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Touch Me (The Enid Album)
''Touch Me'' is the third album by the British progressive rock band The Enid. It was released in 1979. Track listing # "Charades I) Humouresque" - (6:17) # "Charades II) Cortege" - (5:11) # "Charades III) Elegy (Touch Me)" - (3:17) # "Charades IV) Gallavant" - (7:14) # "Albion Fair" - (16:00) Personnel ;The Enid * Robert John Godfrey - keyboards * Stephen Stewart - guitars, bass * Francis Lickerish John Francis Lickerish, known professionally as Francis Lickerish (born 11 April 1954, in Cambridge), is a British composer, guitarist and lutenist, and founder member of British art-rock band The Enid. Lickerish was a member of The Enid from it ... - guitars * William Gilmour - keyboards * Terry "Thunderbags" Pack - bass * David Storey - drums * Tony Freer - Cor Anglais, oboe References External linksRYM page {{Authority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Enid
The Enid are a British progressive rock band founded by keyboardist and composer Robert John Godfrey. Godfrey received his main musical education from The Royal College of Music. He is previously known for his work with Barclay James Harvest, and as a recording artist on the Charisma label. In 2014, he won the Visionary Award (Progressive Music Awards) for establishing an early fan based crowdfunding model to finance the band named The Stand. In 1973, Godfrey, together with friends Francis Lickerish, Stephen Stewart and David Williams founded The Enid. They had all met at the famous experimental educational establishment, Finchden Manor. In 1974, they were joined by Dave Storey and Glen Tollet. History The Enid began recording at about the same time as punk rock burst upon the music scene. Godfrey has said that he always regarded The Enid's ironic takes on classical music as being just as anarchic as anything by the Sex Pistols, but this did not translate into either musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed " progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pye Records
Pye Records was a British record label. Its best known artists were Lonnie Donegan (1956–1969), Petula Clark (1957–1971), the Searchers (1963–1967), the Kinks (1964–1971), Sandie Shaw (1964–1971), Status Quo (1968–1971) and Brotherhood of Man (1975–1979). The label changed its name to PRT Records (distributing as Precision Records & Tapes) in 1980, before being briefly reactivated as Pye Records in 2006. History The Pye Company originally manufactured televisions and radios. Its main plant was situated off what used to be Haig Road, in Cambridge, and it entered the record business when it bought Nixa Records in 1953. In 1955, the company acquired Polygon Records, a label that had been established by Leslie Clark and Alan A. Freeman to control distribution of the recordings of the former's daughter, Petula Clark. Pye merged it with Nixa Records to form Pye Nixa Records. Pye International In 1958, Pye International Records was established. The company licensed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aerie Faerie Nonsense
''Aerie Faerie Nonsense'' is The Enid's second album. It was released in 1977 by EMI and later re-released by The Enid in 1983 following its deletion from the EMI catalogue. Release ''Aerie Faerie Nonsense'' was recorded at Morgan Studios between August and September 1977 and released that year on EMI Records. EMI deleted it from their catalogue soon after. In 1983, frustrated by the unavailability of the album, The Enid reconstructed it so that they could re-release it by themselves. They re-recorded all the tracks except Ondine. It was released on Vinyl LP with slightly altered track names and the poem "To Sleep" by John Keats featured on the album cover. In 1985 Robert John Godfrey and Stephen Stewart recorded an extended version of Fand that was released for the fan club. This extended version appears on CD releases of the reconstructed ''Aerie Farie Nonsense''. In June 2010, following the Inner Sanctum releases, EMI agreed to grant an Exclusive Worldwide License for the ori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert John Godfrey
Robert John Godfrey (born 30 July 1947) is a British people, British composer, pianist and a founding member of The Enid. Early career Born on the Leeds Castle estate in Kent, England, Godfrey was privately educated in various prep schools prior to going to Finchden Manor in Tenterden, which was described by its founder George Lyward as a "therapeutic community for adolescents", other alumni of which included Alexis Korner and Tom Robinson. Although he didn't start to play the piano until the age of twelve, Godfrey's talent was prodigious enough to gain him admission to the Royal College of Music, then the Royal Academy of Music. He studied under concert pianist Malcolm Binns, and those around him included Sir Michael Tippett, Benjamin Britten and Hans Werner Henze. Career From 1968 to 1971 Godfrey became resident musical director with Barclay James Harvest, making musical contributions to early recordings which established their full, orchestral style of rock music. The relations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Lickerish
John Francis Lickerish, known professionally as Francis Lickerish (born 11 April 1954, in Cambridge), is a British composer, guitarist and lutenist, and founder member of British art-rock band The Enid. Lickerish was a member of The Enid from its creation in 1974 until 1980, and appears on their first four studio albums and the two 'Live at Hammersmith' albums. He is an alumnus of Finchden Manor, as are fellow Enid founders Robert John Godfrey and Stephen Stewart. Lickerish appears uncredited as the session bass guitarist on the Kim Wilde song "Kids in America". After leaving The Enid he graduated from Sheffield Hallam University, later pursuing a career in counselling, and is a respected professional in the fields of adult addiction and family services, working at Clouds House, The Priory and Capio Nightingale Hospital. After a 20-year absence from the music industry, he formed a new band Secret Green, in 2006, who released their first album 'To Wake The King' in May 2009. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1979 Albums
Events January * January 1 ** United Nations Secretary-General Kurt Waldheim heralds the start of the ''International Year of the Child''. Many musicians donate to the ''Music for UNICEF Concert'' fund, among them ABBA, who write the song ''Chiquitita'' to commemorate the event. ** The United States and the People's Republic of China establish full diplomatic relations. ** Following a deal agreed during 1978, French carmaker Peugeot completes a takeover of American manufacturer Chrysler's European operations, which are based in Britain's former Rootes Group factories, as well as the former Simca factories in France. * January 7 – Cambodian–Vietnamese War: The People's Army of Vietnam and Vietnamese-backed Cambodian insurgents announce the fall of Phnom Penh, Cambodia, and the collapse of the Pol Pot regime. Pol Pot and the Khmer Rouge retreat west to an area along the Thai border, ending large-scale fighting. * January 8 – Whiddy Island Disaster: The Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Enid Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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