Toast (Tar Album)
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Toast (Tar Album)
''Toast'' is a studio album by American post-hardcore band Tar, released in 1993 through Touch and Go Records Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes. Tou .... Track listing Personnel Performers *John Mohr - Guitar, vocals *Mark Zablocki - Guitar *Tom Zaluckyj - Bass *Mike Greenlees - Drums Production *Bob Hanson - Photography *David Lounsbury - Recording for "The French Horn" References External links * 1993 albums {{1990s-album-stub ...
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Tar (band)
Tar was an American post-hardcore band, formed in 1988 in Chicago. Throughout their career they released four studio albums, two extended plays, and a number of singles before breaking up in 1995. They were known for their dry sense of humor. History The precursor to Tar was a hardcore punk outfit called Blatant Dissent, which formed in DeKalb, Illinois where singer/guitarist John Mohr and drummer Mike Greenlees were attending Northern Illinois University. Joining Mohr and Greenlees in Tar were original bassist Tim Mescher (only until 1991 and who also played for Snailboy), bassist Tom Zaluckyj and guitarist Mark Zablocki. Zaluckyj and Mohr played unique instruments, crafted of aluminum, designed by Ian Schneller of Specimen Products. The band released albums on the Amphetamine Reptile and Touch and Go Records labels before disbanding in 1995. During its career, the band released a total of five singles, four albums, two mini albums, and contributed songs to six compilations and ...
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Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen (band), Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI (band), AFI, Underoath, Hawthorne Heights, Silverstein (band), Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved main ...
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Noise Rock
Noise rock (sometimes called noise punk) is a noise music, noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimal music, minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement. Some groups are tied to song structures, such as Sonic Youth. Although they are not representative of the entire genre, they helped popularize noise rock among alternative rock audiences by incorporating melodies into their droning textures of sound, which set a template that numerous other groups followed. Other early noise rock bands were Big Black and Swans (band), Swans. Characteristics Noise rock fuses Rock music, rock to noise, usually with recognizable "rock" instrumentation, but with greater use of distortion and elect ...
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Touch And Go Records
Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes. Touch & Go carved out a reputation for releasing adventurous noise rock by the likes of Big Black, the Butthole Surfers, and The Jesus Lizard. Touch & Go helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie rock scene, and helped preside over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock emerging at the time. History The zine was formed in 1979 in East Lansing, Michigan as Touch and Go magazine, a self-printed fanzine written and produced by Tesco Vee and Dave Stimson. It wasn't until 1981 that it grew into an independent record label. Vee (later front man of The Meatmen) was bored with the punk sounds of the day ...
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Jackson (album)
Tar was an American post-hardcore band, formed in 1988 in Chicago. Throughout their career they released four studio albums, two extended plays, and a number of singles before breaking up in 1995. They were known for their dry sense of humor. History The precursor to Tar was a hardcore punk outfit called Blatant Dissent, which formed in DeKalb, Illinois where singer/guitarist John Mohr and drummer Mike Greenlees were attending Northern Illinois University. Joining Mohr and Greenlees in Tar were original bassist Tim Mescher (only until 1991 and who also played for Snailboy), bassist Tom Zaluckyj and guitarist Mark Zablocki. Zaluckyj and Mohr played unique instruments, crafted of aluminum, designed by Ian Schneller of Specimen Products. The band released albums on the Amphetamine Reptile and Touch and Go Records labels before disbanding in 1995. During its career, the band released a total of five singles, four albums, two mini albums, and contributed songs to six compilations and ...
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Over And Out (Tar Album)
''Over and Out'' is the fourth and final studio album by American post-hardcore band Tar, released in 1995 through Touch and Go Records. Two outtakes from the album were released by fanzine ''Chunklet'' in 2012. Critical reception '' MusicHound Rock: The Essential Album Guide'' praised the album's "stripped down" sound and "new, menacing darkness." The ''Chicago Reader'' wrote that "Mark Zablocki and front man John Mohr lock their lean, meaty guitars together into unfussy dual riffs, simultaneously neat and jagged, that add an extra jolt of momentum to the precise, bulldozer-simple pounding of drummer Mike Greenlees." ''Trouser Press'' called the album Tar's "best and most varied," writing that "the emotional centerpiece is the tumultuous 'Building Taj Mahal', which ruminates on a band’s last stand: 'I am familiar with the concept of filler,' sings Mohr, but adds, 'This one is special.'" Track listing Personnel Performers *John Mohr - vocals, electric guitar *Mark Zablocki ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen (band), Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI (band), AFI, Underoath, Hawthorne Heights, Silverstein (band), Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved main ...
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