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Tleson
Tleson (active around 555-535 BC) was an Attic potter and perhaps also a vase painter in the black-figure style. He was the son of the famous potter Nearchos and brother of Ergoteles. His workshop apparently produced mostly Little-master cups. Most of his vases were painted by the Tleson Painter, whose real name is unknown, and whose conventional name is derived from Tleson. Based on the fact that vases known by that hand so far are only ever signed by Tleson, John Beazley suggested that Tleson and the Tleson painter may be identical. There is no proof for this hypothesis. Some of Tleson's pots were painted by other artists, such as Oltos and the Centaur Painter. Selected works Where no painter is named, the vases were painted by the Tleson painter *Athens, Agora Museum :Fragment of a Little-master cup P 13349 *Athens, National Museum :''Pyxis'' 502 • Fragment of a Little-master cup Acr. 613 • Fragment of a Little-master cup Acr. 1567 • Fragment of a Little-master cup Acr ...
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Tleson Painter
Tleson (active around 555-535 BC) was an Attic potter and perhaps also a vase painter in the black-figure style. He was the son of the famous potter Nearchos and brother of Ergoteles. His workshop apparently produced mostly Little-master cups. Most of his vases were painted by the Tleson Painter, whose real name is unknown, and whose conventional name is derived from Tleson. Based on the fact that vases known by that hand so far are only ever signed by Tleson, John Beazley suggested that Tleson and the Tleson painter may be identical. There is no proof for this hypothesis. Some of Tleson's pots were painted by other artists, such as Oltos and the Centaur Painter. Selected works Where no painter is named, the vases were painted by the Tleson painter *Athens, Agora Museum :Fragment of a Little-master cup P 13349 *Athens, National Museum :''Pyxis'' 502 • Fragment of a Little-master cup Acr. 613 • Fragment of a Little-master cup Acr. 1567 • Fragment of a Little-master cup ...
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Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ...
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Oltos
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin ( Antikensammlung F 2264) and a cup in Tarquinia (Museo Nazionale Tarquiniese RC 6848), are signed by him as painter. Overview Oltos is thought to have begun his career in the workshop of the potter Nikosthenes. Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration. His black-figure style was influenced by Psiax and the Antimenes Painter. No pure black-figure works by Oltos are yet known. His tondos usually depict a single figure. They are often full of tension, frequently with differential directions of gaze and movement. Later, he exclusively painted red-figure, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios. His drawing style was spacious and elegant, but never reached the d ...
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Ergoteles (potter)
Ergoteles (Έργοτέλης) was a Greek potter, active in Athens around the middle of the 6th century BC. He was the son of the famous potter Nearchos and the brother of Tleson. Three signed Little-master cups by him are known: * Berlin, Antikensammlung F 1758 * Florence, arts trade * Oxford, Ashmolean Museum G 1004 Bibliography * John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the Un ...: ''Attic Black-Figure Vase-Painters'', Oxford 1956, p. 162. * Künstlerlexikon der Antike I, München, Leipzig 2001, p. 213-214 s.v. Ergoteles (Rolf Blatter) External links Ergoteles in the Beazley Archive Ancient Greek potters Artists of ancient Attica 6th-century BC Athenians {{AncientGreece-bio-stub ...
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Albertinum (Museum)
The Albertinum () is a modern art museum. The sandstone-clad Renaissance Revival building is located on Brühl's Terrace in the historic center of Dresden, Germany. It is named after King Albert of Saxony. The Albertinum hosts the New Masters Gallery (''Galerie Neue Meister'') and the Sculpture Collection (''Skulpturensammlung'') of the Dresden State Art Collections. The museum presents both paintings and sculptures from Romanticism to the present, covering a period of some 200 years. History The Albertinum was built between 1884 and 1887 by extending a former armoury, or arsenal, that had been constructed between 1559 and 1563 at the same location.Fritz Löffler: ''Das alte Dresden - Geschichte seiner Bauten''. 16th ed. Leipzig: Seemann, 2006, The new building was designed by the regional master builder Carl Adolf Canzler in the Renaissance Revival style to house the royal "Collection of Antique and Modern Sculptures". The building was named after the Saxonian King Albe ...
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Terracotta Kylix- Band-cup (drinking Cup) MET DP142292
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and industry, are ...
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