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Traditional Japanese Clothing
There are typically two types of clothing worn in Japan: traditional clothing known as , including the national dress of Japan, the kimono, and , which encompasses all else not recognised as either national dress or the dress of another country. Traditional Japanese fashion represents a long-standing history of traditional culture, encompassing colour palettes developed in the Heian period, silhouettes adopted from Tang dynasty clothing and cultural traditions, motifs taken from Japanese culture, nature and traditional literature, the use of types of silk for some clothing, and styles of wearing primarily fully-developed by the end of the Edo period. The most well-known form of traditional Japanese fashion is the kimono, with the term ''kimono'' translating literally as "something to wear" or "thing worn on the shoulders".Assmann, Stephanie. "Between Tradition and Innovation: The Reinvention of the Kimono in Japanese Consumer Culture." ''Fashion Theory: The Journal of Dress, Bod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yohji Yamamoto
is a Japanese fashion designer based in Tokyo and Paris. Considered a master tailor alongside those such as Madeleine Vionnet, he is known for his avant-garde tailoring featuring Japanese design aesthetics. Yamamoto has won notable awards for his contributions to fashion, including the Chevalier/Officier/Commandeur of Ordre des Arts et des Lettres, Medal of Honor with Purple Ribbon, the Ordre national du Mérite, the Royal Designer for Industry and the Master of Design award by Fashion Group International. Early life Born in Tokyo, Yamamoto graduated from Keio University with a degree in law in 1966. He gave up a prospective legal career to assist his mother in her dressmaking business, from where he learned his tailoring skills. He further studied fashion design at Bunka Fashion College, getting a degree in 1969. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wajinden
The ''Wajinden'' refers to the passages in the 30th volume of the Chinese history chronicle ''Records of the Three Kingdoms'' that talk about the Wa people who would later be known as the Japanese people. It describes the mores, geography, and other aspects of the Wa, the people and inhabitants of the Japanese archipelago at the time. The ''Records of the Three Kingdoms'' was written by Chen Shou of the Western Jin Dynasty at the end of the 3rd century (between 280 ( Demise of Wu) and 297, the year of Chen Shou's death). Overview There was no independent biography called "Wajinden" in "records of the three kingdoms".、and the description of Yamato is part of the "Biography of Wei", vol. 30, "Biography of Wushan Sunbei Dongbi". Therefore, some believe that it is meaningless unless one reads not only the article on the Yamato but also the whole of the Biography of the Eastern Yi.. Yoshihiro Watanabe, a researcher of "Records of the Three Kingdoms," states that, like the "Book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayoi Period
The started at the beginning of the Neolithic in Japan, continued through the Bronze Age, and towards its end crossed into the Iron Age. Since the 1980s, scholars have argued that a period previously classified as a transition from the Jōmon period should be reclassified as Early Yayoi. The date of the beginning of this transition is controversial, with estimates ranging from the 10th to the 3rd centuries BC. The period is named after the Yayoi, Tokyo, neighbourhood of Tokyo where Archaeology, archaeologists first uncovered artifacts and features from that era in the late 19th century. Distinguishing characteristics of the Yayoi period include the appearance of new Yayoi pottery styles and the start of an intensive rice agriculture in paddy fields. A hierarchical social class structure dates from this period and has its origin in China. Techniques in metallurgy based on the use of bronze and iron were also introduced from China via Korea to Japan in this period. The Yayoi foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayoi People Attires
The started at the beginning of the Neolithic in Japan, continued through the Bronze Age, and towards its end crossed into the Iron Age. Since the 1980s, scholars have argued that a period previously classified as a transition from the Jōmon period should be reclassified as Early Yayoi. The date of the beginning of this transition is controversial, with estimates ranging from the 10th to the 3rd centuries BC. The period is named after the neighbourhood of Tokyo where archaeologists first uncovered artifacts and features from that era in the late 19th century. Distinguishing characteristics of the Yayoi period include the appearance of new Yayoi pottery styles and the start of an intensive rice agriculture in paddy fields. A hierarchical social class structure dates from this period and has its origin in China. Techniques in metallurgy based on the use of bronze and iron were also introduced from China via Korea to Japan in this period. The Yayoi followed the Jōmon period and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Appropriation
Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures. Fourmile, Henrietta (1996). "Making things work: Aboriginal and Torres Strait Islander Involvement in Bioregional Planning" in ''Approaches to bioregional planning. Part 2. Background Papers to the conference; 30 October – 1 November 1995, Melbourne''; Department of the Environment, Sport and Territories. Canberra. pp. 268–269: "The esternintellectual property rights system and the (mis)appropriation of Indigenous knowledge without the prior knowledge and consent of Indigenous peoples evoke feelings of anger, or being cheated" According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Japonaise (painting)
is a 1876 oil painting by the French Impressionism, Impressionist painter Claude Monet. Painted on a canvas, the full-length portrait depicts a European woman in a red kimono standing in front of a wall decorated by uchiwa, Japanese fans. Monet's first wife Camille Doncieux modeled for the painting. The painting was first exhibited in the second Impressionism exhibition of 1876, and is now exhibited at the Museum of Fine Arts, Boston. Description In the painting, Monet depicts Camille in a padded, heavily decorated red kimono (an ) belonging to a famous Japanese actor, standing on Japanese-style tatami mat and in front of a wall decorated by Japanese ' fans. Camille, whose hair was dark, wears a blonde wig, emphasizing her identity as a European woman, indicating that the painting shows the performance and appropriation of Japanese culture rather than an authentic Japanese environment. Camille's body, turned in profile, shows her face turned towards the viewer, a gesture like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japonisme
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert & Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rikishi
A , or, more colloquially, , is a professional sumo wrestler. follow and live by the centuries-old rules of the sumo profession, with most coming from Japan, the only country where sumo is practiced professionally. Participation in official tournaments () is the only means of marking achievement in sumo, with the rank of an individual based solely on official wins. The number of active peaked at 943 in May 1994, at the height of the "Waka-Taka boom," but had declined to 665 by January 2022. Terminology In popular use, the term can mean any sumo wrestler and be an alternative term to (sumo practitioner) or the more colloquial . The two kanji characters that make up the word are "strength/power" and "gentleman/samurai"; consequently, and more idiomatically, the term can be defined as "a gentleman of strength". Within the world of professional sumo, is used as a catch-all term for wrestlers who are in the lower, un-salaried divisions of , , and . The more prestigious t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiko
A is an apprentice geisha in Kyoto and Their jobs consist of performing songs, dances, and playing the or other traditional Japanese instruments for visitors during banquets and parties, known as . are usually aged between 17 to 20 years old, and graduate to geisha status after a period of training, which includes learning traditional dance, learning to play the , learning to sing , and, in Kyoto only, learning the Kyoto dialect. This apprenticeship usually ranges from a period of a few months to a year or two years, though apprentices too old to dress as may instead skip to the stage of geisha, despite still being in training. Apprentice geisha in other locations in Japan are known by other terms, such as for apprentices in Tokyo. The traditions of apprentice geisha in these areas vary from those in Kyoto, sometimes to a considerable degree, including an apprentice's appearance and the structure of their apprenticeship. Work In the morning, take lessons in the tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha, 芸者 ({{IPAc-en, ˈ, ɡ, eɪ, ʃ, ə; {{IPA-ja, ɡeːɕa, lang), also known as {{nihongo, , 芸子, geiko (in Kyoto and Kanazawa) or {{nihongo, , 芸妓, geigi, are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and {{transliteration, ja, oshiroi make-up. Geisha entertain at parties known as {{transliteration, ja, ozashiki, often for the entertainment of wealthy clientele, as well as performing on stage and at festivals. Modern geisha are not prostitutes. This misconception originated due to the conflation of Japanese courtesans ({{transliteration, ja, oiran), {{transliteration, ja, oiran reenactors, the extant {{transliteration, ja, tayū, and prostitutes, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
