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Toshiko–Mariano Quartet (in West Side)
''Toshiko–Mariano Quartet (in West Side)'' is a jazz album by pianist Toshiko Akiyoshi and alto saxophonist Charlie Mariano and was recorded in Tokyo in 1963 and released on the Nippon Columbia/Takt label. This album is related to the similar RCA Mariano/Akiyoshi release, ''East and West'' but is not to be confused with the 1961 Candid recording, '' The Toshiko–Mariano Quartet''. Track listing LP side 1 #"Tonight" (Bernstein, Sondheim) #" Something's Coming" (Bernstein, Sondheim) #"America" (Bernstein, Sondheim) #"Maria" (Bernstein, Sondheim) LP side 2 #"Cool" (Bernstein, Sondheim) #"Plaisir d'amour" (Martini) #" Malagueña" ( Lecuona) #" Oleo" ( Rollins) Personnel *Toshiko Akiyoshi – piano *Charlie Mariano – alto saxophone *Albert Heath – drums *Gene Cherico – bass Similar RCA release A slightly different album titled ''East and West (Toshiko Akiyoshi and Charlie Mariano)'' was released by RCA / Victor Japan (BVCJ-7420 and RVL-5518 and PG-1501) tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cool (West Side Story Song)
"Cool" is a song from the 1957 musical ''West Side Story''. Leonard Bernstein composed the music and Stephen Sondheim wrote the lyrics. This was the first song they wrote together, and Sondheim later recollects that Bernstein must have written the opening line ("Boy, boy, crazy boy") since he himself was not prone to writing melismatically. This song is known for its fugal treatment of a jazz figure, described by one writer as "possibly the most complex instrumental music heard on Broadway to date". In the 1957 musical, the song is performed by Riff, the leader of the Jet Gang to calm their nerves before the rumble. This is likely to show he holds the gang together despite his flaws. This is however changed in the 1961 and 2021 File:2021 collage V2.png, From top left, clockwise: the James Webb Space Telescope was launched in 2021; Protesters in Yangon, Myanmar following the 2021 Myanmar coup d'état, coup d'état; A civil demonstration against the October–November 2021 ... fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadao Watanabe (musician)
is a Japanese jazz musician who plays alto saxophone, sopranino saxophone, banjo, and flute. He is known for his bossa nova recordings, although his work encompasses many styles, with collaborations from musicians all over the world. Career Watanabe was born on 1 February 1933 in Utsunomiya, Japan. His father, a professional musician, sang and played the biwa. He was attracted to jazz from an early age, in part due to the strong cultural influence stemming from the American post-war presence in Japan. Watanabe learned the clarinet while in high school after convincing his father over the course of six weeks to buy him a second-hand instrument. In 1951, Watanabe moved to Tokyo and began playing the alto saxophone. He started studying the flute in 1953 with Ririko Hayashi from the Tokyo Philharmonic Orchestra. He joined Toshiko Akiyoshi’s Cozy Quartet and began leading the group when Akiyoshi moved to the USA.By 1958 he had performed with leading musicians and quartets. In 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Cherico
Eugene Valentino Cherico (April 15, 1935, Buffalo, New York – August 12, 1994, Santa Monica, California) was an American jazz double-bassist. Cherico played drums as a child and played in a special services band in the Army, but injured his hand and picked up double bass as therapy. He attended the Berklee College of Music, where he met Toshiko Akiyoshi, with whom he would tour and record intermittently for many years. He also worked as a sideman with Herb Pomeroy (1957–59), Maynard Ferguson (1959–60), Red Norvo (1961), Benny Goodman (1962), George Shearing (1963), Stan Getz (1964–66), and Peter Nero (1966–70). He also recorded with Gary Burton and Joe Morello in 1961 and with Paul Desmond in 1961 and 1963. Cherico spent much of the 1970s as a studio musician, working with Frank Strazzeri (1973, 1975), Louie Bellson, Lew Tabackin, Gerry Mulligan (1974), and Akiyoshi playing mostly bass guitar. He also did work as an accompanist to singers such as Peggy Lee (1966), Carme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tootie Heath
Albert "Tootie" Heath (born May 31, 1935) is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath. Born in Philadelphia, Pennsylvania, United States, he first recorded in 1957 with John Coltrane. From 1958 to 1974, he worked with, among others, J. J. Johnson, Wes Montgomery, Art Farmer and Benny Golson's Jazztet, Cedar Walton, Bobby Timmons, Kenny Drew, Sonny Rollins, Dexter Gordon, Johnny Griffin, Herbie Hancock, Friedrich Gulda, Nina Simone, and Yusef Lateef. In 1975, he, Jimmy and Percy formed the Heath Brothers. He remained with the group until 1978, then left to freelance. He has recorded extensively throughout his career. Among his many workshop and classroom teaching assignments, Heath is a regular instructor at the Stanford Jazz Workshop. Tootie Heath is now the producer and leader of The Whole Drum Truth, a jazz drum ensemble featuring Ben Riley, Ed Thigpen, Jackie Williams, Billy Hart, Charlie Persip, Lero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oleo (composition)
"Oleo" is a hard bop composition by Sonny Rollins, written in 1954. Since then it has become a jazz standard, and has been played by numerous jazz artists, including Miles Davis, John Coltrane, and Bill Evans. Form "Oleo" is one of a number of jazz standards to be based on the same chord progression as that employed by George Gershwin's "I Got Rhythm". Recordings The first version of the song, featuring Rollins, was recorded by Miles Davis and Sonny Rollins in 1954 on the record '' Miles Davis with Sonny Rollins.'' With John Coltrane instead of Rollins on saxophone, it has been recorded again in 1956 on '' Relaxin'.'' A live version from 1958, also with Coltrane, appears on two separate Davis albums: '' 1958 Miles,'' which was released in late 1958, and '' Jazz at the Plaza'' (1973). Another Davis live version from 1961 appears on ''In Person Friday and Saturday Nights at the Blackhawk, Complete.'' Other artists who have made notable recordings of the piece include Michael B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto Lecuona
Ernesto Lecuona y Casado (; August 7, 1896 – November 29, 1963) was a Cuban composer and pianist, many of whose works have become standards of the Latin, jazz and classical repertoires. His over 600 compositions include songs and zarzuelas as well as pieces for piano and symphonic orchestra. In the 1930s, he helped establish a popular band, the Lecuona Cuban Boys, which showcased some of his most successful pieces and was later taken over by Armando Oréfiche. In the 1950s, Lecuona recorded several LPs, including solo piano albums for RCA Victor. He moved to the United States after the Cuban Revolution and died in Spain in 1963. Early years Lecuona was born in Guanabacoa, Havana, Cuba, Kingdom of Spain, to a Cuban mother and a Canarian father. There are inconsistencies surrounding his birthdate, with some sources indicating the year 1895, and others still giving the day as August 6. He started studying piano at the age of five, under the tuition of his sister Ernestina Lecu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
