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Tombeau River
A tombeau (plural tombeaux) is a musical composition (earlier, in the early 16th century, a poem) commemorating the death of a notable individual. The term derives from the French word for "tomb" or "tombstone". The vast majority of tombeaux date from the 17th century and were composed for lute or other plucked string instruments. The genre gradually fell out of use during the 18th century, but reappeared in the early 20th. History "In instrumental music, ''tombeau'' signifies a musical 'tombstone' (French ''le tombeau'' = tomb). The musical genre of the tombeau is generally connected with music for the lute of the 17th and 18th centuries. Of some 60+ surviving pieces, most are intended for the lute or theorbo, 5 for the baroque guitar, 7 for the viola da gamba and 3 for harpsichord. The earliest example of this genre seems to be the ''Tombeau de René Mezangeau, Mezangeau'' (1638) by French lutenist Ennemond Gaultier." "Musical predecessors are memorial pavans like those by Antho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvius Leopold Weiss
Sylvius Leopold Weiss (12 October 168716 October 1750) was a German composer and lutenist. Born in Grottkau near Breslau, the son of Johann Jacob Weiss, also a lutenist, he served at courts in Breslau, Rome, and Dresden, where he died. Until recently, he was thought to have been born in 1686, but recent evidence suggests that he was in fact born the following year. Weiss was one of the most important and most prolific composers of lute music in history and one of the best-known and most technically accomplished lutenists of his day. He was a teacher to Philip Hyacinth, 4th Prince Lobkowicz, and the prince's second wife Anna Wilhelmina Althan. In later life, Weiss became a friend of Wilhelm Friedemann Bach and met J.S. Bach through him. Bach and Weiss were said to have competed in improvisation, as the following account by Johann Friedrich Reichardt describes: "Anyone who knows how difficult it is to play harmonic modulations and good counterpoint on the lute will be surprise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Antonín Losy
Jan Antonín Losy, Count of Losinthal (German: ''Johann Anton Losy von Losinthal''); also known as Comte d'Logy (''Losi'' or ''Lozi''), (c. 1650 – 22 August 1721) was a Bohemian aristocrat, Baroque lute player and composer from Prague. His lute works combine the French ''style brisé'' with a more Italian cantabile style. He was probably the most significant lutenist-composer in Bohemia at the height of the lute's popularity there. Life Count Losy's family were of Swiss origin (Poschiavo in the canton of Graubünden). His father, Johann Anton Losy senior (c. 1600–1682), was perhaps born in Purz in the Swiss canton of Graubünden, Grisons. By 1627 he had moved to Bohemia and purchased a house in Prague. Losy senior had a number of business interests and was appointed a Councillor of the Exchequer and Deputy of the Salt, Beer and Wine Council by the Bohemian Court Chamber. As a result of helping to defend Prague against the assault of Swedish troops in 1648, Losy senior was ennoble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Fleury
Charles Fleury, Sieur de Blancrocher (c. 1605 – November 1652) was a French lutenist. Known principally under the name Blancrocher (''Blanrocher'', ''Blancheroche''), he was one of the leading performers of his day, active in Paris. Whether he composed or not is unknown; a single dance movement survives, attributed to him, in the so-called Manuscrit Vaudry de Saizenay. His name became well known in the late 20th century, for after his sudden death (he fell down a flight of stairs) as many as four major composers wrote ''tombeaux'' in his memory: lutenists Denis Gaultier and François Dufaut, and harpsichordists Louis Couperin and Johann Jakob Froberger. The latter witnessed Blancrocher's death, and the lutenist apparently died in Froberger's arms. He was the son of Louis, Valet de chambre du roi, and Mathurine de Vallois (+1625). He left six children underage. His son Charles married Anne de Franchere or de Fransure in 1633. Tombeaux on Blancrocher's death * Louis Couperin: ''To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Couperin
Louis Couperin (; – 29 August 1661) was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the Church of St. Gervais in Paris and as musician at the court. He quickly became one of the most prominent Parisian musicians, establishing himself as a harpsichordist, organist, and violist, but his career was cut short by his early death at the age of thirty-five. None of Couperin's music was published during his lifetime, but manuscript copies of some 200 pieces survive, some of them only rediscovered in the mid-20th century. The first historically important member of the Couperin family, Couperin made contributions to the development of both the French organ school and the French harpsichord school. His innovations included composing organ pieces for specific registrations and inventing the genre of the unmeasured prelude for harpsichor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Jakob Froberger
Johann Jakob Froberger ( baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in his keyboard works. His harpsichord pieces are highly idiomatic and programmatic. Only two of Froberger's many compositions were published during his lifetime. Froberger forbade publication of his manuscripts, restricting access to his noble patrons and friends, particularly the Württembergs and Habsburgs who had the power to enforce these restrictions. After his death the manuscripts went to his patroness Sibylla, Duchess of Württemberg (1620–1707) and the music library of the Württemberg family estate. Life 1616–1634: Early years in Stuttgart Johann Jakob Froberger was baptized on 19 May 1616 in Stuttgart. The exact date of his birth is unknown. His family came from Halle, where his grandfather Simon livedSchott, Grove and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavecin
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Dufault
François Dufault (or Dufaut) (before 1604 (?)ca. 1672?) was a French lutenist and composer. Dufault was born in Bourges, France. As a student of Denis Gaultier, he enjoyed an excellent reputation as an instrumentalist, which is demonstrated in many contemporary sources where he was described as one of the greatest lutenists of his time. Almost no information is preserved about his life. He died, probably during the end of the 1660s or early 1670s, in England. From his works has survived a collection of twelve lute compositions in tablature besides a few individual works in manuscript or other compilations. His works are written with a lot of harmonic freedom and nearly in an improvisatory style. Life * François Dufaut composed music for the lute. His rhythmic sensitivity is remarkable. He left: * twelve pieces of tablature in the collection entitled ''Tablature de luth de différents autheurs sur des accords nouveaux'''','' published by P. Ballard in 1631, * a certain number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Gallot
Jacques Gallot (or Jacques de Gallot, le vieux Gallot de Paris) (c. 1625 – c. 1695 in Paris, France) was a French lutenist and composer. He came from a Parisian family of lutenists and composers. He was a student of Ennemond Gaultier. In Paris, he published ''Pièces de luth composées sur différens mode'' introduced by a brief treatment of the lute. The pieces in this work are organized by tone and include also minuets. Some pieces signed ''vieux Gallot'' can be also found in the manuscript II 614 in Musikbibliothek Leipzig. His compositions include musical portraits, such as ''La Fontange'', ''La Montespan'' and also ''tombeaux'' (Turenne, Condé, Madame). He was one of the developers of this musical form. His brother Alexander Gallot (ca. 1625 – 1684) was also a composer and lutenist. A ''tombeau'' in his memory was composed by Robert de Visée. One of Gallot's works was transcribed for orchestra by Ottorino Respighi as part of his suite ''Gli Uccelli ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mouton
Charles Mouton (1617 - before 1699) was a French lutenist and composer. There were musicians in Mouton's mother's family, one of whom worked at the French court. Mouton was living in Paris in 1664, where he had several affluent students. He took part in a concert at the court of Savoy in Turin in 1673. In 1680 he was back in Paris; his students at this time included René Milleran and Philipp Franz Le Sage de Richée. It was in this period (before 1679 and c. 1680) that Mouton published two books of his compositions, ''Pièces de luth sur différents modes''. The first book includes notes on the performance of the pieces. Several years later he sat for portraitist François de Troy; he died some time in the next eight years. Mouton and his contemporary Jacques Gallot are two of the last noteworthy French composers for the lute. Discography Vinyl: *''Works of E. & D. Gaultier, Charles Mouton & J.S. Bach.'' Performed by Catherine Liddell. Titanic Records Ti-29 (1979) *''Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutenist
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
