Townley Antinous
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Townley Antinous
The Townley Antinous is a marble portrait head of the Greek youth Antinous, the boyfriend or lover of the Roman Emperor Hadrian, wearing an ivy wreath. It is now part of the collection of London's British Museum, and was part of the Townley Marbles. Only the head is ancient, once belonging to statue dating from and the late reign of Hadrian (); the bust is a modern addition. The portrait probably shows the youth as Dionysus–Bacchus. The bust was acquired along with the rest of the antiquities collected by 18th-century Grand Tourist and Fellow of the Royal Society, Charles Townley. A drawing of the bust attributed to Vincenzo Pacetti is also in the museum's collection. The head, carved from Parian marble, was believed to have been found on the Janiculum hill near the Villa Doria Pamphili in Rome in 1770, in an area then known as . It and the remains of the statue to which it belonged were found used as ''spolia'' in a roadside wall near the Porta San Pancrazio, a gate in the ...
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Antinous
Antinous, also called Antinoös, (; grc-gre, Ἀντίνοος; 27 November – before 30 October 130) was a Greek youth from Bithynia and a favourite and probable lover of the Roman emperor Hadrian. Following his premature death before his twentieth birthday, Antinous was deified on Hadrian's orders, being worshipped in both the Greek East and Latin West, sometimes as a god () and sometimes merely as a hero (). Little is known of Antinous's life, although it is known that he was born in Claudiopolis (present day Bolu, Turkey), in the Roman province of Bithynia et Pontus. He was probably introduced to Hadrian in 123, before being taken to Italy for a higher education. He had become the favourite of Hadrian by 128, when he was taken on a tour of the Roman Empire as part of Hadrian's personal retinue. Antinous accompanied Hadrian during his attendance of the annual Eleusinian Mysteries in Athens, and was with him when he killed the Marousian lion in Libya, an event highly publ ...
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Spolia
''Spolia'' (Latin: 'spoils') is repurposed building stone for new construction or decorative sculpture reused in new monuments. It is the result of an ancient and widespread practice whereby stone that has been quarried, cut and used in a built structure is carried away to be used elsewhere. The practice is of particular interest to historians, archaeologists and architectural historians since the gravestones, monuments and architectural fragments of antiquity are frequently found embedded in structures built centuries or millennia later. The archaeologist Philip A. Barker gives the example of a late Roman period (probably 1st-century) tombstone from Wroxeter that could be seen to have been cut down and undergone weathering while it was in use as part of an exterior wall and, possibly as late as the 5th century, reinscribed for reuse as a tombstone. Overview The practice was common in late antiquity. Entire obsolete structures, including underground foundations, are known to ...
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Sculptures Of Antinous
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Busts In The United Kingdom
Bust commonly refers to: * A woman's breasts * Bust (sculpture), of head and shoulders * An arrest Bust may also refer to: Places *Bust, Bas-Rhin, a city in France *Lashkargah, Afghanistan, known as Bust historically Media * ''Bust'' (magazine) of feminist pop culture *''Bust'', a British television series (1987–1988) *"Bust", a 2015 song by rapper Waka Flocka Flame Other uses *Bust, in blackjack *Boom and bust economic cycle *Draft bust in sports, referring to an highly touted athlete that does not meet expectations See also *Busted (other) *Crimebuster (other) *Gangbuster (other) ''Gang Busters'' was an American radio series. Gangbuster(s) or Gang Busters might also refer to: * ''Gang Busters'' (serial), a movie serial based on the radio series * ''Gang Busters'', a 1955 crime film * "Gang Busters" (Tiny Toons episode), ...
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Townley Hadrian
A bust of Hadrian (), the second-century Roman emperor who rebuilt the Pantheon and constructed the Temple of Venus and Roma, was formerly displayed in Pope Sixtus V's Villa Montalto and is now displayed at the British Museum in London. The bust is one of the Townley Marbles collected by Charles Townley (1737–1805) and sold by his heir Peregrine Edward Towneley at a reduced price to the British Museum in 1805. Unlike most busts of Hadrian and other emperors, it shows him in heroic nudity. The bust was found in Rome and is carved from Greek marble. Description and history The Townley bust is comparable with a bronze head of Hadrian in the Louvre. The type is characterized by an elaborate hairstyle of thick curls combed forwards. Both the marble bust and the bronze head have features similar to the marble Head of Constantine the Great () found on Stonegate, a street in York above the ancient ''via praetoria'' thoroughfare of the ''castra'' at Eboracum, garrison of the VI '' ...
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Statue Of Antinous (Delphi)
The Statue of Antinous at Delphi is an ancient statue that was found during excavations in Delphi. Antinous was a young Greek of extraordinary beauty from Bithynia, who became the beloved companion or lover of the Roman emperor Hadrian but later died in the Nile under mysterious circumstances. Stricken by the death of Antinous, Hadrian, who was an admirer and a passionate devotee of classical Greek Antiquity, and also a patron of the Oracle of Delphi, gave orders that statues of the beautiful young man, whom he had loved so passionately, should be erected in all sanctuaries and cities of his vast empire. Furthermore he decreed the institution and establishment of Games in honor of Antinous, who thereafter was honoured and worshipped as a god. Thus a statue of Antinous was erected within the sanctuary of Delphi, after his death, in A.D. 130, and it was one of the most beautiful and impressive cult statues. During the excavations, the statue was discovered upright on its pedestal ...
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Capitoline Antinous
The Capitoline 'Antinous' is a marble statue of a young nude male found at Hadrian's Villa, Tivoli, during the time when Conte Giuseppe Fede was undertaking the earliest concerted excavations there. It was bought before 1733 by Alessandro Cardinal Albani. To contemporaries it seemed to be the real attraction of his collection. The statue was bought by Pope Clement XII in 1733 and went on to form the nucleus of the Capitoline Museums, Rome, where it remains. The restored left leg and the left arm, with its unexpected rhetorical hand gesture, were provided by Pietro Bracci. In the 18th century it was considered to be one of the most beautiful Roman copies of a Greek statue in the world. It was then thought to represent Hadrian's lover Antinous owing to its fleshy face and physique and downturned look. It was part of the artistic loot taken to Paris under the terms of the Treaty of Tolentino (1797) and remained in Paris 1800–15, when it was returned to Rome after the fall of Nap ...
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Antinous Mondragone
The ''Antinous Mondragone'' is a high marble example of the Mondragone type of the deified Antinous. This colossal head was made sometime in the period between 130 AD to 138 AD and then is believed to have been rediscovered in the early 18th century, near the ruined Roman city, Tusculum.Antinous, the lover of Emperor Hadrian, drowned in the Nile that year. Can be read about in: Lambert, Royston (1984). ''Beloved and God''. London: Weidenfeld and Nicolson. pp. 128–142. After its rediscovery, it was housed at the Villa Mondragone as a part of the Borghese collection, and in 1807, it was sold to Napoleon Bonaparte; it is now housed in the Louvre in Paris, France. This acrolithic sculpture was produced during the rule of Emperor Hadrian, who ruled from 117 AD until he died in 138 AD. It is widely accepted that Hadrian had kept Antinous as his lover and that they had a sexual relationship. However, this relationship did not accumulate much documentation, so a great deal of the ...
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Antinous Farnese
The ''Antinous Farnese'' is a marble sculptural representation of Antinous that was sculpted between 130 and 137 CE. Antinous was the lover to Roman Emperor Hadrian; the emperor who, after Antinous's death, perpetuated the image of Antinous as a Roman god within the Roman empire. This sculpture is a part of the Roman Imperial style and was sculpted during a revival of Greek culture, initiated by Hadrian's philhellenism. Its found spot and provenance are unknown, but this sculpture is currently a part of the Farnese Collection in the Naples National Archaeological Museum. History Antinous was the Greek lover to the Roman emperor Hadrian in the second century CE. Often referenced to as Hadrian's favorite, or more affectionately Hadrian's boyfriend, Antinous was born a slave in Bithynium 110 CE and is speculated to have drowned in the river Nile before his twentieth birthday in 130 CE. The circumstances of Antinous's death vary by account, though the most popular theories range from ...
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John Sackville, 3rd Duke Of Dorset
John Frederick Sackville, 3rd Duke of Dorset, KG (25 March 174519 July 1799) was the only son of Lord John Philip Sackville, second son of Lionel Sackville, 1st Duke of Dorset. His mother was the former Lady Frances Leveson-Gower. He succeeded to the dukedom in 1769 on the death of his uncle, Charles Sackville, 2nd Duke of Dorset. He was the British Ambassador to France from 1784 and returned to England in August 1789 following the escalation of the French Revolution. Dorset is remembered for his love of cricket. He was both a good player and an important patron, but his interest was sharpened by gambling, cricket being a major attraction for gamblers throughout the 18th century. His other sporting interests included billiards and tennis. He also acquired a reputation as a womaniser. Politics Dorset was returned unopposed as the Member of Parliament for the county of Kent in 1768, sitting until he became the 3rd Duke of Dorset on the death of his uncle in 1769. He was appoint ...
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Antiquary
An antiquarian or antiquary () is an fan (person), aficionado or student of antiquities or things of the past. More specifically, the term is used for those who study history with particular attention to ancient artifact (archaeology), artifacts, History of archaeology, archaeological and historic Archaeological site, sites, or historic archives and manuscripts. The essence of antiquarianism is a focus on the empirical evidence of the past, and is perhaps best encapsulated in the motto adopted by the 18th-century antiquary Sir Richard Hoare, 2nd Baronet, Sir Richard Colt Hoare, "We speak from facts, not theory." The ''Oxford English Dictionary'' first cites "archaeologist" from 1824; this soon took over as the usual term for one major branch of antiquarian activity. "Archaeology", from 1607 onwards, initially meant what is now seen as "ancient history" generally, with the narrower modern sense first seen in 1837. Today the term "antiquarian" is often used in a pejorative sense ...
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Thomas Jenkins (antiquary)
Thomas Jenkins (ca. 1722–1798) was a British artist who went to Rome accompanying the British landscape-painter Richard Wilson about 1750 and remained behind, establishing himself in the city by serving as cicerone and sometimes banker to the visiting British, becoming a dealer in Roman sculpture and antiquities to a largely British clientele and an agent for gentlemen who wished a portrait or portrait-bust as a memento of the Grand Tour. Biography Thomas Jenkins was born in Sidbury in Devon in 1722 (and not in Rome as first noted by Thomas Ashby and followed by other scholars) Afterwards he studied painting with Thomas Hudson in London and from 1753 practised as a painter in Rome, where he associated with the painters Richard Wilson and Gavin Hamilton. Like several other artists in Rome, Jenkins judged that he could make a better living as a guide and dealer than as a painter; and in the course of time he became the leading connoisseur and antiquary to British visitors. ...
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