To Live And Die In L.A. (soundtrack)
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To Live And Die In L.A. (soundtrack)
''To Live and Die in L.A. '' is the third studio album by English new wave band Wang Chung. It was released on 30 September 1985 by Geffen and is their first recording as a duo of lead vocalist Jack Hues and bassist Nick Feldman following the departure of drummer Darren Costin. The album served as the soundtrack for the 1985 film '' To Live and Die in L.A'', directed by William Friedkin. Instead of following up the success that ''Points on the Curve'' (1983) had provided them, the band switched gears to produce an original motion picture soundtrack. The switch allowed for them to experiment with different styles of music from the more conventional pop music found on their previous studio album. The album peaked at No. 85 on the US ''Billboard'' 200 but it failed to chart in their home country. The album's title track, " To Live and Die in L.A.", was released as the first single from the album and it peaked at No. 41 on the US ''Billboard'' Hot 100. " Wake Up, Stop Dreaming" wa ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Supervisor
A supervisor, or lead, (also known as foreman, boss, overseer, facilitator, monitor, area coordinator, line-manager or sometimes gaffer) is the job title of a lower-level management position that is primarily based on authority over workers or a workplace. A supervisor can also be one of the most senior in the staff at the place of work, such as a professor who oversees a PhD dissertation. Supervision, on the other hand, can be performed by people without this formal title, for example by parents. The term supervisor itself can be used to refer to any personnel who have this task as part of their job description. An employee is a supervisor if they have the power and authority to do the following actions (according to the Ontario Ministry of Labour): # Give instructions and/or orders to subordinates. # Be held responsible for the work and actions of other employees. If an employee cannot do the above, legally, they are probably not a supervisor, but in some other category, su ...
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Arranger
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Ross Cullum
Ross Cullum (born 1957 in Fulham, London, England) is an English composer, record producer, songwriter, mixer, A&R and music industry consultant. Career Cullum became an assistant at George Martin's AIR Studios, where he worked on recordings by Roxy Music, Kate Bush, Karlheinz Stockhausen, Jeff Beck and others. He has also worked alongside Geoff Emerick, Steve Nye, Bill Price, Jon Kelly, Peter Henderson, Bob Ezrin, Leiber and Stoller and Chris Thomas. In the 1980s, after touring the world mixing live shows, he formed a production collaboration with Chris Hughes. Together they worked with Adam and the Ants, Tears for Fears, Wang Chung, Paul McCartney, Ric Ocasek and others. Other artists he has worked with in varying capacities include Tori Amos, Miguel Bosé, Moya Brennan, Enya, Howard Jones, the Human League, the Afro Celt Sound System, Chris Hughes ('' Shift'' - a tribute to Steve Reich), Peter Gabriel, Sa Ding Ding, Robert Plant, Perry Blake, Mary-Jess Leaverland, Ja ...
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Chris Hughes (musician)
Christopher Merrick Hughes (born 3 March 1954, London, England), also known as Merrick, is a British music producer, songwriter, and drummer for Adam and the Ants. Best known as producer of Tears for Fears' ''Songs from the Big Chair'', and as the co-writer of "Everybody Wants to Rule the World", Hughes has a joint background as a musician, songwriter and producer. His career began with Adam and The Ants as drummer and producer of the "Cartrouble" and "Kings of the Wild Frontier" singles, then the ''Kings of the Wild Frontier'' album. Yielding three hit singles, the album earned Hughes ''Music Week''s 'Producer of the Year Award'. Life and career Hughes was educated at Emanuel School in London, and was a member of Adam and the Ants, also producing their albums, ''Kings of the Wild Frontier'' and ''Prince Charming''. Hughes was awarded ''Music Week''’s "Producer of the Year" award for his work on the album, ''Kings of the Wild Frontier''. He co-wrote Tears for Fears' hit song "E ...
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Jolley & Swain
Steven Nicholas Jolley (born April 1950) and Tony Swain (born 20 January 1952, London, England) were a successful songwriting and record production duo in the United Kingdom in the early to mid-1980s, producing some of the top artists and songs of the era. Career The pair met in 1975 when Swain was working as a television cameraman on ''The Muppet Show'', where Jolley was sound technician and sometimes boom operator. They formed the band Chaser in 1975 with Richard Palmer (rhythm guitar and percussion), Nick Adams (lead guitar), Ray Bailey (bass) and Brian Grant (drums). Chaser released the single "Red Rum" (1975), written by Jolley, Palmer and Swain, on Polydor as a tribute to the famous racehorse. Swain left to pursue a career as a songwriter/record producer while Jolley released a single and an album with The English Boys in 1980. Their first known collaborative work was released by the late Irish singer Joe Dolan on his 1980 album ''Turn Out the Light'', which featured ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Dance Hall Days
"Dance Hall Days" is a song by English new wave band Wang Chung. It was originally released as a single in 1982 when the band was called Huang Chung, then it was re-recorded and re-released a year later in 1983 for the studio album ''Points on the Curve.'' It was the band's only single to make the top 40 charts in the UK, narrowly missing the top 20. In the US, it peaked at No. 16 on the ''Billboard'' Hot 100 and went to number one on the Dance Club Songs chart. Background Lead vocalist Jack Hues said, Music videos Two different music videos were made to promote the single. The first version of the video, directed by Derek Jarman, is a collection of home movies with the majority of the archive footage consisting of a stage show with swimmers and fountains, and other World War II-era material. Apparently, the footage is courtesy of the director's father, who was one of the first people to use a colour home movie camera. The toddler in the home movie footage is the director h ...
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Wait (Wang Chung Song)
"Wait" is a single by English new wave band Wang Chung, released as the fourth and final single from their 1983 studio album, ''Points on the Curve''. The single reached No. 87 on the UK Singles Chart. Aside from the early singles released as Huang Chung, "Wait" was the only single by Wang Chung that failed to chart on the US ''Billboard'' Hot 100. However, it peaked at No. 17 on the U.S. ''Billboard'' Hot Dance Club Play chart. No music video was shot for "Wait". "Wait" is also the only Wang Chung song to appear on two different non-compilation albums. "Wait" originally appeared on ''Points on the Curve'' (1983), but was used again on the ''To Live and Die in L.A.'' soundtrack when director William Friedkin liked the song so much, he wanted to incorporate it into his 1985 neo-noir thriller, '' To Live and Die in L.A.'' "Wait" appears during the end credits of the film. Track listing # "Wait" (Remix) # "Dance Hall Days "Dance Hall Days" is a song by English new wave band ...
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Universal Music Enterprises
Universal Music Enterprises (UME, stylized as UMe) is the catalogue division of Universal Music Group. It includes Hip-O Records, Universal Chronicles, and UM3 or UMC (which is the international division of the company). Under various divisions, it reissues many classic albums from the UMG back catalogue, and also various compilation albums, including series such as the ''20th Century Masters - The Millennium Collection'' and ''Icon'' budget lines and the 2-disc ''Gold'' compilations. It also released Billy Ray Cyrus's album ''Wanna Be Your Joe'' and re-released John Cougar Mellencamp's ''American Fool'' and Tom Petty's ''Greatest Hits''. In 2012, UMe took over distribution of Frank Zappa Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by wikt:nonconformity, nonconformity, Free improvisation, free-form improvisation, sound experimen ...'s recorded music catalogue. In 2017, Styx ...
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