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Toccata And Fugue In D Minor, BWV 538
The Toccata and Fugue in D minor, BWV 538, is an organ piece by Johann Sebastian Bach. Like the better-known BWV 565, BWV 538 also bears the title ''Toccata and Fugue in D Minor'', although it is often referred to by the nickname Dorian – a reference to the fact that the piece is written without a key signature – a notation that leads one to assume the Dorian mode. However, the two pieces are quite different musically. Like the Fantasia and Fugue in C minor, BWV 562, it is nearly monothematic. It opens with a motoric sixteenth-note motif that continues almost uninterrupted to the end of the piece, and includes unusually elaborate concertato effects. Bach even notates manual changes for the organist, an unusual practice in the day as well as in Bach's organ output. The fugue, also in D minor, is long and complex, and involves a rather archaic-sounding subject which prominently features syncopations and three upward leaps of a perfect fourth. The strict contrapuntal developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 540
The Toccata and Fugue in F major, BWV 540, is an organ work written by Johann Sebastian Bach, potentially dating from the composer's time in Weimar, or in Leipzig. History No firm date can be established for the composition, and it has even been conjectured that the 2 parts were composed separately, with the toccata being a potentially more mature piece. Williams however describes that the differing ''Affekt'' of the two parts does not pose any problem to the hypothesis that the whole work was composed at the same period. This conception of "complementary movements" was even a favourite of Bach's, and the dramatic nature of the toccata as contrasted to the counterpoint of the fugue should, as one author writes, "not be misunderstood as mere discrepancy". Because of the range of the pedal parts, the toccata may have been written for a performance, around 1713, at the Weißenfels organ, with its pedal going up to F. Music Toccata The toccata starts with a large linear canon (fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Organ
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungarian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugues By Johann Sebastian Bach
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulle
Bulle (; frp, Bulo ) is a municipality in the district of Gruyère in the canton of Fribourg in Switzerland. In January 2006 Bulle incorporated the formerly independent municipality of La Tour-de-Trême. History Ancient times Bulle is first mentioned in the 9th century as ''Butulum''. In 1200 it was mentioned as ''Bollo''. The municipality was formerly known by its German name ''Boll''; however, that name is no longer used. Very little is known about the early history of the Bulle area. In 1995, a large grave mound from the early Hallstatt period was partially excavated. The grave mound lies about from the hill on which the church was later built. Middle ages During the Early Middle Ages it was the home of a parish church that covered a large parish. This Church of St. Eusebius was probably built in the 6th or 7th century by the Bishop of Lausanne. The church is mentioned several times between 852 and 875. In the 9th century, the parish was split into several indep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nariné Simonian
Narine Simonian (sometimes written only as Nariné, born 1965 in Gyumri, Armenia) is one of the most baroque French organists, as well as a pianist, musical director and producer of operas, born in Gyumri, Armenia. Nariné is also an organist, an harpsichord and pianoforte player as well as a pianist, mainly specializing in baroque genre, with a strong emphasis on Johann Sebastian Bach. President of the French nonprofit Association "Les Amis de Gumri.France" ("Friends of Gyumri"), Nariné dreams of raising enough money to set up an organ in her native city, Gyumri (Leninakan). Biography Born in the city of Gyumri, in 1965, Narine started studying the instrument at the age of six years. In 1976, she was admitted to the Normal School of Music, where she graduated and was awarded the gold medal in 1980. From 1981 to 1985, Narine Simonian followed the Curriculum of the National School of Music of Yerevan, where she graduated as a professional concert pianist (first prize, unanimousl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Kibbie
James Kibbie (born March 13, 1949) is an American concert organist, recording artist and pedagogue. He is Professor of Organ at the University of Michigan. Biography Kibbie was born in 1949 in Vinton, Iowa, USA. He graduated from Davenport West High School in 1967. He holds a Bachelor of Music in Organ Performance from North Texas State University (Magna cum laude, 1971), the Master of Music in Organ Performance from North Texas State University (1972), and the Doctor of Musical Arts in Organ Performance from the University of Michigan (1981). He won the International Organ Competition of the Prague Spring Festival in the former Czechoslovakia in 1979 and the ''Grand Prix d'Intérpretation'' at the International Organ Competition "Grand Prix de Chartres" in France in 1980. He joined the University of Michigan organ faculty in 1981 and is currently Professor of Organ. The University of Michigan has endowed the James Kibbie Scholarship in perpetuity to support students majorin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alla Breve
''Alla breve'' also known as cut time or cut common timeis a musical meter notated by the time signature symbol (a C with a vertical line through it), which is the equivalent of . The term is Italian for "on the breve", originally meaning that the beat was counted on the breve. ''Alla breve'' is a "simple-duple meter with a half-note pulse".Duckworth, William (2009). ''A Creative Approach to Music Fundamentals'', p. 38. . The note denomination that represents one beat is the minim or half-note. There are two of these per bar, so that the time signature may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat. The name "common time" refers to , which has four beats to the bar, each of a quarter note (or crotchet). Modern usage In contemporary use, ''alla breve'' suggests a fairly quick tempo. Thus, it is used frequently for military marches. From about 1600 to 1900, its meaning with regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
