Tone Poems 3
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Tone Poems 3
''Tone Poems 3'' is an album by mandolinist David Grisman, dobro player Mike Auldridge, and guitarist Bob Brozman that was released in 2000 by Grisman's label, Acoustic Disc. The album is a sequel to Grisman's albums '' Tone Poems'' and '' Tone Poems 2'', which were recorded with Tony Rice and Martin Taylor, respectively. The trio plays vintage slide and resophonic instruments such as the Dobro and resonator guitar. The songs cover many genres: Hawaiian, blues, country, bluegrass, and jazz. Track listing # Nostalgia Prelude (Brozman) 2:21 # Akaka Falls (Parker, traditional) 2:03 # Moonlight Bay (traditional, Percy Wenrich) 2:24 # Peach Pickin' Time in Georgia ( Clayton McMichen) 1:31 # St. Louis Blues (W. C. Handy) 3:27 # Whispering (traditional) 3:07 # Trash Can Stomp (Auldridge) 2:18 # Frankie and Johnny (traditional) 1:56 # Kohala march (traditional) 2:09 # Crazy Rhythm (Irving Caesar, Roger Wolfe Kahn, Joseph Meyer) 3:33 # Beat Biscuit Blues (Auldridge) 2:55 # The Gre ...
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David Grisman
David Grisman (born March 23, 1945) is an American mandolinist. His music combines bluegrass, folk, and jazz in a genre he calls "Dawg music". He founded the record label Acoustic Disc, which issues his recordings and those of other acoustic musicians. Biography Grisman grew up in a Conservative Jewish household in Passaic, New Jersey. His father was a professional trombonist who gave him piano lessons when he was seven years old. As a teenager, he played piano, mandolin, and saxophone. In the early 1960s, he attended New York University. He belonged to the Even Dozen Jug Band with Maria Muldaur and John Sebastian. He played in the bluegrass band the Kentuckians led by Red Allen, then in the psychedelic rock band Earth Opera with Peter Rowan. He moved to San Francisco, met Jerry Garcia, and appeared on the Grateful Dead album ''American Beauty''. He played in Garcia's bluegrass band Old & In the Way with Peter Rowan and Vassar Clements. When Grisman was 17 years old, he was in ...
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Whispering (song)
"Whispering" is a popular song. "Whispering" was first published in 1920 by Sherman, Clay & Co., of San Francisco. The initial 1920 copyright and first publishing attributes the lyrics to Malvin Schonberger and the music to John Schonberger. Initial and enduring popularity "Whispering" was recorded by Paul Whiteman and his Ambassador Orchestra on August 23, 1920, for the Victor Talking Machine Company. His version was an eleven-week No. 1 hit in the United States, which stayed 20 weeks in the charts, and sold in excess of two million copies. In 2020, Whiteman's rendition was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". The song charted twice in the 1960s. In 1963, Irish singers the Bachelors had a hit with their version which went to the Top 20 in the UK. In 1964, after recording their hit "Deep Purple", American brother and sister singers Nino Tempo and April Steve ...
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Stompin' At The Savoy
"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City. History and composition Although the song is credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Rex Stewart's alto saxophonist. Sampson wrote the song when he was with Stewart's orchestra at the Empire Ballroom in 1933. It was used as the band's theme song until the band broke up, after which Sampson joined Webb's band, taking the song with him. Both Webb and Goodman recorded it as an instrumental, Goodman's being the bigger hit. Lyrics were added by lyricist Andy Razaf. Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast. Chick Webb’ ...
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Douglas Furber
Douglas Furber (13 May 1885 – 20 February 1961) was a British lyricist and playwright. Furber is best known for the lyrics to the 1937 song "The Lambeth Walk" and the libretto to the musical '' Me and My Girl'', composed by Noel Gay, from which it came. This show made broadcasting history when in 1939 it became the first full length musical to be broadcast on television. A 1986 revival went on to achieve great acclaim, and was nominated for Tony Awards for both Best Score and Best Book. Furber made his first entry into songwriting with the Australian born composer A. Emmett Adams. Following a visit to St. Mary's Church, Southampton, England in 1914, the two wrote "The Bells of St. Mary's". The song was published in 1917. This became a major hit in the United States despite having been originally rejected by the publishers. In 1945, Bing Crosby had a hit with "The Bells of St. Mary's" after it was used as the title song to the film of the same name. Other hits included " L ...
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Philip Braham
Philip Braham (18 June 1881 – 2 May 1934) was an English composer of the early twentieth century, chiefly associated with theatrical work. From 1914, he composed music for such musicals and revues as ''Theodore & Co'' (1916) and '' London Calling!'' (1923), including several revues produced by André Charlot. His best-known song is " Limehouse Blues," which has been recorded by many artists. He wrote for film in the 1930s. Biography Braham studied at Cambridge University. He began to compose music for the theatre in 1913 with ''Alice up to Date'' at the London PavilionPhilip Braham
Guide to Musical Theatre, accessed 29 November 2012
and became musical director of The Comedy Theatre in London.
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Limehouse Blues (song)
"Limehouse Blues" is a popular British song written by the London-based duo of Douglas Furber (lyrics) and Philip Braham (music). Evoking the Limehouse district, which pre-World War II was considered the Chinatown of London – with Chinese references heard in both the lyrics and the melody – the song premiered in the 1921 West End revue ''A to Z'' being sung by Teddie Gerard in a wordless melodramatic number featuring Gerard as a hostess in a Limehouse dance-hall fronting a brothel. A piano rendition was recorded for Ampico piano rolls by Ferde Grofé in June, 1922, as well as a Recording for the HMV label by the Queen's Dance Orchestra (with a young Jack Hylton on piano). Gertrude Lawrence, recruited to replace an ailing Beatrice Lillie in ''A to Z'', was reassigned the "Limehouse Blues" number which Lawrence encored when she made her 1924 Broadway debut in ''André Charlot's Revue''. Lawrence's Broadway performance of the "Limehouse Blues" number proved to be a "showstoppe ...
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Mabel Wayne
Mabel Wayne (born Mabel Wimpfheimer, July 16, 1890 – June 19, 1978) was an American songwriter, noted as "one of the first women composers to publish a hit song". Her songs included " In a Little Spanish Town", "Ramona", and "It Happened in Monterey" Biography She was born in Brooklyn, New York as Mabel Wimpfheimer in 1890 (although she later preferred to use the dates 1899 and 1904), and studied piano in Switzerland and then at the New York School of Music. Wayne performed as a concert pianist and singer, and as a dancer in vaudeville. In the 1920s and 1930s she collaborated with several lyricists including L. Wolfe Gilbert, Sam M. Lewis and Joe Young. Wayne was particularly noted for her Spanish-American themed songs. She wrote for movies including '' King of Jazz'', and later for British films, including ''Dance Band'' (1935). She also made recordings, singing and playing piano, in the 1930s. After a short-lived marriage in the 1910s, Mabel Wayne married Nick ...
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Billy Rose
Billy Rose (born William Samuel Rosenberg; September 6, 1899 – February 10, 1966) was an American impresario, theatrical showman and lyricist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as ''Billy Rose's Crazy Quilt'' (1931), ''Jumbo'' (1935), '' Billy Rose's Aquacade'' (1937), and ''Carmen Jones'' (1943). As a lyricist, he is credited with many songs, notably "Don't Bring Lulu" (1925), "Tonight You Belong To Me" (1926), "Me and My Shadow" (1927), "More Than You Know" (1929), "Without a Song" (1929), " It Happened in Monterrey" (1930) and "It's Only a Paper Moon" (1933). Despite his accomplishments, Rose may be best known today as the husband of famed comedian and singer Fanny Brice (1891–1951). Life and work Rose was born to a Jewish family in New York City, United States. He attended Public School 44, where he was the 50-yard dash champion. While in high school, Billy studied shorthand under John Robert G ...
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It Happened In Monterey
"It Happened in Monterey" or "It Happened in Monterrey" is a 1930 song composed by Mabel Wayne, with lyrics by Billy Rose and performed by Paul Whiteman and his orchestra. It was written for the 1930 musical film, '' King of Jazz'', and was subsequently covered several different times in short succession including by the Regent Club Orchestra, George Olsen and Ruth Etting. It fell out of popularity until Frank Sinatra re-recorded it for both his 1956 Capitol release ''Songs for Swingin' Lovers!'' and his 1957 live album ''Sinatra '57 in Concert''. Background "It Happened in Monterey" was written for the 1930 musical film, '' King of Jazz''. The film featured Paul Whiteman and his orchestra, while the song, written in waltz time, was composed by Mabel Wayne, with lyrics by Billy Rose. Though the lyrics refer to the city of Monterrey in "Old Mexico", the song title was misspelled, leading to popular references to the city of Monterey, California. The song was performed by Jo ...
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The Great Speckled Bird (song)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ...
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Joseph Meyer (songwriter)
Joseph Meyer (March 12, 1894 – June 22, 1987) was an American songwriter, who wrote some of the most notable songs of the first half of the twentieth century. Many of his songs were originally written for Broadway musicals. Meyer collaborated with many famous songwriters of the day including Buddy DeSylva, Al Lewis and Al Sherman. Three of his most famous songs were the 1922 hit, "California, Here I Come", "My Honey's Lovin' Arms" (1922) and " If You Knew Susie" (1925), a song he co-wrote with Buddy DeSylva. Meyer songs have been featured in over 120 motion picture soundtracks. He wrote the melody to " A Cup of Coffee, a Sandwich, and You", lyrics by Al Dubin and Billy Rose, often used in Warner Brothers' cartoons during scenes of hunger, cooking and eating. Wayne Newton recorded his song " Summer Colors" in 1967 where it reached #20 on the U.S. adult contemporary chart.
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Roger Wolfe Kahn
Roger Wolfe Kahn (October 19, 1907 – July 12, 1962) was an American jazz and popular musician, composer, bandleader (Roger Wolfe Kahn and His Orchestra) and an aviator. Life and career Roger Wolfe Kahn (originally spelled "Wolff") was born in Morristown, New Jersey, into a wealthy German Jewish banking family. His parents were Adelaide "Addie" (Wolff) and Otto Hermann Kahn, a famous banker and patron of the arts. His maternal grandfather was banker Abraham Wolff. Otto and Roger Kahn were the first father and son to appear separately on the cover of ''Time'' magazine: Otto in November 1925 and Roger in September 1927, aged 19. On 16 August 1926, Time magazine wrote: "''If it is strange that Otto Hermann Kahn, sensitive patron of high art in Manhattan, should have a saxophone-tooting, banjo-plunking, clarinet-wailing, violin-jazzing son, it is stranger still that that son, Roger Wolfe Kahn, has become a truly outstanding jazzer at the perilous age of 18. Roger's ten orchestras, ...
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