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Transfiguration Of Hiram Brown
''Transfiguration of Hiram Brown'' is a studio album by Mose Allison released in 1960 under the Columbia Records label (Columbia CL1444). The album includes nine tracks written by Allison and five covers, all sung by Allison, with Addison Farmer on bass and Jerry Segal on drums. Background From the liner notes by Teo Macero: : According to Mose Allison, "Transfiguration of Hiram Brown Suite" is a serio-comic fantasy based on a perennial theme. Hiram Brown is the naive provincial who dreams of a life of opulence in the city. He goes there, is overwhelmed and disillusioned, longs for his youth, realizes that this too is an illusion, despairs, goes through a crisis and is "transfigured...." :Some of the material contained here was written many years ago, and some written especially for this album. (The opening theme, for instance, was written ten to fifteen years ago.) The Suite is a fusion of different elements. The first three parts are the country; the middle section the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's ''Live at Leeds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mose Allison Albums
Mose, Mosè, or Mosé is a given name which may refer to: People In religion * Mose Durst, former president of the Unification Church of the United States * Mosé Higuera, Colombian Catholic bishop * Mosè Tovini, Italian Roman Catholic priest In music * Mose Allison, American jazz pianist and singer * Mose Christensen, American musician, founder and conductor of the Oregon Symphony * Mose Rager, guitar player from Kentucky In visual art * Mosè Bianchi, Italian painter and printmaker * Mose Tolliver, American painter * Mosè Turri, Italian painter In sports * Mosé Arosio, Italian racing cyclist * Mose Bashaw, NFL player * Mose Lantz, NFL player * Mosé Navarra, former tennis player from Italy * Mose Solomon, the "Rabbi of Swat", American Major League Baseball player * Mose Tuiali'i, rugby union player In other fields * Mose (Ancient Egyptian official), 13th-century BCE Egyptian official under Ramesses II * Mose (scribe), 13th-century BCE Egyptian scribe under Ramesses II * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Rose (songwriter)
Knowles Fred Rose (August 24, 1898 – December 1, 1954) was an American musician, Hall of Fame songwriter, and music publishing executive. Biography Born in Evansville, Indiana, United States, Rose started playing piano and singing as a small boy. In his teens, he moved to Chicago, Illinois where he worked in bars busking for tips, and finally vaudeville. Eventually, he became successful as a songwriter, penning his first hit for entertainer Sophie Tucker. For a short time Rose lived in Nashville, Tennessee, but his radio show there did not last long and he headed to New York City's Tin Pan Alley in hopes of making a living as a songwriter. It was there that he began writing songs with Ray Whitley, an RKO B-Western film star and author of "Back in the Saddle Again", and this collaboration introduced Rose to the possibilities of country music. He lived for a time with Ray and Kay Whitley in an apartment in Hollywood, co-writing many tunes for Ray's movies. In 1942, he return ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Deed I Do
"Deed I Do" is a 1926 jazz standard composed by Fred Rose with lyrics by Walter Hirsch. It was introduced by vaudeville performer S. L. Stambaugh and popularized by Ben Bernie's recording. It was recorded by influential clarinetist and bandleader Benny Goodman as his debut recording in December 1926 with Ben Pollack and His Californians. Ruth Etting's rendition of the song became a top ten hit in 1927 as did the version by Johnny Marvin. Other recorded versions * Matt Dusk and Margaret — ''Just the Two of Us'' (2015) * Lena Horne with Luther Henderson's Orchestra (May 1948); reached No. 26 in the US charts. *Ella Fitzgerald and Count Basie on their 1963 album Ella and Basie. See also * List of 1920s jazz standards References External links List of artists who have performed Deed I Do" at AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Merrill
Henry Robert Merrill Levan (May 17, 1921 – February 17, 1998) was an American songwriter, theatrical composer, lyricist, and screenwriter. He was one of the most successful songwriters of the 1950s on the US and UK single charts. He wrote musicals for the Broadway stage, including '' Carnival!'' (music and lyrics) and '' Funny Girl'' (lyrics). Life and career Merrill played an important role in American popular music; though not able to play a musical instrument, he tapped out many of the hit parade songs of the 1950s on a toy xylophone,Haun, Harry"Bob Merrill: The Music That Made Him"playbill, August 25, 2011 including "(How Much Is) That Doggie in the Window?", " Mambo Italiano" and "If I Knew You Were Comin' I'd've Baked a Cake""Bob Merrill" songhall.org, accessed March 24, 2019 as well as writing music and lyrics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Joe Williams
Joseph Lee "Big Joe" Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby Please Don't Go", " Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992. The blues historian Barry Lee Pearson (''Sounds Good to Me: The Bluesman's Story'', ''Virginia Piedmont Blues'') described Williams's performance: :When I saw him playing at Mike Bloomfield's "blues night" at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby, Please Don't Go
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft. After World War II, Chicago blues and rhythm and blues artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the top ten on the R&B chart. In 1953, Muddy Waters recorded the song as an electric Chicago-ensemble blues piece, which influenced many subsequent renditions. By the early 1950s, the song became a blues standard. In the 1960s, "Baby, Please Don't Go" became a popular rock song after the Northern Irish group Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, possibly on rhythm guitar. Subsequently, Them's uptempo rock arrangement also made it a rock standard. AC/DC and Aer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings. Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for " Stardust", "Georgia on My Mind" (lyrics by Stuart Gorrell), "The Nearness of You", and " Heart and Soul" (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on " Lazybones" and "Skylark". Carmichael's "Ole Buttermilk Sky" was an Academy Award nominee in 1946, from ''Canyon Passage'', in which he co-starred as a musician riding a mule. " In the Cool, Cool, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Little We Know
"How Little We Know" is a song written by Hoagy Carmichael and Johnny Mercer for the 1944 film ''To Have and Have Not'', where it is performed by the character "Slim" played by Lauren Bacall. A young Andy Williams recorded the song for the film as a possible alternative track to dub Bacall's low voice; however, Bacall claimed that they used her singing. After the film's release, it was a hit recording sung by Judy Johnson. Nick Perito and his orchestra recorded an instrumental cover of the song for Muzak's Stimulus Progression program in the 1970s. In 1948, a recording of "How Little We Know" by British singer Steve Conway was released by Columbia. It has been covered periodically, most recently in 1999 by Michael Feinstein with the Maynard Ferguson Big Band for the album ''Big City Rhythms. This song should not be confused with the Carolyn Leigh/Phillip Springer composition "(How Little It Matters) How Little We Know", which was first recorded by Frank Sinatra Francis Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
