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Tower (typeface)
Tower was a slab serif typeface designed by Morris Fuller Benton for American Type Founders and based upon his earlier design for Stymie, but with straight sides to the round letters emphasizing the vertical appearance. Tower Italic was designed but not cast. In 1936, Tower Bold was started by the same designer, but was instead made into Stymie Bold Condensed.Mac MacGrew, "American Metal Typefaces of the Twentieth Century," Oak Knoll Books, New Castle Delaware, 1993, p. 309., . Digital type Tower was digitized as Constructa by Elizabeth Cory Holzman for Font Bureau The Font Bureau, Inc. or Font Bureau is a digital type foundry based in Boston, Massachusetts, United States. The foundry is one of the leading designers of typefaces, specializing in type designs for magazine and newspaper publishers. History .... Holzman's revival includes a light weight called Constructa Thin and an extra bold called Constructa Black. References *Blackwell, Lewis. ''20th Century Type.'' Yal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slab Serif
In typography, a slab serif (also called ''mechanistic'', ''square serif'', ''antique'' or ''Egyptian'') typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular ( Rockwell), or rounded (Courier). Slab serifs were introduced in the early nineteenth century. Slab serifs form a large and varied genre. Some such as Memphis and Rockwell have a geometric design with minimal variation in stroke width: they are sometimes described as sans-serif fonts with added serifs. Others such as those of the Clarendon genre have a structure more like most other serif fonts, though with larger and more obvious serifs. These designs may have bracketed serifs which increase width along their length before merging with the main strokes of the letters, while on geometrics the serifs have a constant width. Display-oriented slab serifs are often extremely bold, intended to grab the reader's attention on a poster, while slab serifs or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morris Fuller Benton
Morris Fuller Benton (November 30, 1872 – June 30, 1948) was an American typeface designer who headed the design department of the American Type Founders (ATF), for which he was the chief type designer from 1900 to 1937. Many of Benton's designs, such as his large family of related sans-serif or "gothic" typefaces, including Alternate Gothic, Franklin Gothic, and News Gothic, are still in everyday use. Typefaces Benton is credited as America's most prolific designer of metal type, having (with his team) completed 221 typefaces, including revivals of historical models, like Bodoni and Cloister; original designs, such as Hobo, Bank Gothic, and Broadway; and adding new weights to existing faces, such as Century, Goudy Old Style and Cheltenham. Although he did not invent the concept, Benton working at ATF pioneered the concept of families of typeface designs, allowing consistency of appearance in different sizes, widths and weights. This allowed ATF to capitalise on a succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Type Founders
American Type Founders (ATF) Co. was a business trust created in 1892 by the merger of 23 type foundries, representing about 85% of all type manufactured in the United States. De Vinne, Theodore Low, ''The Practice of Typography,'' Century Company, N.Y.C., 1922, p. 105. The new company, consisting of a consolidation of firms from throughout the United States, was incorporated in New Jersey. The American Type Founders Co. should not be confused with the American Type Founders’ Association—also called the Type Founders' Association of the United States. Both institutions are identified by the same acronym, ATF. The ATF Association was formed in 1864 and was responsible for establishing the American point system in 1886 based on 35 picas exactly equal to 35 cm. The ATF Co. was not formed until 1892. All but 6 of the 23 foundries in the company were members of the ATF Association. The American Type Founders Co. was the dominant American manufacturer of metal type from its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stymie (typeface)
A stymie is an obsolete rule in the sport of golf. It legislated for the situation where a player's ball lay behind or blocked by another player's ball; the blocked player was not afforded relief. In the modern game, the blocking ball is temporarily removed to afford a clear line to the hole. Various changes to the stymie rule were enacted in 1938 and 1941. Finally, in 1952, the stymie rule was removed from the rules of golf when the USGA and the R&A established a joint set of rules. Rule history In singles match play when one player's ball blocked the path of another player's ball on the green, but the two were not within six inches of each other, the obstructing ball was not lifted. This forced the player who was further away from the hole to either attempt to chip his ball over the obstructing ball or to putt around it. If his ball struck the opponent's ball, his next shot would have to be played from where his ball came to rest and his opponent, when it was his turn to pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Cory Holzman
Elizabeth or Elisabeth may refer to: People * Elizabeth (given name), a female given name (including people with that name) * Elizabeth (biblical figure), mother of John the Baptist Ships * HMS ''Elizabeth'', several ships * ''Elisabeth'' (schooner), several ships * ''Elizabeth'' (freighter), an American freighter that was wrecked off New York harbor in 1850; see Places Australia * City of Elizabeth ** Elizabeth, South Australia * Elizabeth Reef, a coral reef in the Tasman Sea United States * Elizabeth, Arkansas * Elizabeth, Colorado * Elizabeth, Georgia * Elizabeth, Illinois * Elizabeth, Indiana * Hopkinsville, Kentucky, originally known as Elizabeth * Elizabeth, Louisiana * Elizabeth Islands, Massachusetts * Elizabeth, Minnesota * Elizabeth, New Jersey, largest city with the name in the U.S. * Elizabeth City, North Carolina * Elizabeth (Charlotte neighborhood), North Carolina * Elizabeth, Pennsylvania * Elizabeth Township, Pennsylvania (other) * Elizabeth, West Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Bureau
The Font Bureau, Inc. or Font Bureau is a digital type foundry based in Boston, Massachusetts, United States. The foundry is one of the leading designers of typefaces, specializing in type designs for magazine and newspaper publishers. History Font Bureau was founded in 1989 by Roger Black and David Berlow. Before founding Font Bureau, Roger Black was an established publications designer and consultant. David Berlow is a noted type designer. ''The New York Times Magazine'', ''Newsweek'', ''Esquire Magazine'', ''Rolling Stone'' and the ''Wall Street Journal'' rank among Font Bureau's client list. Apart from Black and Berlow, other prominent designers at Font Bureau have included Tobias Frere-Jones, later of Hoefler & Frere-Jones and Frere-Jones Type, and Cyrus Highsmith, later of Occupant Fonts and Morisawa. Matthew Carter has been a frequent collaborator with the foundry. In October 2009, news sources reported that Font Bureau was "suing NBC Universal for at least $2 million ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Type Founders Typefaces
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterpress Typefaces
Letterpress printing is a technique of relief printing. Using a printing press, the process allows many copies to be produced by repeated direct impression of an inked, raised surface against sheets or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper. In practice, letterpress also includes other forms of relief printing with printing presses, such as wood engravings, photo-etched zinc "cuts" (plates), and linoleum blocks, which can be used alongside metal type, or wood type in a single operation, as well as stereotypes and electrotypes of type and blocks. With certain letterpress units, it is also possible to join movable type with slugs cast using hot metal typesetting. In theory, anything that is "type high" and so forms a layer exactly 0.918 in. thick between the bed and the paper can be printed using l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Typefaces
Digital usually refers to something using discrete digits, often binary digits. Technology and computing Hardware *Digital electronics, electronic circuits which operate using digital signals **Digital camera, which captures and stores digital images ***Digital versus film photography **Digital computer, a computer that handles information represented by discrete values **Digital recording, information recorded using a digital signal Socioeconomic phenomena *Digital culture, the anthropological dimension of the digital social changes * Digital divide, a form of economic and social inequality in access to or use of information and communication technologies * Digital economy, an economy based on computing and telecommunications resources Other uses in technology and computing *Digital data, discrete data, usually represented using binary numbers *Digital marketing, search engine & social media presence booster, usually represented using online visibility. *Digital media, media s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typefaces And Fonts Introduced In 1936
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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