To Be Continued
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To Be Continued
A cliffhanger or cliffhanger ending is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode or a film of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma. Some serials end with the caveat, "To Be Continued" or "The End?". In serial films and television series the following episode sometimes begins with a recap sequence. Cliffhangers were used as literary devices in several works of the Middle Ages with '' One Thousand and One Nights'' ending on a cliffhanger each night. Cliffhangers appeared as an element of the Victorian era serial novel that emerged in the 1840s, with many associating the form with Charles Dickens, a pioneer of the serial publication of narrative fiction.Grossman, Jonathan H. (2012). ''Charles Dickens's Networks: Public Transport and the Novel''. p. 54. Oxford: Oxford Universi ...
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William Heath (artist)
William Heath (1794 – 7 April 1840) was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life. Heath was born in Northumberland. His early works often dealt with military scenes, including colour plates for ''The Martial Achievements'', ''The Wars of Wellington'', etc., but from about 1820 on he focused on satire. Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole ); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever". Heath helped found an early caricature magazines, '' The Glasgow Looking Glass'' (renamed to ''The Northern Looking Glass'' after five issues). Heat ...
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Nickelodeon (movie Theater)
The Nickelodeon was the first type of indoor exhibition space dedicated to showing projected motion pictures in the United States and Canada. Usually set up in converted storefronts, these small, simple theaters charged five cents for admission and flourished from about 1905 to 1915. Etymology "Nickelodeon" was concocted from ''nickel'', the name of the U.S. five-cent coin, and the ancient Greek word ''odeion'', a roofed-over theater, the latter indirectly by way of the '' Odéon'' in Paris, emblematic of a very large and luxurious theater, much as the '' Ritz'' was of a grand hotel. In spite of this derivation, the word has also been used since at least 1925 to refer to coin-operated player pianos and jukeboxes. One later instance of this use is the 1949 popular song "Music! Music! Music!" ("Put another nickel in, in the nickelodeon…"). History The earliest films had been shown in "peep show" machines or projected in vaudeville theaters as one of the otherwise live acts ...
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Serial Film
A serial film, film serial (or just serial), movie serial, or chapter play, is a motion picture form popular during the first half of the 20th century, consisting of a series of short subjects exhibited in consecutive order at one theater, generally advancing weekly, until the series is completed. Generally, each serial involves a single set of characters, protagonistic and antagonistic, involved in a single story, which has been edited into chapters after the fashion of serial fiction and the episodes cannot be shown out of order or as a single or a random collection of short subjects. Each chapter was screened at a movie theater for one week, and ended with a cliffhanger, in which characters found themselves in perilous situations with little apparent chance of escape. Viewers had to return each week to see the cliffhangers resolved and to follow the continuing story. Movie serials were especially popular with children, and for many youths in the first half of the 20th centu ...
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Cliff
In geography and geology, a cliff is an area of rock which has a general angle defined by the vertical, or nearly vertical. Cliffs are formed by the processes of weathering and erosion, with the effect of gravity. Cliffs are common on coasts, in mountainous areas, escarpments and along rivers. Cliffs are usually composed of rock that is resistant to weathering and erosion. The sedimentary rocks that are most likely to form cliffs include sandstone, limestone, chalk, and dolomite. Igneous rocks such as granite and basalt also often form cliffs. An escarpment (or scarp) is a type of cliff formed by the movement of a geologic fault, a landslide, or sometimes by rock slides or falling rocks which change the differential erosion of the rock layers. Most cliffs have some form of scree slope at their base. In arid areas or under high cliffs, they are generally exposed jumbles of fallen rock. In areas of higher moisture, a soil slope may obscure the talus. Many cliffs also fea ...
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William Tinsley (publisher)
William Tinsley (13 July 1831 – 1 May 1902) was a British publisher. The son of a gamekeeper, he had little formal education; but together with his brother Edward (1835–1865) he founded the firm of Tinsley Brothers, which published many of the leading novelists of the time. Life Tinsley was born in the village of South Mimms, north of London, the second of ten children. Although his mother (born Sarah Dover, the daughter of a local vet) could read and write well, his father William (born 1800), a gamekeeper, did not value education, and his son only attended school for a few years. By the age of nine he was doing day jobs, such as bird scaring, in the fields. In 1852, at the age of seventeen, William's younger brother Edward moved to London to take up work in the Nine Elms engineers' workshop of the London and South Western Railway. A few months later William followed him, walking from South Mimms to Notting Hill, where he quickly found work and lodging. Both brothers wer ...
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A Pair Of Blue Eyes
''A Pair of Blue Eyes'' is a novel by Thomas Hardy, published in 1873, first serialised between September 1872 and July 1873. It was Hardy's third published novel, and the first not published anonymously upon its first publication. Hardy included it with his "romances and fantasies". Plot The book describes the love triangle of a young woman, Elfride Swancourt, and her two suitors from very different backgrounds. Stephen Smith is a socially inferior but ambitious young man who adores her and with whom she shares a country background. Henry Knight is the respectable, established, older man who represents London society. Although the two are friends, Knight is not aware of Smith's previous liaison with Elfride. Elfride finds herself caught in a battle with her heart, her mind and the expectations of those around her – her parents and society. When Elfride's father finds that his guest and candidate for his daughter's hand, architect's assistant Stephen Smith, is the son of a ma ...
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Thomas Hardy
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as ''Far from the Madding Crowd'' (1874), ''The Mayor of Casterbridge'' (1886), '' Tess of the d'Urbervilles'' (1891), and '' Jude the Obscure'' (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin. Many of his nove ...
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Sub-plot
In fiction, a subplot is a secondary strand of the plot that is a supporting side story for any story or for the main plot. Subplots may connect to main plots, in either time and place or thematic significance. Subplots often involve supporting characters, those besides the protagonist or antagonist. Subplots may also intertwine with the main plot at some point in a story. Subplots are distinguished from the main plot by taking up less of the action, having fewer significant events occur, with less impact on the "world" of the work, and occurring to less important characters. In screenwriting Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession. Screenwriters are responsible for researching the story, deve ..., a subplot is referred to as a "B story" or a "C story," etc., while the main plot point can be referred to as the "A story". References ...
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Plot (narrative)
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or ''imbroglio''. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The term ''plot'' can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term ''plot'', however, in common usage (for example, a "movie plot") can mean a narrative summary or story synopsis, rather th ...
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The Pickwick Papers
''The Posthumous Papers of the Pickwick Club'' (also known as ''The Pickwick Papers'') was Charles Dickens's first novel. Because of his success with '' Sketches by Boz'' published in 1836, Dickens was asked by the publisher Chapman & Hall to supply descriptions to explain a series of comic "cockney sporting plates" by illustrator Robert Seymour, and to connect them into a novel. The book became a publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise. On its cultural impact, Nicholas Dames in ''The Atlantic'' writes, “'Literature' is not a big enough category for ''Pickwick''. It defined its own, a new one that we have learned to call “entertainment.” Published in 19 issues over 20 months, the success of ''The Pickwick Papers'' popularised serialised fiction and cliffhanger endings. Seymour's widow claimed that the idea for the novel was originally her husband's, but Dickens strenuously denied any specific in ...
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