Tom Lemonier
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Tom Lemonier
Tom Lemonier (March 29, 1870 — March 14, 1945) was an actor and composer of popular music during the ragtime era, particularly active in Black Vaudeville. His work featured in various musicals. Some of his work was published by the Gotham-Attucks Music Publishing Company. Numerous recordings of his songs were made including on Victor Records and Columbia Records. In 1909 he joined the staff of music publisher Rose & Snyder. Lemonier became one of the first African-American actors to perform in a Caucasian play when in 1910 he was hired to play a steward in William A. Brady's production of ''Over Night''. Previously these characters had been performed in blackface. Lemonier's abilities and the positive reception he received convinced Brady to hire additional African-American actors for the role in touring versions of the show. Playbill notes him as a performer in the 1912 musical ''Little Miss Brown''. In addition to the original production, he was part of a national tour o ...
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American Society Of Composers, Authors And Publishers
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, I ...
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Ed Rose (lyricist)
Ed Rose ''(née'' Edward Smackels Jr.; 24 November 1875 Chicago — 29 April 1935 Evanston, Illinois), was an American lyricist who wrote the words to ''Oh Johnny, Oh Johnny, Oh!'' composed in 1917 by Abe Olman. Rose & Snyder Co. Incorporated In 1906, George M. Krey (a music publisher from Boston), Ted Snyder, and Ed Rose formed the music publishing company, Rose & Snyder Co., located in Tin Pan Alley. In May 1908, the firm was incorporated in the state of New York. The directors were Edward Smackels, George M. Krey, and Maurice H. Rosenzweig, an entertainment lawyer. That same month (May 1908), Ed Snyder severed his affiliation with Ed Rose and Ted Snyder. And, in June 1909, Ted Snyder severed his connection with the firm to form his own music publishing company, the Ted Snyder Company, which evolved into Waterson, Berlin & Snyder, Inc., in 1918. In 1909, composer Thomas Lemonier (1870–1945) joined the staff of Rose & Snyder.
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Aida Overton Walker
Aida Overton Walker (February 14, 1880 – October 11, 1914), also billed as Ada Overton Walker and as "The Queen of the Cakewalk", was an American vaudeville performer, actress, singer, dancer, choreographer, and wife of vaudevillian George Walker. She appeared with her husband and his performing partner Bert Williams, and in groups such as Black Patti's Troubadours. She was also a solo dancer and choreographer for vaudeville shows such as Bob Cole, Joe Jordan, and J. Rosamond Johnson's ''The Red Moon'' (1908) and S. H. Dudley's ''His Honor the Barber'' (1911). Aida Overton Walker is also well known for her 1912 performance of the "Salome" dance at Hammerstein's Victoria Theatre. This was Aida's response to the national "Salomania" craze of 1907 that spread through the white vaudeville circuit. Biography Aida Overton was born in New York City, New York on February 14, 1880. She appears as a four-month old infant in the US Census of 1880 with parents Moses age 24 and Pauline ...
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Bing Crosby
Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. He was a leader in record sales, radio ratings, and motion picture grosses from 1926 to 1977. He made over 70 feature films and recorded more than 1,600 songs. His early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. ''Yank'' magazine said that he was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. In 1948, ''Music Digest'' estimated that his recordings filled more than half of the 80,000 weekly hou ...
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Scrappy Lambert
Harold "Scrappy" Lambert (May 12, 1901 – November 30, 1987, in New Brunswick, New Jersey) was an American dance band vocalist who appeared on hundreds of recordings from the 1920s to the 1940s. At Rutgers University he was a cheerleader and played piano for a jazz group, the Rutgers Jazz Bandits. In February 1925, he and fellow student Billy Hillpot formed a musical duo impersonating the Smith Brothers. They were discovered in 1926 by Ben Bernie, who signed them to perform with his orchestra. Lambert and Hillpot appeared on many recordings with the orchestra and remained under Bernie's employ until 1928.Scrappy Lambert
The Jazz Age. Accessed July 6, 2008.
Other bandleaders who employed Lambert include

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Will Oakland
Will Oakland (January 15, 1880–May 15, 1956) was an American countertenor famed for his exceptionally high vocal range. He was born Herman Hinrichs in Jersey City, New Jersey, to German-American immigrant parents. Oakland began his musical career after leaving the United States Army in 1905, joining Lew Dockstader's minstrels in Rochester, New York. He began recording for Edison Records in 1908, soon after Richard Jose's retirement. In addition to appearing as a solo performer, Oakland recorded duets with Billy Murray, sometimes singing the female part in love songs. He often sang woeful, sentimental songs that contrasted with Murray's usually upbeat repertoire. From 1912 to 1914 Oakland recorded in the Heidelberg Quintet, joining the members of the American Quartet. He recorded the song "As I sat upon my dear old mother's knee" by Joseph P. Skelly. References External links * Collected Works of Will Oakland
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Harry Tally
Harry Lee Tally (June 30, 1866 – August 16, 1939) was an American tenor singer of popular songs, who recorded between 1902 and 1917. Biography He was born in Memphis, Tennessee, and began performing in a popular vaudeville act, the Empire City Quartet. Described as "a sweet-voiced tenor", he first recorded as a solo singer in late 1902, and thereafter recorded prolifically for several labels, particularly Columbia, Victor, and Edison. He recorded a wide variety of material, from sentimental to comic.Tim Gracyk, ''Harry Tally'', Tim's Phonographs and Old Records
Retrieved 15 May 2013
Among his most commercially successful songs were "Seminole" (first recorded in 1903), "

Arthur Collins (singer)
Arthur Francis Collins (February 7, 1864 – August 2, 1933) was an American baritone who was one of the most prolific and beloved of pioneer recording artists, regarded in his day as "King of the Ragtime Singers". Biography He was born in Philadelphia, Pennsylvania and moved with his family to Barnegat, New Jersey around 1879 and as a teenager worked as a volunteer Lifeguard on the Jersey shore, beginning an enthusiasm for sailing that became a lifelong pursuit. However, his fine baritone voice – heard in church and in local concert appearances – convinced Collins' family to send him back to Philadelphia for formal training. After concluding his studies, Collins spent some 15 years touring with various stock companies and appearing in summer opera in St. Louis. None of these ventures turned out any long term prospects for Collins, and when he married actress and singer Anna Leah Connelly in 1895, Collins swore off show business and decided to study for a career in bookkeepin ...
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Ernest Hogan
Ernest Hogan (born Ernest Reuben Crowdus; 1865 – May 20, 1909) was the first African-American entertainer to produce and star in a Broadway show (''The Oyster Man'' in 1907) and helped to popularize the musical genre of ragtime. A native of Bowling Green, Kentucky, as a teenager Hogan worked in traveling minstrel shows as a dancer, musician, and comedian. In 1895 Hogan composed several popular songs, including "La Pas Ma La" and "All Coons Look Alike to Me". The success of the latter song created many derogatory imitations, known as "coon songs" because of their use of racist and stereotypical images of black people. Hogan was considered one of the most talented performers and comedians of his day.''Tap Roots: The Early History of Tap Dancing'' by Mark Knowles, McFarland & Company, 2002, , pages 119-20. His contribution to the racist "coon song" craze haunted him—before his death he stated that he regretted using the racial slur in his song. Early years He was born Ernest R ...
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Bert Williams
Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: ''Darktown Jubilee'' in 1914. He was by far the best-selling Black recording artist before 1920. In 1918, the ''New York Dramatic Mirror'' called Williams "one of the great comedians of the world." Williams was a key figure in the development of African-American entertainment. In an age when racial inequality and stereotyping were commonplace, he became the first black person to take a lead role on the Broadway stage, and did much to push back racial barriers during his three-decade-long career. Fellow vaudevillian W. C. Fields, who appeared in productions with Williams, described him as "the funniest man I ever saw—and the saddest man I ever knew." Early life Williams was born i ...
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Carrie DeMar
Carrie De Mar (April 1, 1875/76 - February 23, 1963)''American and British Theatrical Biography'' page 300 by J. P. Wearing c.1979 ISBN 0-8108-1201-0''Silent Film Necrology'', p.130 2nd edition c.2001 by Eugene M. Vazzana ISBN 0-7864-1059-0 was an American actress, singer and vaudevillian. She appeared often with her husband Joseph Hart Joseph Hart (1711/12 – 24 May 1768) was a Calvinist minister in London. His works include ''Hart's Hymns'', a much-loved hymn book amongst evangelical Christians throughout its lifetime of over 200 years, which includes the well-known hy ... on stage and early silent screens. The duo starred in a series of early Biograph shorts titled ''Foxy Granpa''. Joe Hart died in 1921 and years later Carrie entered a Convent (1950). She died of a stroke in early 1963. Filmography *''The Creators of Foxy Grandpa'' (1902) short *''Foxy Grandpa Shows Boys He is a Magician'' (1902) short *''Foxy Grandpa and Polly in a Little Hilarity'' (1902) short ...
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Joseph Hart (entertainer)
Joseph Hart (June 8, 1861 – October 3, 1921) was an American Vaudeville, vaudevillian entertainer, manager, producer and songwriter. Early life Joseph Hart Boudrow was born in Boston, Massachusetts on June 8, 1861, to James H. and Sarah E. Boudrow. His father, a Boston area junk dealer, was from Nova Scotia, the son of French immigrants who had settled there in the early 1800s.1880 U.S. Census Records, detail? Hart's mother was a native of Massachusetts. Joseph Hart took to the stage at an early age playing boy's roles at Boston's Howard Athenaeum, then managed by his uncle, Josh Hart.''Who's Who in Music and Drama - edited by Dixie Hines, Harry Prescott Hanaford – 1914'' Career While still in his teens Hart began touring with I. W. Baird's Minstrel Show as an end man, the musician stationed at the end of a line of performers. Soon Hart became a crowd favorite for his banjo playing, singing and comedy routines that he often wrote himself. Later he joined other minstrel ...
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