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Tokyo Debut
''Tokyo Debut'' is a live album by saxophonist Art Pepper recorded in Japan in 1977 by TBS Radio and originally released on the Japanese Polydor Records, Polydor label in 1990 as ''First Live in Japan'' before being rereleased on the Galaxy Records, Galaxy label in 1995. accessed October 31, 2016 Reception The AllMusic review by Scott Yanow noted "The unexpected enthusiasm of the crowd really got to Pepper and his improvisations (even though he is not playing with his regular group) are quite inspired. Memorable music".Track listing All compositions by Art Pepper except where noted. # ''Introduction'' - 2:23 # "Cherokee (Ray Noble song), Cherokee" (Ray Noble) - 12:03 # "The Spirit Is Here" - 8:58 # "Here's That Rainy Day" (Jimmy Van Heusen, ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. Active in West Coast jazz, Pepper came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's great altoist" at the time of his death. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Burke (lyricist)
John Francis Burke (October 3, 1908 – February 25, 1964) was an American lyricist, successful and prolific between the 1920s and 1950s. His work is considered part of the Great American Songbook. His song "Swinging on a Star", from the Bing Crosby film ''Going My Way'', won an Academy Award for Best Song in 1944. Early life Burke was born in Antioch, California, United States, the son of Mary Agnes (Mungovan), a schoolteacher, and William Earl Burke, a structural engineer. When he was still young, his family moved to Chicago, Illinois, where Burke's father founded a construction business. As a youth, Burke studied piano and drama. He attended Crane College and then the University of Wisconsin–Madison, where he played piano in the orchestra. After graduating from the University of Wisconsin–Madison in 1927, Burke joined the Chicago office of the Irving Berlin Publishing Company in 1926 as a pianist and song salesman. He also played piano in dance bands and vaudeville. Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clare Fischer
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"Hancock, Herbie; as told to Michael J. West"Herbie Hancock Remembers Clare Fischer" ''JazzTimes''. April 5, 2013. Retrieved 2013-05-24.), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, '' 2+2'' (1981), the first of Fischer's records to incorporate the vocal ensemble writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfa
Luiz is a Portuguese given name that is an alternative form of Luís. It's archaic in Portugal, but common in Brazil. Notable people referred to by this name include the following: People *Luiz Bonfá (1922-2001), Brazilian guitarist and composer * Luiz Alfredo Garcia-Roza (1936-2020), Brazilian professor and novelist *Luiz Inácio Lula da Silva (born 1945), Brazilian politician and 35th president of Brazil *Luiz Felipe Scolari (born 1948), Brazilian football manager and former defender * Luiz Alberto Figueiredo (born 1955), Brazilian diplomat * Luiz Alberto da Silva Oliveira (born 1977), Brazilian football centre-back * Luiz Alberto (born 1982), Brazilian football centre-back * Luíz Carlos (born 1985), Brazilian football defensive midfielder *David Luiz (born 1987), Brazilian football centre-back *Luiz Gustavo (born 1987), Brazilian football defensive midfielder *Luiz Alberto de Araújo (born 1987), Brazilian decathlete *Luiz Adriano (born 1987), Brazilian football striker *Luiz P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba De Orpheus
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Maria
Antônio Maria de Araújo Morais, known as Antônio Maria (17 March 1921—15 October 1964), was a Brazilian writer of pop music lyrics as well as radio sports commentator, poet, composer, and chronicler.Luiz Artur Ferraretto, ''E o rádio? : novos horizontes midiáticos'' Luciano Klöckner (Org.) - Page 75 "MORAIS, Antônio Maria Araújo de. Crônicas de Antônio Maria. São Paulo: Editora Paz e Terra, 1996. SANTOS, Joaquim Ferreira dos. Feliz 1958: o ano que não devia terminar. Rio de Janeiro: Editora Record, 1997." Career At 17 he got his first job presenting a musical program at Pernambuco's Radio club. In 1940, he arrived in Rio de Janeiro, "with four changes of clothing and five quid in the pocket", to work as a sports commentator for Radio Ipanema. The job didn't last long and he went back to Recife, where he married Maria Gonçalves Ferreira in May 1944. By 1948, he was back in Rio. His family now increased by a son and daughter, Rita and Antônio Maria Filho, he took a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film ''Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Fuller
Walter Gilbert "Gil" Fuller (April 14, 1920, Los Angeles, California – May 26, 1994, San Diego, California) was an American jazz arranger. He is no relation to the jazz trumpeter and vocalist Walter Fuller (musician), Walter "Rosetta" Fuller. In the 1930s and 1940s, Fuller did extensive work writing and arranging for bandleaders such as Les Hite, Jimmie Lunceford, Billy Eckstine, and Tiny Bradshaw; he also worked with Benny Carter, Benny Goodman, Woody Herman, Count Basie, Machito, and Tito Puente. After World War II, he found himself increasingly in demand as a bebop arranger, along with fellow modern arrangers Tadd Dameron, Gil Evans, and George Russell (composer), George Russell. Fuller's work with Dizzy Gillespie was of particular note, yielding the tunes "Manteca", "Swedish Suite", "Tin Tin Deo", and "One Bass Hit". He is the composer of the jazz standard ballad "I Waited For You", co-credited with Dizzy Gillespie. Fuller started his own publishing company in 1957, and whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
