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Too Good To Be True (1936 Song)
"Too Good to Be True" is a popular song composed by dentist-songwriter Clay Boland and published in 1936. It has since been recorded by many jazz and swing musicians including Benny Goodman and Roy Eldridge. Composition and notable recordings Clay Boland, while studying dentistry at the University of Scranton and University of Pennsylvania, taught himself to play piano and worked in dance bands. In 1936 he started work as a writer/director for Penn's Mask and Wig show. One of his first compositions for the production ''Red Rumba'' was "Too Good to Be True", for which Boland wrote the lyrics and music. The song, which became a favorite of the swing era, recalls the proverbial expression "it seems too good to be true," and alludes to the singer's presumed love interest. Musician-author Warren Vaché called the song "a little gem" that was "promptly slated for immortality with an outstanding recording by the Benny Goodman Trio featuring Helen Ward on the vocal." This version, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Wilson
Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as "the definitive swing pianist", Wilson had a sophisticated, elegant style. His work was featured on the records of many of the biggest names in jazz, including Louis Armstrong, Lena Horne, Benny Goodman, Billie Holiday, and Ella Fitzgerald. With Goodman, he was one of the first black musicians to appear prominently with white musicians. In addition to his extensive work as a sideman, Wilson also led his own groups and recording sessions from the late 1920s to the 1980s. Biography Wilson was born in Austin, Texas. He studied piano and violin at Tuskegee Institute in Tuskegee, Alabama. After working in Speed Webb's band, with Louis Armstrong, and also understudying Earl Hines in Hines's Grand Terrace Cafe Orchestra, Wilson joined Benny Carter's Chocolate Dandies in 1933. In 1935, he joined the Benny Goodman Trio (which consisted of Goodman, Wilson an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melotone Records (US)
Melotone Records was an American record label founded in 1930. Warner/Brunswick Records introduced the Melotone label in the U.S. and Canada as a budget subsidiary issuing 78 rpm disc records. It then became part of the American Record Corporation collection of labels in 1932. The original price was 50 cents, but was reduced to 35 cents or 3 for a $1.00 by 1932. The label was disestablished in 1938. In 2010, Melotone Records was refounded as a division of Melotone Music LLC. During the Depression, Melotone Records was a commonly found, popular label. Melotone issued popular dance tunes of the era; usually featuring a group of studio musicians issued under pseudonyms, such as Ralph Bennett and his Seven Aces (all eleven), Bob Causer and his Cornellians, Owen Fallon and his Orchestra, Sleepy Hall and his Collegians, Vic Irwin and his Orchestra, Chick Bullock and his Levee Loungers, Vincent Rose and his Orchestra, Paul Small and his Orchestra, et al. Most of the top notch New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Barnet
Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader. His major recordings were "Skyliner", "Cherokee", "The Wrong Idea", "Scotch and Soda", "In a Mizz", and "Southland Shuffle". Early life Barnet was born in New York City, the son of Charline (Daly) and Willard Barnet. His parents divorced when he was two, and he was raised by his mother and her grandparents. His grandfather was Charles Frederick Daly, a vice-president for the New York Central Railroad, banker, and businessman. Barnet attended boarding schools, both in the New York and Chicago areas. He learned to play piano and saxophone as a child. He often left school to listen to music and to try to gain work as a musician. Although his family wanted him to become a lawyer, he chose to be a musician instead. Career By sixteen, Barnet had played on tours with Jean Goldkette's satellite band and was in New York, where he joined Frank Winegar's Pennsylvania ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Standard
Traditional pop (also known as classic pop and pre-rock and roll pop) is Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "standard" can be applied to any popular song that has become very widely known within mainstream culture. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy Carmic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuum International Publishing Group
Continuum International Publishing Group was an academic publisher of books with editorial offices in London and New York City. It was purchased by Nova Capital Management in 2005. In July 2011, it was taken over by Bloomsbury Publishing. , all new Continuum titles are published under the Bloomsbury name (under the imprint Bloomsbury Academic). History Continuum International was created in 1999 with the merger of the Cassell academic and religious lists and the Continuum Publishing Company, founded in New York in 1980. The academic publishing programme was focused on the humanities, especially the fields of philosophy, film and music, literature, education, linguistics, theology, and biblical studies. Continuum published Paulo Freire's seminal ''Pedagogy of the Oppressed''. Continuum acquired Athlone Press, which was founded in 1948 as the University of London publishing house and sold to the Bemrose Corporation in 1979. In 2003, Continuum acquired the London-based Hambled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-two-bar Form
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At its core, the basic AABA 32-bar song form consists of four sections, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Chilton
John James Chilton (16 July 1932 – 25 February 2016) was a British jazz trumpeter and writer. During the 1960s, he also worked with pop bands, including The Swinging Blue Jeans and The Escorts. He won a Grammy Award for Best Album Notes in 1983. Biography Chilton was born in London on 16 July 1932, to working-class parents (his father was a musical hall comedian) and was evacuated to Northamptonshire, where he began playing the cornet at the age of 12. He switched to trumpet at 17 and after doing national service in the RAF (1950–1952) he formed his own jazz band, playing at Butlins. He worked in Bruce Turner's Jump Band from 1958 to 1963. A film of their exploits called ''Living Jazz'' (1961) was made by director Jack Gold. Chilton later appeared in Alex Welsh's Big Band. He later worked with Wally Fawkes, also known as the cartoonist "Trog", and in January 1974 formed John Chilton's Feetwarmers, who began accompanying British jazz singer and writer George Melly. Together ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backbeat Books
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as funk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Berry
Leon Brown "Chu" Berry (September 13, 1908 – October 30, 1941) was an American jazz tenor saxophone, tenor saxophonist during the 1930s. According to music critic Gary Giddins, musicians called him "Chu" either because he chewed on the mouthpiece of his saxophone or because he had a Fu Manchu mustache. Career Berry was born in Wheeling, West Virginia, Wheeling, West Virginia. He graduated from Lincoln High School, in Wheeling, then attended West Virginia State University, West Virginia State College for three years. His sister Ann played piano. Berry became interested in music at an early age, playing alto saxophone, at first with local bands. He was inspired to take up the tenor saxophone after hearing Coleman Hawkins on tour. Most of Berry's career was spent with swing jazz, swing bands: Sammy Stewart, 1929–1930, with whom he switched to tenor sax, Benny Carter, 1932–1933, Teddy Hill, 1933–1935, Fletcher Henderson, 1935–1937, Cab Calloway, his best-known affiliati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighth Note
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note (American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth notes may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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