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Tithonus Poem
The Tithonus poem, also known as the old age poem or (with fragments of another poem by Sappho discovered at the same time) the New Sappho, is a poem by the archaic Greek poet Sappho. It is part of fragment 58 in Eva-Maria Voigt's edition of Sappho. The poem is from Book IV of the Alexandrian edition of Sappho's poetry. It was first published in 1922, after a fragment of papyrus on which it was partially preserved was discovered at Oxyrhynchus in Egypt; further papyrus fragments published in 2004 almost completed the poem, drawing international media attention. One of very few substantially complete works by Sappho, it deals with the effects of ageing. There is scholarly debate about where the poem ends, as four lines previously thought to have been part of the poem are not found on the 2004 papyrus. Preservation Two lines of the poem are preserved in Athenaeus' ''Deipnosophistae''. In addition to this quotation, the poem is known from two papyri: one discovered at Oxyrhync ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brothers Poem
The Brothers Poem or Brothers Song is a series of lines of verse attributed to the archaic Greek poet Sappho ( – ), which had been lost since antiquity until being rediscovered in 2014. Most of its text, apart from its opening lines, survives. It is known only from a papyrus fragment, comprising one of a series of poems attributed to Sappho. It mentions two of her brothers, Charaxos and Larichos; the only known mention of their names in Sappho's writings, though they are known from other sources. These references, and aspects of the language and style, have been used to establish her authorship. The poem is structured as an address – possibly by Sappho herself – to an unknown person. The speaker chastises the addressee for saying repeatedly that Charaxos will return (possibly from a trading voyage), maintaining that his safety is in the hands of the gods and offering to pray to Hera for his return. The narrative then switches focus from Charaxos to Larichos, who the speake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho's Fragment 16
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century. Sappho 16 is a love poem – the genre for which Sappho was best known – which praises the beauty of the narrator's beloved, Anactoria, and expresses the speaker's desire for her now that she is absent. It makes the case that the most beautiful thing in the world is whatever one desires, using Helen of Troy's elopement with Paris as a mythological exemplum to support this argument. The poem is at least 20 lines long, though it is uncertain whether the poem ends at line 20 or continues for another stanza. Preservation Fragment 16 was preserved on Papyrus Oxyrhynchus 1231, a second-century manuscript of Book I of an edition of Sappho, published by Bernard Pyne Grenfell and Arthur Surridge Hunt in 1914. In 2014, a papyru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Poems
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Philological Association
The Society for Classical Studies (SCS), formerly known as the American Philological Association (APA) is a non-profit North American scholarly organization devoted to all aspects of Greek and Roman civilization founded in 1869. It is the preeminent association in the field and publishes a journal, '' Transactions of the American Philological Association'' (TAPA). The APA is currently based at the University of Pennsylvania, in Philadelphia. History The APA was inaugurated by William D. Whitney, of Yale, at Poughkeepsie, New York, in 1869 as an outgrowth of the Classical Section of the Oriental Society. Of the 151 inaugural members, just 8 were women, including Alice Robinson Boise Wood, the first woman to study (informally) at the University of Michigan and to graduate with a B.A. from the Old University of Chicago. Originally its members studied a great variety of texts and languages, but as disciplines such as linguistics and modern languages have created their own societies, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronis (textual Symbol)
A coronis ( grc, κορωνίς, ''korōnís'', , ''korōnídes'') is a textual symbol found in ancient Greek papyri that was used to mark the end of an entire work or of a major section in poetic and prose texts. The coronis was generally placed in the left-hand margin of the text and was often accompanied by a paragraphos or a forked paragraphos ( diple obelismene). The coronis is encoded by Unicode as part of the Supplemental Punctuation block, at . Etymology Liddell and Scott's '' Greek–English Lexicon'' gives the basic meaning of as "crook-beaked" from which a general meaning of "curved" is supposed to have derived. concurs and derives the word from (), "crow", assigning the meaning of the epithet's use in reference to the textual symbol to the same semantic range of "curve". But, given the fact that the earliest coronides actually take the form of birds, there has been debate about whether the name of the textual symbol initially referred to use of a decorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolic Verse
Aeolic verse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos, Sappho and Alcaeus, who composed in their native Aeolic dialect. These verse forms were taken up and developed by later Greek and Roman poets and some modern European poets. General description Essential features and origin Sappho and Alcaeus' verses differ from most other Greek lyric poetry in their metrical construction: * Verses consist of a fixed number of syllables (thus, for example, no resolution, contraction, or biceps elements). * Consecutive anceps syllables may occur, especially at the beginning of the verse (where two initial anceps syllables are called the aeolic base). (This forms an exception to the principle, otherwise observed in Greek verse, that two successive unmarked elements are not permitted. Lines beginning with multiple anceps syllables are also exceptional in not being classifiable as havin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable Weight
In linguistics, syllable weight is the concept that syllables pattern together according to the number and/or duration of segments in the rime. In classical Indo-European verse, as developed in Greek, Sanskrit, and Latin, distinctions of syllable weight were fundamental to the meter of the line. Linguistics A heavy syllable is a syllable with a branching nucleus or a branching rime, although not all such syllables are heavy in every language. A branching nucleus generally means the syllable has a long vowel or a diphthong; this type of syllable is abbreviated as CVV. A syllable with a branching rime is a ''closed syllable'', that is, one with a coda (one or more consonants at the end of the syllable); this type of syllable is abbreviated CVC. In some languages, both CVV and CVC syllables are heavy, while a syllable with a short vowel as the nucleus and no coda (a CV syllable) is a light syllable. In other languages, only CVV syllables are heavy, while CVC and CV syllables are li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anceps
In languages with quantitative poetic metres, such as Ancient Greek, Latin, Arabic, Sanskrit, and classical Persian, an anceps (plural ''ancipitia'' or ''(syllabae) ancipites'') is a position in a metrical pattern which can be filled by either a long or a short syllable. In general, ''anceps'' syllables in words, such as the first syllable of the Greek words (the Greek god of war) or "bitter", which can be treated by poets as either long or short, can be distinguished from ''anceps'' elements or positions in a metrical pattern, which are positions where either a long syllable or a short syllable can be used. Another distinction can be made between the ordinary ''anceps'' positions at the beginning or middle of a line of verse and the phenomenon of '' brevis in longo'', which is when a short syllable at the end of a line counts as long because of the pause which follows. The word ''anceps'' comes from the Latin ''anceps, ancipitis'', meaning "two-headed, uncertain, unfixed". T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaestion (grammarian)
Hephaestion ( grc-gre, Ἡφαιστίων ''Hēphaistíōn''; fl. 2nd century AD) was a grammarian of Alexandria who flourished in the age of the Antonines. He was the author of a manual (abridged from a larger work in 48 books) of Greek metres The metre ( British spelling) or meter ( American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its pr ..., which is most valuable as the only complete treatise on the subject that has been preserved. The concluding chapter discusses the various kinds of poetical composition. It is written in a clear and simple style, and was much used as a school-book. Works * ''Enchiridion de Metris'' (Ἐγχειρίδιον περὶ μέτρων) * ''On Confusions in Poems'' (Περὶ τῶν ἐν ποιήμασι ταραχῶν) * ''Poemata'' (Περί ποιήματος) * ''Solutions in Tragedy'' (Τ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Litchfield West
Martin Litchfield West, (23 September 1937 – 13 July 2015) was a British philologist and classical scholar. In recognition of his contribution to scholarship, he was awarded the Order of Merit in 2014. West wrote on ancient Greek music, Greek tragedy, Greek lyric poetry, the relations between Greece and the ancient Near East, and the connection between shamanism and early ancient Greek religion, including the Orphic tradition. This work stems from material in Akkadian, Phoenician, Hebrew, Hittite, and Ugaritic, as well as Greek and Latin. West also studied the reconstitution of Indo-European mythology and poetry and its influence on Ancient Greece, notably in the 2007 book ''Indo-European Poetry and Myth'' (''IEPM''). In 2001, he produced an edition of Homer's ''Iliad'' for the Bibliotheca Teubneriana, accompanied by a study of its critical tradition and overall philology entitled ''Studies in the Text and Transmission of the Iliad.'' A further volume on ''The Making of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho 16
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century. Sappho 16 is a love poem – the genre for which Sappho was best known – which praises the beauty of the narrator's beloved, Anactoria, and expresses the speaker's desire for her now that she is absent. It makes the case that the most beautiful thing in the world is whatever one desires, using Helen of Troy's elopement with Paris as a mythological exemplum to support this argument. The poem is at least 20 lines long, though it is uncertain whether the poem ends at line 20 or continues for another stanza. Preservation Fragment 16 was preserved on Papyrus Oxyrhynchus 1231, a second-century manuscript of Book I of an edition of Sappho, published by Bernard Pyne Grenfell and Arthur Surridge Hunt in 1914. In 2014, a papyru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tithonus
In Greek mythology, Tithonus ( or ; grc, Τιθωνός, Tithonos) was the lover of Eos, Goddess of the Dawn. He was a prince of Troy, the son of King Laomedon by the Naiad Strymo (Στρυμώ). The mythology reflected by the fifth-century vase-painters of Athens envisaged Tithonus as a '' rhapsode'', as attested by the lyre in his hand, on an oinochoe (wine jug) of the Achilles Painter, ''circa'' 470–460 BC. An asteroid (6998) has been named after Tithonus. Etymology Tithonus has been taken by the allegorist to mean ‘a grant of a stretching-out’ (from ''teinō'' and ''ōnė''), a reference to the stretching-out of his life, at Eos’s plea; but it is likely, rather, to have been a masculine form of Eos’s own name, Titonë – from ''titō'', ‘day and onë, ‘queen’ – and to have meant ‘partner of the Queen of Day’. Mythology Eos is said to have taken Tithonus, from the royal house of Troy, to be her lover.''Homeric Hymn to Aphrodite'', 218 ''ff''. The m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
