Tony Award For Best Direction Of A Play
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Tony Award For Best Direction Of A Play
The Tony Award for Best Direction of a Play has been given since 1960. Before 1960 there was only one award for both play direction and musical direction, then in 1960 the award was split into two categories: ''Dramatic'' and ''Musical''. In 1976 the Dramatic category was renamed to Play. For pre-1960 direction awards please reference Tony Award for Best Director. Winners and nominees 1960s 1970s 1980s 1990s 2000s 2010s 2020s Award records Multiple wins ; 6 Wins * Mike Nichols ; 3 Wins * Jerry Zaks ; 2 Wins * Peter Brook * Stephen Daldry * John Dexter * Marianne Elliott * Gerald Gutierrez * Peter Hall * Sam Mendes * Jack O'Brien * Gene Saks Multiple nominations ; 10 Nominations * Mike Nichols ; 8 Nominations * Peter Hall * Daniel J. Sullivan ; 6 Nominations * George C. Wolfe ; 5 Nominations * Joe Mantello * Marshall W. Mason * Lloyd Richards * Alan Schneider * Bartlett Sher * Matthew Warchus ; 4 Nominations * Michael Blakemore * David Leveaux * Grego ...
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Tony Award
The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in Midtown Manhattan. The awards are given for Broadway productions and performances. One is also given for regional theatre. Several discretionary non-competitive awards are given as well, including a Special Tony Award, the Tony Honors for Excellence in Theatre, and the Isabelle Stevenson Award. The awards were founded by theatre producer and director Brock Pemberton and are named after Antoinette "Tony" Perry, an actress, producer and theatre director who was co-founder and secretary of the American Theatre Wing. The trophy consists of a spinnable medallion, with faces portraying an adaptation of the comedy and tragedy masks, mounted on a black base with a pewter swivel. The rules for the Tony Awards are set forth in the off ...
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A Raisin In The Sun
''A Raisin in the Sun'' is a play by Lorraine Hansberry that debuted on Broadway in 1959. The title comes from the poem "Harlem" (also known as "A Dream Deferred") by Langston Hughes. The story tells of a black family's experiences in south Chicago, as they attempt to improve their financial circumstances with an insurance payout following the death of the father, and deals with matters of housing discrimination, racism, and assimilation. The New York Drama Critics' Circle named it the best play of 1959, and in recent years publications such as ''The Independent'' and ''Time Out'' have listed it among the best plays ever written. Plot Walter and Ruth Younger, their son Travis, along with Walter's mother Lena (Mama) and Walter's younger sister Beneatha, live in poverty in a run-down two-bedroom apartment on Chicago's South Side. Walter is barely making a living as a limousine driver. Though Ruth is content with their lot, Walter is not, and desperately wishes to become wealthy ...
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The Caretaker
''The Caretaker'' is a play in three acts by Harold Pinter. Although it was the sixth of his major works for stage and television, this psychological study of the confluence of power, allegiance, innocence, and corruption among two brothers and a tramp, became Pinter's first significant commercial success. It premiered at the Arts Theatre Club in London's West End on 27 April 1960 and transferred to the Duchess Theatre the following month, where it ran for 444 performances before departing London for Broadway. In 1963, a film version of the play based on Pinter's unpublished screenplay was directed by Clive Donner. The movie starred Alan Bates as Mick and Donald Pleasence as Davies in their original stage roles, while Robert Shaw replaced Peter Woodthorpe as Aston. First published by both Encore Publishing and Eyre Methuen in 1960, ''The Caretaker'' remains one of Pinter's most celebrated and oft-performed plays. Plot summary Act I ''A night in winter'' ; cene 1Aston has in ...
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Donald McWhinnie
Donald McWhinnie (16 October 1920 – 8 October 1987) was a BBC executive and later a radio, television, and stage director. Educated at Rotherham Grammar School, McWhinnie worked for the BBC in administrative roles in the 1940s and 1950s and was drama Script Editor from 1951 to 1953. In the later 1950s, he became a radio director, and from the 1960s to the 1980s he was a director of television drama.Jerry Roberts, ''Encyclopedia of Television Film Directors'', p. 382 McWhinnie, Frederick Bradnum, and Desmond Briscoe together established the BBC Radiophonic Workshop. In 1959, McWhinnie directed a production of ''Embers'', a radio play by Samuel Beckett. First broadcast on the BBC Third Programme on 24 June 1959, the play won the RAI prize at the Prix Italia awards later that year. McWhinnie wrote about his approach to radio drama in ''The art of radio''. In 1962, McWhinnie was nominated for a Tony Award for his screen version of Harold Pinter's ''The Caretaker''. In 1965, he d ...
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Gideon (play)
''Gideon'', a play by Paddy Chayefsky, is a seriocomic treatment of the story of Gideon, a judge in the Old Testament. The play had a successful Broadway run in 1961 and was broadcast on NBC in 1971 as a ''Hallmark Hall of Fame'' special. The story Chayefsky drew from three chapters in the Book of Judges in writing this play, which explores the relationship of an ordinary man to God. "The Angel of the Lord" appears before Gideon and drafts him to perform one of God's miracles. Gideon is to save his people from idolatry by winning an impossible battle in which 300 Israelites will defeat 120,000 Midianites. In the second act, which a ''Time'' magazine review described as the weaker of the play's two acts, Gideon asks to be released from his "covenant of love" with God. Gideon ignores God's order to kill some idolatrous Hebrew tribal chiefs, one of whom has a daughter who performs a seductive dance. Gideon tells God, "You are too vast a concept for me." Gideon explains that his pi ...
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A Man For All Seasons (play)
''A Man for All Seasons'' is a play by Robert Bolt based on the life of Sir Thomas More. An early form of the play had been written for BBC Radio in 1954, and a one-hour live television version starring Bernard Hepton was produced in 1957 by the BBC, but after Bolt's success with ''The Flowering Cherry'', he reworked it for the stage. It was first performed in London opening at the Globe Theatre (now Gielgud Theatre) on 1 July 1960. It later found its way to Broadway, enjoying a critically and commercially successful run of over a year. It has had several revivals, and was subsequently made into a multi-Academy Award-winning 1966 feature film and a 1988 television movie. The plot is based on the historical events leading up to the execution of More, the 16th-century Chancellor of England, who refused to endorse Henry VIII's wish to divorce his wife Catherine of Aragon, who did not bear him a son, so that he could marry Anne Boleyn, the sister of his former mistress. The ...
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Noel Willman
Noel Willman (4 August 1918 – 24 December 1988) was an Irish actor and theatre director. Born in Derry, Ireland, Willman died aged 70 in New York City, United States. Willman's films included '' The Man Who Knew Too Much'' (1956), '' Across the Bridge'' (1957), ''Carve Her Name with Pride'' (1958), ''The Kiss of the Vampire'' (1963), ''Doctor Zhivago'' (1965), ''The Reptile'' (1966), and ''The Odessa File'' (1974). He was also a theatre director and actor, and won a Tony Award in 1962 for his direction of the original Broadway production of Robert Bolt's '' A Man For All Seasons''. According to Bolt, he was instrumental in many aspects of the play's development, including the casting of Paul Scofield as Thomas More. In 1966 he was nominated in the same category for James Goldman's '' The Lion in Winter.'' He later directed Katharine Hepburn and Christopher Reeve in ''A Matter of Gravity'' in 1976. He frequently collaborated with Bolt, directing ''The Tiger and the Horse'' a ...
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16th Tony Awards
The 16th Annual Tony Awards took place on April 29, 1962, in the Waldorf-Astoria Grand Ballroom in New York City. The ceremony was broadcast on local television station WCBS-TV (Channel 2) in New York City. The Masters of Ceremonies were Ray Bolger and Robert Preston. The ceremony Presenters: Judith Anderson, Art Carney, Ossie Davis, Ruby Dee, Olivia de Havilland, Albert Dekker, Anita Gillette, Hermione Gingold, Robert Goulet, Helen Hayes, Celeste Holm, Sally Ann Howes, Ron Husman, Hal March, Helen Menken, Geraldine Page, Hugh O'Brian, Elaine Perry, Tom Poston and Jason Robards. The performer was Mimi Benzell. Music was by Meyer Davis and his Orchestra."Ceremony 1962"
tonyawards.com, accessed May 29, 2016


Winners and nominees

''Winners are in bold''


Multiple nominations and award ...
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All The Way Home (play)
''All the Way Home'' is a play written by the American playwright Tad Mosel, adapted from the 1957 James Agee novel ''A Death in the Family''. Each author received the Pulitzer Prize for their separate works. Productions ''All the Way Home'' was premiered on Broadway at the Belasco Theater on November 30, 1960, and closed on September 15, 1961, after 333 performances. Directed by Arthur Penn, the cast featured Colleen Dewhurst (Mary Follet), Lillian Gish (Catherine Lynch), Arthur Hill (Jay Follet), Clifton James (Ralph Follet), Dorrit Kelton (Aunt Sadie Follet), Aline MacMahon (Aunt Hannah Lynch), John Megna (Rufus) and Jeff Conaway (a Boy). The play was revived Off-Broadway at the Equity Library Theatre in October 1979, directed by Jamie Brown. The play was revived off-off-Broadway by the Transport Group in November 2006. Directed by Jack Cummings III, the cast featured Patrick Boll (Jay Follett), Monica Russell (Mary) and Chandler Frantz (Rufus). The ''TheaterMania'' reviewe ...
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The Hostage (play)
''The Hostage'' is a 1958 English-language play, with songs, by Irish playwright Brendan Behan. It consists on a much longer text, with songs, expanded from a one-act Irish language play ''An Giall'' also by Behan. Plot ''The Hostage'' depicts the events leading up to the planned execution of an 18-year-old IRA member in a Belfast jail, accused of killing a Royal Ulster Constabulary policeman. Like the protagonist of ''The Quare Fellow'', the audience never sees him. The action of the play is set in a very odd house of ill-repute on Nelson Street, Dublin, owned by a former IRA commandant. The hostage of the title is Leslie Williams, a young and innocent Cockney British Army soldier taken hostage at the border with Northern Ireland and held in the brothel, brought among the vibrant but desperately unorthodox combination of prostitutes, revolutionaries and general low characters inhabiting the place. During the course of the play, a love story develops between Leslie and Teresa, ...
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Joan Littlewood
Joan Maud Littlewood (6 October 1914 – 20 September 2002) was an English theatre director who trained at the Royal Academy of Dramatic Art, and is best known for her work in developing the Theatre Workshop. She has been called "The Mother of Modern Theatre". Her production of ''Oh, What a Lovely War!'' in 1963 was one of her more influential pieces. Littlewood and her company lived and slept in the Theatre Royal while it was restored. Productions of ''The Alchemist'' and '' Richard II'', the latter starring Harry H. Corbett in the title role, established the reputation of the company. She also conceived and developed the concept of the Fun Palace in collaboration with architect Cedric Price, an experimental model of a participatory social environment that, although never realized, has become an important influence in the architecture of the 20th and 21st centuries. ''Miss Littlewood'', a musical written about Littlewood by Sam Kenyon, was performed by the Royal Shakespeare ...
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Rhinoceros (play)
''Rhinoceros'' (french: Rhinocéros) is a play by Eugène Ionesco, written in 1959. The play was included in Martin Esslin's study of post-war avant-garde drama '' The Theatre of the Absurd'', although scholars have also rejected this label as too interpretatively narrow. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is initially criticized in the play for his drinking, tardiness, and slovenly lifestyle and then, later, for his increasing paranoia and obsession with the rhinoceroses. The play is often read as a response and criticism to the sudden upsurge of Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, fascism, responsibility, logic, mass movements, mob mentality, philosophy and morality. Plot Act I The play starts ...
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