Transitions (Emily Remler Album)
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Transitions (Emily Remler Album)
''Transitions'' is the third studio album by jazz guitarist Emily Remler. She was accompanied by John D'earth on the trumpet and by bassist Eddie Gomez and drummer Bob Moses in the rhythm section. In the liner notes of this album Leonard Feather gathered Emily Remler's opinion about her choice of this group of musicians for this recording. She said: "Basically this is a guitar trio with a horn added" and "This left me responsible for all the harmony in the accompaniment", explaining that "I'm describing the chord changes, with nobody else behind me, which is quite a responsibility — specially on my own tunes, which have hard changes. Also, I have to supply the harmonic aspects of the accompaniments to solos." Reception For the AllMusic reviewer Scott Yanow "this is one of the strongest of the six Emily Remler Concord recordings" he stated that it "was a strong step forward, as she started to really get away from her early Wes Montgomery/Herb Ellis influence and find a voice ...
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Emily Remler
Emily Remler (September 18, 1957 – May 4, 1990) was an American jazz guitarist, active from the late 1970s until her death in 1990. Early life and influences Born in Englewood Cliffs, New Jersey,Staff"Emily Remler Dies On Australia Tour; Guitarist Was 32" ''The New York Times'', May 8, 1990. Accessed November 25, 2017. "Emily Remler, a jazz guitarist in the be-bop tradition, died of a heart attack on Friday while on tour in Sydney, Australia, the Associated Press reported yesterday. She was 32 years old. Ms. Remler was born in Englewood Cliffs, N.J., and started playing folk and then rock guitar." Remler began guitar at age ten. She listened to pop and rock guitarists like Jimi Hendrix and Johnny Winter. At the Berklee College of Music in the 1970s, she listened to jazz guitarists Charlie Christian, Wes Montgomery, Herb Ellis, Pat Martino, and Joe Pass. Career Remler settled in New Orleans, where she played in blues and jazz clubs, working with bands such as Four Play and Lit ...
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Herb Ellis
Mitchell Herbert Ellis (August 4, 1921 – March 28, 2010), known professionally as Herb Ellis, was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson. Biography Born in Farmersville, Texas, and raised in the suburbs of Dallas, Ellis first heard the electric guitar performed by George Barnes on a radio program. This experience is said to have inspired him to take up the guitar. He became proficient on the instrument by the time he entered North Texas State University. Ellis majored in music, but because they did not yet have a guitar program at that time, he studied the string bass. Unfortunately, due to lack of funds, his college days were short-lived. In 1941, Ellis dropped out of college and toured for six months with a band from the University of Kansas. In 1943, he joined Glen Gray and the Casa Loma Orchestra, and it was with Gray's band that he got his first recognition in the jazz magazines. After Gray's band, Ellis joined the ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Gibson ES-330
The Gibson ES-330 (1959-1972) is a thinline hollow-body electric guitar model produced by the Gibson Guitar Corporation. It was first introduced in 1959 and the guitar had the same dimensions as the ES-335. History Sales of Gibson’s Electric Spanish guitars (ES-100 through ES-350) in the 1930s and 1940s encouraged the company to continue to produce more electric guitars. In 1955 Gibson released the ES-225T and the Gibson ES-350T ("T" is for thinline). In 1957 Gibson designed a new design which was the ES-335 double-cutaway and released it in 1958. The ES-330 was released by the Gibson Guitar Company in 1959. In 1959 when the 330 was released the retail price was $275. The 330s came in two different designs, a one P-90 guitar pickup model called the ES-330T and a two pickup model called the ES-330TD. Specifications The ES-335 was released in 1958 and it had the same dimensions as the ES-330. The 330s had a maple top, back and sides with two F Holes in the top. The body was lon ...
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Keith Jarrett
Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music. His album, ''The Köln Concert'', released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll. In 2003, Jarrett received the Polar Music Prize and was the first recipient to be recognized with prizes for both contemporary and classical music. In 2004, he received the Léonie Sonning Music Prize. In February 2018, Jarrett suffered a stroke and has been unable to perform since. A second stroke, in May 2018, left ...
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Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sas ...
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Steve Allen
Stephen Valentine Patrick William Allen (December 26, 1921 – October 30, 2000) was an American television personality, radio personality, musician, composer, actor, comedian, and writer. In 1954, he achieved national fame as the co-creator and first host of ''The Tonight Show'', which was the first late-night television talk show. Though he got his start in radio, Allen is best known for his extensive network television career. He gained national attention as a guest host on ''Arthur Godfrey's Talent Scouts.'' After he hosted ''The Tonight Show'', he went on to host numerous game and variety shows, including his own ''The Steve Allen Show'', ''I've Got a Secret'', and ''The New Steve Allen Show''. He was a regular panel member on CBS's ''What's My Line?'' and, from 1977 until 1981, he wrote, produced, and hosted the award-winning public broadcasting show ''Meeting of Minds'', a series of historical dramas presented in a talk format. Allen was a pianist and a prolific c ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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The Washington Post
''The Washington Post'' (also known as the ''Post'' and, informally, ''WaPo'') is an American daily newspaper published in Washington, D.C. It is the most widely circulated newspaper within the Washington metropolitan area and has a large national audience. Daily broadsheet editions are printed for D.C., Maryland, and Virginia. The ''Post'' was founded in 1877. In its early years, it went through several owners and struggled both financially and editorially. Financier Eugene Meyer purchased it out of bankruptcy in 1933 and revived its health and reputation, work continued by his successors Katharine and Phil Graham (Meyer's daughter and son-in-law), who bought out several rival publications. The ''Post'' 1971 printing of the Pentagon Papers helped spur opposition to the Vietnam War. Subsequently, in the best-known episode in the newspaper's history, reporters Bob Woodward and Carl Bernstein led the American press's investigation into what became known as the Watergate scandal ...
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Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ...
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