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Too Much Fun!
''Too Much Fun!'' is a studio album by the psychedelic folk band the Holy Modal Rounders. It was released in 1999 through Rounder Records. It was the band's first album in more than two decades. Critical reception ''Salon (magazine), Salon'' wrote that "essential to the fun of ''Too Much Fun!'' are the lack of second takes and the healthy helping of tomfoolery that disguises—or supplants—lyrics forgotten or never learned in the first place." Track listing Personnel ;The Holy Modal Rounders *Dave Reisch – bass guitar, vocals *Don Rooke – slide guitar *Peter Stampfel – fiddle, banjo, guitar, mandolin, vocals, production *Steve Weber – guitar, vocals ;Additional musicians and production *David B. Greenberger – design *Frazier Mohawk – production *Dr. Toby Mountain – Audio mastering, mastering *Phil Sheridan – Audio engineering, engineering, mastering *Betsy Wollheim – photography *Jeff Wolpert – engine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Holy Modal Rounders
The Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who began performing together on the Lower East Side of New York City in the early 1960s. Their unique blend of folk music revival and psychedelia gave them a cult-like following from the late 1960s into the 1970s. For a time the group also included the playwright and actor Sam Shepard. Origin of the name Stampfel explained the origin of the name in the webzine '' Perfect Sound Forever'': :We kept changing the name. First it was the Total Quintessence Stomach Pumpers. Then the Temporal Worth High Steppers. Then The Motherfucker Creek Babyrapers. That was just a joke name. He was Rinky-Dink Steve the Tin Horn and I was Fast Lightning Cumquat. He was Teddy Boy Forever and I was Wild Blue Yonder. It kept changing names. Then it was the Total Modal Rounders. Then when we were stoned on pot and someone else, Steve Close maybe, said Holy Modal Rounders by mistake. We kept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Holy Modal Rounders
The Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who began performing together on the Lower East Side of New York City in the early 1960s. Their unique blend of folk music revival and psychedelia gave them a cult-like following from the late 1960s into the 1970s. For a time the group also included the playwright and actor Sam Shepard. Origin of the name Stampfel explained the origin of the name in the webzine '' Perfect Sound Forever'': :We kept changing the name. First it was the Total Quintessence Stomach Pumpers. Then the Temporal Worth High Steppers. Then The Motherfucker Creek Babyrapers. That was just a joke name. He was Rinky-Dink Steve the Tin Horn and I was Fast Lightning Cumquat. He was Teddy Boy Forever and I was Wild Blue Yonder. It kept changing names. Then it was the Total Modal Rounders. Then when we were stoned on pot and someone else, Steve Close maybe, said Holy Modal Rounders by mistake. We kept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Clay Work
Henry Clay Work (October 1, 1832 – June 8, 1884) was an American composer and songwriter known for the songs Kingdom Coming, Marching Through Georgia, The Ship That Never Returned and My Grandfather's Clock. Early life and education Work was born in Middletown, Connecticut, to Alanson and Aurelia (née Forbes) Work. His father opposed slavery, and Work was himself an active abolitionist and Union supporter. His family's home became a stop on the Underground Railroad, assisting runaway slaves to freedom in Canada, for which his father was once imprisoned. Work was self-taught in music. By the time he was 23, he worked as a printer in Chicago, specializing in setting musical type. He allegedly composed in his head as he worked, without a piano, using the noise of the machinery as an inspiration. His first published song was "We Are Coming, Sister Mary", which eventually became a staple in Christy's Minstrels shows. Career Work produced much of his best material during the Civ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Monroe
William Smith "Bill" Monroe (; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. Because of this, he is often called the " Father of Bluegrass". The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe's home state of Kentucky. He described the genre as "Scottish bagpipes and ole-time fiddlin'. It's Methodist and Holiness and Baptist. It's blues and jazz, and it has a high lonesome sound." Early life Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, James Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish and English heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hackberry Ramblers
The Hackberry Ramblers (also known as the Riverside Ramblers), a Grammy Award-nominated Cajun music band based in Hackberry, Louisiana, formed in 1933. Since its heyday in the late 1930s it has become one of the most recognized names and influential groups in Cajun music. The group, which continues to tour and perform, has one of the longest histories of a musical group in the United States of America, and while its lineup has changed many times since its conception, its founders — fiddler Luderin Darbone and accordionist Edwin Duhon — led the band until Duhon's death in 2006. (Darbone died November 21, 2008.) While the roots of the band lie in its Cajun music repertoire, the Ramblers perform a broad swath of American music, from Western swing to blues and rockabilly, and much of their sound blends them all. Early years In 1930 Luderin Darbone met a guitarist called Edwin Duhon and together they formed the nucleus of a band they named the Hackberry Ramblers in honor of their h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Signorelli
Frank Signorelli (May 24, 1901 – December 9, 1975) was an American jazz pianist. Biography Signorelli was born to an Italian Sicilian family in New York City, New York. Signorelli was a founding member of the Original Memphis Five in 1917, then joined the Original Dixieland Jazz Band briefly in 1921. In 1927, he played in Adrian Rollini's New York ensemble, and subsequently worked with Eddie Lang, Bix Beiderbecke, Matty Malneck and Paul Whiteman. In 1935 he was part of Dick Stabile's All-America "Swing" Band. In 1936-38, he played in the revived version of the Original Dixieland Jazz Band. He recorded with Phil Napoleon in 1946 and with Miff Mole in 1958. Compositions As a songwriter, Signorelli composed "'I'll Never Be The Same" (initially called "Little Buttercup" by Joe Venuti's Blue Four), "Gypsy", recorded by Paul Whiteman and his Orchestra, "Caprice Futuristic", "Evening", "Anything", "Bass Ale Blues", "Great White Way Blues", "Park Avenue Fantasy", "Sioux City Sue" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Lytell
Jimmy Lytell (December 1, 1904 - November 28, 1972) was an American jazz clarinetist. Critic Scott Yanow described him as being " e of the most underrated clarinetists in jazz history".Scott Yanow, Jimmy Lytellat Allmusic Lytell (born James Sarrapede) had his first professional work at age twelve, and by the beginning of the 1920s he was recording in jazz ensembles. He played in the Original Indiana Five in 1921 and the Original Memphis Five in 1922–1925, and also played in the Original Dixieland Jazz Band in 1922–1924. After the 1920s, he rarely performed in jazz settings, spending more time as a studio and orchestra musician. He worked as a staff musician for NBC during this time, and in Johnny Green's orchestra in 1934–1935. From 1949 into the late 1950s, he appeared in the New Original Memphis Five revival band, and recorded with Connee Boswell in 1956. He continued to perform until a year before his death. As a leader, he recorded eighteen titles in 1926–1928 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Acuff
Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the "King of Country Music", Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952, Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds. For drawing power in the South, it was Roy Acuff, then God." Acuff began his music career in the 1930s and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opry in 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry's key figures and promoters for nearly four decades. In 1942, Acuff and Fred Rose founded Acuff-Rose Music, the first major Nashville-based country music publishing company, which signed such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Hurley (musician)
Michael Hurley (born December 20, 1941) is an American folk singer-songwriter who was essential to the Greenwich Village folk music scene of the 1960s and 1970s. In addition to playing a wide variety of instruments, Hurley is also a cartoonist and a painter. Hurley's music has been described as "outsider folk". Career He was born in Bucks County, Pennsylvania, United States. Before starting his recording career Hurley contracted mononucleosis and needed to wait several years until he could sign to a record label. Hurley's debut album, ''First Songs'', was recorded for Folkways Records in 1963, on the same reel-to-reel machine that taped ''Lead Belly's Last Sessions''. He was discovered by blues and jazz historian Frederick Ramsey III, and subsequently championed by boyhood friend Jesse Colin Young, who released his second and third albums on The Youngbloods' Warner Bros. imprint, Raccoon. In the late 1970s, Hurley made three albums for Rounder, all of which have since been reis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redd Stewart
Henry Ellis Stewart (May 27, 1923 – August 2, 2003), better known as Redd Stewart, was an American country music songwriter and recording artist who co-wrote "Tennessee Waltz" with Pee Wee King in 1948. Biography He was born in Ashland City, Tennessee, United States. While still a child, his family moved to Louisville, Kentucky. At an early age, he learned to play several musical instruments such as the banjo, piano, fiddle and guitar. He changed his first name to Redd because of his red hair and complexion. His talent was not only as a musician but also as a songwriter, beginning by writing a little jingle for a Louisville car dealer's commercial. In 1937, he joined the Golden West Cowboys band headed by Pee Wee King with lead singer Eddy Arnold. Stewart served in the South Pacific in World War II, attaining the rank of sergeant. He wrote " Soldier's Last Letter" while in still in the South Pacific, which became a hit record in 1944 for Ernest Tubb. After he returned to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pee Wee King
Julius Frank Anthony Kuczynski (February 18, 1914 – March 7, 2000), known professionally as Pee Wee King, was an American country music songwriter and recording artist best known for co-writing "Tennessee Waltz". Pee Wee King is credited with bringing the musicians union to the Grand Ole Opry — he was one of the first musicians in Nashville to carry a union card, and to have the members of his band work union. He also served on the board of the Country Music Hall of Fame. Life and career King was born in Abrams, Wisconsin to a Polish American family, and lived in Abrams during his youth. He learned to play the accordion from his father, who was a professional polka musician. In the 1930s, he toured and made cowboy movies with Gene Autry.Miller, James. ''Flowers in the Dustbin: The Rise of Rock and Roll, 1947–1977''. Simon & Schuster (1999), pp. 44–45. . King joined the Grand Ole Opry in 1937, with the help of his father-in-law J.L. Frank. In 1946, while he was the ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
