Tom O' Bedlam
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Tom O' Bedlam
"Tom o' Bedlam" is the title of an anonymous poem in the "mad song" genre, written in the voice of a homeless " Bedlamite". The poem was probably composed at the beginning of the 17th century. In ''How to Read and Why'' Harold Bloom called it "the greatest anonymous lyric in the nglishlanguage." The terms "Tom o' Bedlam" and “Bedlam beggar” were used to describe beggars and vagrants who had or feigned mental illness (see also Abraham-men). Aubrey writes that such a beggar could be identified by “an armilla of tin printed, of about three inches breadth” attached to his left arm. They claimed, or were assumed, to be former inmates of the Bethlem Royal Hospital (Bedlam). It was commonly thought that inmates were released with authority to make their way by begging, though this is probably untrue. If it happened at all, the numbers were small, though there were probably large numbers of mentally ill travellers who turned to begging, but had never been near Bedlam. It was adop ...
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Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the Apostles in the New Testament, apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke Luke 8, chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons Exorcism, had been driven out of her, a statement which is repeated in Mark 16. In all the four can ...
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Works Of Unknown Authorship
Works may refer to: People * Caddy Works (1896–1982), American college sports coach * Samuel Works (c. 1781–1868), New York politician Albums * '' ''Works'' (Pink Floyd album)'', a Pink Floyd album from 1983 * ''Works'', a Gary Burton album from 1972 * ''Works'', a Status Quo album from 1983 * ''Works'', a John Abercrombie album from 1991 * ''Works'', a Pat Metheny album from 1994 * ''Works'', an Alan Parson Project album from 2002 * ''Works Volume 1'', a 1977 Emerson, Lake & Palmer album * ''Works Volume 2'', a 1977 Emerson, Lake & Palmer album * '' The Works'', a 1984 Queen album Other uses * Microsoft Works, a collection of office productivity programs created by Microsoft * IBM Works, an office suite for the IBM OS/2 operating system * Mount Works, Victoria Land, Antarctica See also * The Works (other) * Work (other) Work may refer to: * Work (human activity), intentional activity people perform to support themselves, others, or the community ** ...
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British Poems
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ...
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Ballads
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ...
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1600s Poems
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by High ...
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Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ...
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Dodgy Bastards
''Dodgy Bastards'' is the twenty-third studio album by British folk rock band Steeleye Span. It was released in October 2016, and features several arrangements of the Child Ballads. This was the first Steeleye Span album released following the departure of fiddle player Peter Knight, and the final album to feature bassist Rick Kemp. Personnel ;Steeleye Span *Maddy Prior – vocals *Jessie May Smart – violin, vocals *Rick Kemp – bass, vocals *Julian Littman – guitars, mandolin, keyboards, vocals *Spud Sinclair – guitars, vocals *Liam Genockey Liam Genockey (born 12 August 1948) is an Irish musician, who is the drummer with British folk rock band Steeleye Span. Biography Genockey was born in Dublin, Ireland. During the 1960s he lived in Plymouth, Devon, U.K, playing in local semi-p ... – drums, percussion Track listing References Steeleye Span albums 2016 albums {{2010s-folk-album-stub ...
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Please To See The King
''Please to See the King'' is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, ''Hark! The Village Wait'', brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, ''Present – The Very Best of Steeleye Span''. The title of the album is derived from the "Cutty Wren" ceremony. A wren in a cage is paraded as if it were a king. This rite was carried out on 26 December, Saint Stephen's Day, and is connected to early Christmas celebrations. The song "The King", appearing on the album, addresses this, and is often performed as a Christmas carol. Steel ...
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Steeleye Span
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat (song), All Around My Hat". Steeleye Span have seen many personnel changes; Maddy Prior being the only remaining original member of the band. Their musical repertoire consists of mostly traditional songs with one or two instrumental tracks of jigs and/or reel (dance), reels added; the traditional songs often include some of the Child Ballads. In their later albums there has been an increased tendency to include music written by the band members, but they have never moved completely away from traditional music, which draws upon pan-British traditions. History Early years Steeleye Span began in late 1969, when London-born ...
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Wit And Mirth, Or Pills To Purge Melancholy
''Wit and Mirth: Or Pills to Purge Melancholy'' is the title of a large collection of songs by Thomas d'Urfey, published between 1698 and 1720, which in its final, six-volume edition held over 1,000 songs and poems. The collection started as a single book compiled and published by Henry Playford who had succeeded his father John Playford as the leading music publisher of the period. Over the next two decades, ''Pills'' went through various editions and expanded into five volumes; in 1719 Thomas D'Urfey reordered and added to the work to produce a new edition (also in 5 volumes) with the title ''Songs Compleat, Pleasant and Divertive'', published by Jacob Tonson. Volumes I and II now consisted entirely of songs with words by D'Urfey, "Set to Musick by Dr. John Blow, Mr. Henry Purcell, and other excellent masters of the town". The edition sold out quickly and in the second printing D'Urfey reverted to the ''Pills'' title. He added Volume 6 in 1720. The title itself may derive from a 1 ...
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Harold Bloom
Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of Humanities at Yale University. In 2017, Bloom was described as "probably the most famous literary critic in the English-speaking world." Following the publication of his first book in 1959, Bloom wrote more than 50 books, including over 40 books of literary criticism, several books discussing religion, and a novel. During his lifetime, he edited hundreds of anthologies concerning numerous literary and philosophical figures for the Chelsea House publishing firm. Bloom's books have been translated into more than 40 languages. Bloom was elected to the American Philosophical Society in 1995. Bloom was a defender of the traditional Western canon at a time when literary departments were focusing on what he derided as the "school of resentment" ( multiculturalists, feminists, Marxists, and others). He was educated at Yale University, the University of Cambridge, and Co ...
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