Boys. Life and career Born in San Francisco, California, Mix Master Mike is of German and Filipino descent. Mix Master Mike came to prominence upon winning the 1992 New Music Seminar/Supermen Inc. DJ Battle for World Supremacy in New York City, becoming the first West Coast DJ ever to do so. In the same year Mix Master Mike won the DMC World DJ Championships as a member of the turntablism collective Rock Steady DJs with DJ Qbert and DJ Apollo, establishing Mix Master Mike as one of the pre-eminent DJs in the industry. This success was followed by triumph in the 1993 DMC Championships, this time as part of the duo Dream Team with DJ Qbert. Mix Master Mike, DJ Qbert, and DJ Apollo were the founding members of the turntablist group Invisibl Skratch Piklz. In 1994 it was rumored that Mix Master Mike and Q-Bert were asked to retire fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
