|
Touch Me I'm Sick
"Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a sarcastic take on issues such as disease and violent sex. When it was first released, "Touch Me I'm Sick" was a hit on college radio. Its heavily distorted and fuzzy guitars, snarling vocals, blunt bass line and energetic drumming contributed to a dirty sound that influenced many local musicians, and helped develop the nascent Seattle grunge scene. According to AllMusic, "the song's raw, primal energy made it an instant anthem which still stands as one of runge'sall-time classics".Huey, Steve. "Touch Me I'm Sick" song review AllMusic. Retrieved November 27, 2010. A staple of Mudhoney's live shows, it remains the band's most recognizable song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudhoney
Mudhoney is an American rock band formed in Seattle, Washington, in 1988, following the demise of Green River. Its members are singer and rhythm guitarist Mark Arm, lead guitarist Steve Turner, bassist Guy Maddison and drummer Dan Peters. Original bassist Matt Lukin left the band in 1999. Mudhoney's early releases on the Sub Pop label, particularly their debut single "Touch Me I'm Sick" and the ''Superfuzz Bigmuff'' EP, were instrumental in the creation of the Grunge genre. Although the band found little commercial success and remained somewhat 'underground' and non-mainstream, Mudhoney has released ten studio albums and inspired countless grunge and alternative rock musicians during their long career. History Mr. Epp and the Calculations: 1978–1984 Two future members of Mudhoney met through their association with Mr. Epp and the Calculations. This band formed in 1978 in Bellevue, Washington, a suburb of Seattle. While at Bellevue Christian High School, Mark McLaughlin (lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Pavitt
Bruce S. Pavitt (born March 7, 1959) is the Chicago-born co-founder of independent record label Sub Pop. He attended Evergreen State College where he hosted a show on Evergreen's KAOS radio station before founding Sub Pop. History After briefly attending Blackburn College in Carlinville, Illinois and subsequently transferring to The Evergreen State College in Washington State, Pavitt started a fanzine entitled ''Subterranean Pop'' in Olympia, Washington in 1980, about American independent rock bands. Pavitt wrote: “We need diverse, regionalized, localized approaches to all forms of art, music, and politics…the most intense music, the most original ideas are coming out of scenes you don’t even know exist. Tomorrow’s pop is being realized today on small decentralized record labels that are interested in taking risks, not making money.”—Subterranean Pop #1, 1980 Three cassette compilations were released through the fanzine. In 1983, Pavitt moved to Seattle and starte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distortion (guitar)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Pedal
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guitar a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Muff
The Big Muff Pi (π), often known simply as the Big Muff, is a fuzzbox produced in New York City by the Electro-Harmonix company, along with their Russian sister company Sovtek, primarily for use with the electric guitar. It is used by bassists as well due to the Big Muff's squeaky frequency response. History The following is a direct quote from Mike Matthews, Electro-Harmonix founder, and president: An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff. It was available at least until the mid-1970s. The Big Muff Pi was the first overwhelming success for Electro-Harmonix's line of pedals. Due to its reliability, its low price and its distinctive sound, the Big Muff sold consistently through the 1970s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Chord
A power chord (also fifth chord) is a colloquial name for a chord in guitar music, especially electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played on amplified guitars, especially on electric guitar with intentionally added distortion or overdrive effects. Power chords are a key element of many styles of rock, especially heavy metal and punk rock. Analysis When two or more notes are played through a distortion process that non-linearly transforms the audio signal, additional partials are generated at the sums and differences of the frequencies of the harmonics of those notes (intermodulation distortion). When a typical chord containing such intervals (for example, a major or minor chord) is played through distortion, the number of different frequencies generated, and the complex ratios between them, can make the resulting sound messy and indistinct. This effect is accentuated as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Punk (fusion Genre)
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock. The term "garage punk" often also refers to the original 1960s garage rock movement rather than the 1980s-90s fusion style. The 1980s-90s style itself is sometimes referred to interchangeably as "garage rock" or "garage revival". The term "garage punk" dates back as early as 1972 in reference to the original 1960s garage rock style, although "punk" as it is known today was not solidified as its own distinct genre until 1976. Therefore, despite earlier references to 1960s garage rock as "garage punk", the usage of the term "pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rocket (newspaper)
''The Rocket'' was a free biweekly newspaper serving the Pacific Northwest region of the United States, published from 1979–2000. The newspaper's chief purpose was to document local music. This focus distinguished it from other area weeklies such as the ''Seattle Weekly'' and the ''Willamette Week'', which reported more on local news and politics. Originally solely a Seattle-based newspaper, a Portland, Oregon edition was introduced in 1991. In general, the two editions contained the same content, with some slight variations (i.e., different concert calendars) although occasionally they ran different cover stories. Publication history Bob McChesney, the paper's founder and publisher, had been active as a salesman for the '' Seattle Sun'', a weekly alternative newspaper that competed with the ''Seattle Weekly''. Frustrated by the paper’s refusal to cover Seattle’s then-burgeoning music-scene, the ''Sun’s'' arts editor, Robert Ferrigno, and art director, Bob Newman, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Worldwide
BBC Worldwide Ltd. was the wholly owned commercial subsidiary of the BBC, formed out of a restructuring of its predecessor BBC Enterprises in January 1995. The company monetises BBC brands, selling BBC and other British programming for broadcast abroad with the aim of supplementing the income received by the BBC through the licence fee. The company merged with BBC Studios on 1 April 2018, to form a new licensing, production, and distribution company under the BBC Studios name. History Origins In addition to broadcasting, the BBC has for much of its life also produced additional materials for sale, the profits of which would be returned to the corporation to aid in the financing of these services. The highest profile of these early products was the listings magazine ''Radio Times'', but the net revenue gained from this in 1928 (£93,686, 10 s, 1 d) only equated to 10% of total BBC income. Prior to 1979, several BBC departments dealt with the exploitation and sale of BBC brands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
-2.jpg "Click for more on -> Effects Pedal")
.jpg "Click for more on -> Tempo")
