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Tournai And The Tournaisis
The Tournaisis, or Tournai (Flemish: ''Doornik''), a territory in the Low Countries in present-day Belgium, is one of Europe's oldest town centres. Located in the Wallonia region of Belgium on the Scheldt River (French: ''L'Escaut''), northwest of Mons, Tournai residents are primarily French-speaking. It is home to some of the oldest and best preserved medieval architecture in Europe, notably the Cathédrale Notre Dame and the Belfry of Tournai, a belltower built in 1188, both of which are designated World Heritage Site, UNESCO World Heritage sites. The river Scheldt's access to the sea made Tournai a trading hub in the Middle Ages. History Tournai was important to the Romans since the time of Saint Piat in the 3rd century, and it has origins that date back to 60 AD. It has changed hands many times since. Tournai was seized by the Salian Franks, Salic Franks in the 5th century under the Frankish king Clovis I, the first king of the Franks. It became the capital of the Merovingian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Locator Prince-Bishopric Of Tournai (1350)
Locator may refer to: * One who locates, or is entitled to locate, a land or mining claim * ''Lokator'' (in Latin ''locator''), a medieval servant in charge of organizing colonization and settlement * Locator map * Locator software, a type of e-commerce software * Maidenhead Locator System, a method used by amateur radio operators to define locations on the Earth * Record locators used by airlines and travel agencies * Uniform Resource Locator (URL) * A device used in acoustic location * ''The Locator'', a series of novels by Richard Greener which were adapted into the television series ''The Finder'' *(Laboratory) A person in charge of knowing where all the staff of a laboratory are located, using signals from a badge that the staff wear. Aviation * Non-directional beacon, a radio navigation aid for use by pilots of aircraft * Locator outer marker, a radio navigation aid for use with an aircraft instrument landing system See also * Locate (other) * Location (disambi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peace Of Utrecht
The Peace of Utrecht was a series of peace treaties signed by the belligerents in the War of the Spanish Succession, in the Dutch city of Utrecht between April 1713 and February 1715. The war involved three contenders for the vacant throne of Spain, and involved much of Europe for over a decade. The main action saw France as the defender of Spain against a multinational coalition. The war was very expensive and bloody and finally stalemated. Essentially, the treaties allowed Philip V (grandson of King Louis XIV of France) to keep the Spanish throne in return for permanently renouncing his claim to the French throne, along with other necessary guarantees that would ensure that France and Spain should not merge, thus preserving the balance of power in Europe. The treaties between several European states, including Spain, Great Britain, France, Portugal, Savoy and the Dutch Republic, helped end the war. The treaties were concluded between the representatives of Louis XIV of Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
County Of Hainaut
The County of Hainaut (french: Comté de Hainaut; nl, Graafschap Henegouwen; la, comitatus hanoniensis), sometimes spelled Hainault, was a territorial lordship within the medieval Holy Roman Empire that straddled what is now the border of Belgium and France. Its most important towns included Mons ( nl, Bergen), now in Belgium, and Valenciennes, now in France. The core of the county was named after the river Haine. It stretched southeast to include the ''Avesnois'' region and southwest to the Selle (Scheldt tributary). In the Middle Ages, it also gained control of part of the original ''pagus'' of Brabant to its north and the ''pagus'' of Oosterbant to the east, but they were not part of the old ''pagus'' of Hainaut. In modern terms, the original core of Hainaut consisted of the central part of the Belgian province of Hainaut, and the eastern part of the French ''département'' of Nord (the arrondissements of Avesnes-sur-Helpe and Valenciennes). Hainaut already appeared in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
County Of Flanders
The County of Flanders was a historic territory in the Low Countries. From 862 onwards, the counts of Flanders were among the original twelve peers of the Kingdom of France. For centuries, their estates around the cities of Ghent, Bruges and Ypres formed one of the most affluent regions in Europe. Up to 1477, the area under French suzerainty was west of the Scheldt and was called "Royal Flanders" (Dutch: ''Kroon-Vlaanderen'', French: ''Flandre royale''). Aside from this, the counts, from the 11th century onward, held land east of the river as a fief of the Holy Roman Empire: "Imperial Flanders" (''Rijks-Vlaanderen'' or ''Flandre impériale''). Part of the Burgundian Netherlands from 1384, which had a complex relation with France, the whole county fell to the Empire after the Peace of Madrid in 1526 and the Peace of the Ladies in 1529. Having already regained much, by 1795, the rest – within the Austrian Netherlands – was acquired likewise by France under the Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marbrianus De Orto
Marbrianus de Orto (Dujardin; also Marbriano, Marbrianus) ( – January or February 1529) was a Dutch composer of the Renaissance (Franco-Flemish school). He was a contemporary, close associate, and possible friend of Josquin des Prez, and was one of the first composers to write a completely canonic setting of the Ordinary of the Mass. Life The illegitimate child of a priest, Orto was probably born in Tournai, and spent the early part of his life there. While his original surname was Dujardin, he used "de Orto" (the Italian translation of Dujardin) throughout his life. In June 1482, in the household of Ferry de Clugny, Cardinal-Bishop of Tournai (who died 7 October 1483), he went to Rome, where he became a singer in the papal chapel; he may have become an accomplished composer around this time, since his ''Missa ad fugam'' seems to have been written in response to the similar composition by Josquin des Prez, tentatively dated to the early 1480s, and Orto's mass was copied for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De La Rue
Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vico. A member of the same generation as Josquin des Prez, and a long associate of the Habsburg- Burgundian musical chapel, he ranks with Agricola, Brumel, Compère, Isaac, Obrecht, and Weerbeke as one of the most famous and influential composers in the Netherlands polyphonic style in the decades around 1500. Biography Early life La Rue was probably born at Tournai, in modern Belgium, and likely educated at the Notre-Dame Cathedral there, which had a substantial musical establishment. He may have been the son of Jean de la Rue, a master ''enlumineur'' of the town of Tournai. While no records remain of his childhood, a Peter vander Straten (the Flemish equivalent of his name) is mentioned in the archives of the cathedral of Ste. Gudule in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphony, polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote Religious music, sacred music, primarily Mass (music), masses, motets, and hymns. Term and controversy Several generations of Renaissance music, Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Hauts-de-France, Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Daret
Jacques Daret (c. 1404 – c. 1470) was an Early Netherlandish painter born in Tournai (Doornik; now in Belgium), where he would spend much of his life. Daret spent 15 years as a pupil in the studio of Robert Campin, alongside Rogier or Rogelet de le Pasture (assumed by scholars to be Rogier van der Weyden), and afterwards became a master in his own right. He became a favorite of the Burgundian court, and his patron for 20 years was the abbot of St. Vaast in Arras, Jean de Clercq. Though many works of Daret are mentioned in Jean de Clercq's account books, only four panels have survived: all are from the so-called ''Arras Altarpiece'' or ''Saint-Vaast Altarpiece'', painted for the abbot between 1433 and 1435. These paintings show a striking resemblance to the Flemish realism of the Master of Flémalle. This is argued by most scholars to be evidence that the Master of Flémalle was Daret's master, Robert Campin. Daret features rather more in the art historical debates over hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish painting. While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades. Campbell, Lorne. "Robert Campin, the Master of Flémalle and the Master of Mérode". ''The Burlington Magazine'', Volume 116, No. 860, Nov. 1974. 634-646 A corpus of work is attached to the unidentified "Master of Flémalle,"Fragments remain probably from som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Horta
Victor Pierre Horta (; Victor, Baron Horta after 1932; 6 January 1861 – 8 September 1947) was a Belgian architect and designer, and one of the founders of the Art Nouveau movement. His Hôtel Tassel in Brussels, built in 1892–93, is often considered the first Art Nouveau house. The curving stylized vegetal forms that Horta used influenced many others, including architect Hector Guimard, who used it in the first house he designed in Paris and in the entrances he designed for the Paris Metro. He is also considered a precursor of modern architecture for his open floor plans and his innovative use of iron, steel and glass. Horta's later work moved away from Art Nouveau, and became more geometric and formal, with classical touches, such as columns. He made a highly original use of steel frames and skylights to bring light into the structures, open floor plans, and finely-designed decorative details. His later major works included the Maison du Peuple/Volkshuis (1895–1899); ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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