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Tommy Turrentine
Thomas Walter Turrentine, Jr. (April 22, 1928 – May 13, 1997) was a swing and hard bop trumpeter and composer who was active between the 1940s and the 1960s. He rarely worked as a bandleader, and was known for his work as a sideman with drummer Max Roach and his younger brother, the saxophonist Stanley Turrentine. Biography Born in Pittsburgh, Pennsylvania, Turrentine played in the bands of Benny Carter, Earl Bostic, Charles Mingus, Billy Eckstine, Dizzy Gillespie, and Count Basie. He later recorded with Sonny Clark, Lou Donaldson, and his brother Tommy's bands. His working relationship with Max Roach was spawned in part when he joined the Max Roach Quintet in the late 1950s. Turrentine was also adept on the piano at chord blockings and was a compositional exponent of Thelonious Monk's earlier chordal voicings. His bebop compositions combined a sophisticated and emotional fusion and poignant lyricism reminiscent of Benny Golson and with the passionate, spirited influence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt. Overview Swing has its roots in 1920s dance music ensembles, which began using new styles of written arrangements, incorporating rhythmic innovations pioneered by Louis Armstron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Faddis
Jon Faddis (born July 24, 1953) is an American jazz trumpet player, conductor, composer, and educator, renowned for both his playing and for his expertise in the field of music education. Upon his first appearance on the scene, he became known for his ability to closely mirror the sound of trumpet icon Dizzy Gillespie, who was his mentor along with pianist Stan Kenton and trumpeter Bill Catalano. Biography Jon Faddis was born in Oakland, California, United States. At 18, he joined Lionel Hampton's big band before joining the Thad Jones/Mel Lewis Orchestra as lead trumpet. After playing with Charles Mingus in his early twenties, Faddis became a noted studio musician in New York City, appearing on many pop recordings in the late 1970s and early 1980s. One such recording was "Disco Inferno" with the Players Association in which he plays trumpet recorded in 1977 on the LP ''Born to Dance''. In the mid-1980s, he left the studios to continue to pursue his solo career, which resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Booker Ervin
Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970) was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus. Biography Ervin was born in Denison, Texas, United States. He first learned to play trombone at a young age from his father, who played the instrument with Buddy Tate."Ervin, Booker T., Jr." Texas State Historical Association. After leaving school, Ervin joined the , stationed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signifyin' (album)
''Signifyin is an album by jazz saxophonist Lou Donaldson recorded for the Argo label in 1963 and performed by Donaldson with Roy Montrell, Tommy Turrentine, Big John Patton, and Ben Dixon. Reception The album was awarded 4½ stars in an Allmusic review by Thom Jurek who states "Donaldson has a band that can cook whatever meat he gives them... the band keeps the beats tight, full of deep backbeat funk and raw soul... No matter how you add it up, the only complaint about these six tracks that can justifiably be mustered is that there weren't more".Jurek, T. Allmusic Reviewaccessed December 8, 2009. Track listing All compositions by Lou Donaldson except where noted # "Signifyin'" - 7:07 # " Time After Time" (Sammy Cahn, Jule Styne) - 2:35 # "Si Si Safronia" - 5:38 # "Don't Get Around Much Anymore" ( Duke Ellington, Bob Russell) - 3:53 # "I Feel It in My Bones" - 8:15 # "Coppin' a Plea" - 4:09 Personnel *Lou Donaldson - alto saxophone *Tommy Turrentine - trumpet - ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Natural Soul
''The Natural Soul'' is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon. Reception The album was awarded 4 stars in an Allmusic review by Stephen Thomas Erlewine who states "''The Natural Soul'' finds Lou Donaldson delving deeply into soul-jazz, recording a set of funky, greasy instrumentals with only a few references to hard bop... The original compositions — which form the bulk of the album — aren't much more than blues and soul vamps, but they provide an excellent foundation for the combo to work hot grooves. And, in the end, that's what The Natural Soul is about — groove. It maintains the high standards Donaldson established with his first soul-jazz foray, '' Here 'Tis'', and remains one of his best records in that genre".Erlewine, S. T. Allmusic Reviewaccessed December 8, 2009. Track listing All compositions by Lou Donaldson except wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leapin' And Lopin'
''Leapin' and Lopin'' is an album by jazz pianist Sonny Clark, released on Blue Note Records in May 1962. It was Clark's last album as a leader before his death in 1963. It features a guest appearance from sax player Ike Quebec, who was mounting a comeback after a decade of low visibility. The rhythm section of Clark, Butch Warren, and Billy Higgins would also appear on sessions with Dexter Gordon yielding his albums for Blue Note '' Go!'' and ''A Swingin' Affair''. Michael Nastos of Allmusic writes that "Top to bottom ''Leapin' and Lopin is a definitive recording for Clark, and really for all time in the mainstream jazz idiom." All About Jazz stated, "Although pianist Sonny Clark had documented much fine music up to this point, one of his final recordings before an untimely death, everything seemed to solidify with this 1961 ringer." Personnel *Sonny Clark — piano *Tommy Turrentine — trumpet (all tracks except "Deep in a Dream") *Charlie Rouse — tenor saxophone (all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1st Bassman
''1st Bassman'' is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label. This album is notable for its featured use of the acoustic bass as the lead instrument. Chambers is supported by trumpeter Tommy Turrentine, trombonist Curtis Fuller, tenor saxophonist Yusef Lateef, pianist Wynton Kelly and drummer Lex Humphries. Critical reception AllMusic reviewer Michael G. Nastos stated "Chambers was allowed to put his bass on top, become a leader in his own right, and play lead melodies with a clear, ringing, well enunciated tone. ''1st Bassman'' is anchored by rising stars from Detroit such as Yusef Lateef, Curtis Fuller ... The emphasis on the compositions of Lateef all display a spare construct, rearing the horns to a marginal level except for solos, allowing Chambers to take care of business and control the shaping of the melodies, with little unison play involved. ... This CD and its companion piece ''Go'' complemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds Of Africa
''Sounds of Africa'' is the fourth album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1962 (with one track from 1961) and originally released on the New Jazz label.Prestige Records discography accessed May 31, 2013 Reception Rob Ferrier of says, "Soaked with sounds that wouldn't become fashionable in jazz for nearly another decade, this is a very interesting statement by an overlooked musician... For those looking for something new, or perhaps in search of a missing musical link, this disc will reward repeated listens".Ferrier, R[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Music Of Ahmed Abdul-Malik
''The Music of Ahmed Abdul-Malik'' is the third album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1961 and originally released on the New Jazz label.Prestige Records discography accessed May 31, 2013 Reception of says "This jazz musician of Sudanese descent shows up here and there on recording sessions from the '60s, including a stint as a member of |
Bob Boswell
Bob, BOB, or B.O.B. may refer to: Places *Mount Bob, New York, United States *Bob Island, Palmer Archipelago, Antarctica People, fictional characters, and named animals *Bob (given name), a list of people and fictional characters *Bob (surname) *Bob (dog), a dog that received the Dickin Medal for bravery in World War II *Bob the Railway Dog, a part of South Australian Railways folklore Television, games, and radio * ''Bob'' (TV series), an American comedy series starring Bob Newhart * ''B.O.B.'' (video game), a side-scrolling shooter *Bob FM, on-air brand of a number of FM radio stations in North America Music Musicians and groups *B.o.B (born 1988), American rapper and record producer *Bob (band), a British indie pop band *The Bobs, an American a cappella group *Boyz on Block, a British pop supergroup Songs * "B.O.B" (song), by OutKast * "Bob" ("Weird Al" Yankovic song), from the 2003 album ''Poodle Hat'' by "Weird Al" Yankovic *"Bob", a song from the album ''Brighter Than Cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Parlan
Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings ''Mingus Ah Um'' and ''Blues & Roots''. Early life He was born in Pittsburgh, Pennsylvania, United States. In his birth year, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right. Later life and career Between 1952 and 1957, he worked in Washington D.C. with Sonny Stitt, then spent two years with Mingus' Jazz Workshop. In 1973, Parlan moved to Copenhagen, Denmark. He later settled in the small village of Rude in southern Zealand. In 1974, he completed a State Department tour of Africa with Hal Singer. His later work, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Priester
Julian Priester (born June 29, 1935) is an American jazz trombonist and occasional euphoniumist. He is sometimes credited "Julian Priester Pepo Mtoto". He has played with Sun Ra, Max Roach, Duke Ellington, John Coltrane, and Herbie Hancock. Biography He was born in Chicago, Illinois, United States. Priester attended Chicago's DuSable High School, where he studied under Walter Dyett. In his teens he played with blues and R&B artists such as Muddy Waters, and Bo Diddley, and had the opportunity to jam with jazz players such as the saxophonist Sonny Stitt. In the early 1950s, Priester was a member of Sun Ra's big band, recording several albums with the group, before leaving Chicago in 1956 to tour with Lionel Hampton, and he then joined Dinah Washington in 1958. The following year he settled in New York and joined the group led by drummer Max Roach, who heard him playing on the Philly Joe Jones album, " Blues for Dracula" (1958). While playing in Roach's group, Priester als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
