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Tirukkovaiyar
The ''Tirukkovaiyar'' () is a Shaivite work composed by Manikkavacakar. Dated to the 9th century CE, the work is part of the 12-volume ''Tirumurai'' and, along with ''Tiruvacakam'', is traditionally placed as the 8th volume of the work. The work is also known as the ''Tiruchitrambalakkovaiyar''. Description Known as "Aranam" among Shaivite scholars, which translates to "''Vedas''," the work consists of 400 verses. The work is divided into 25 chapters. On a superficial view, the work may appear as part of the Tamil '' akam'' genre of poetry. The work was sung entirely in Nataraja Temple, Chidambaram. In the work, Shiva is associated with the golden hall of the temple, where the deity is believed to perform his cosmic dance called the tandava. Translations In 1921, an English translation of Manikkavacakar's hymns was done by Francis Kingsbury and GE Phillips, both of United Theological College, Bangalore (Edited by Fred Goodwill Fred Goodwill (1874–1969) was a British ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shivite
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manikkavacakar
Manikkavacakar, or Maanikkavaasagar ''(Tamil: மாணிக்கவாசகர், "One whose words are like gems")'', was a 9th-century Tamil saint and poet who wrote ''Tiruvasakam'', a book of Shaiva hymns. Speculated to have been a minister to the Pandya king Varagunavarman II (c. 862 CE–885 CE) (also called ''Arimarthana Pandiyan''), he lived in Madurai. He is revered as one of the Nalvar (''"group of four"'' in Tamil), a set of four prominent Tamil saints alongside Appar, Sundarar and Sambandar. The other three contributed to the first seven volumes (Tevaram) of the twelve-volume Saivite work Tirumurai, the key devotional text of Shaiva Siddhanta. Manikkavacakar's ''Tiruvasakam'' and Thirukkovaiyar form the eighth. These eight volumes are considered to be the ''Tamil Vedas'' by the Shaivites, and the four saints are revered as ''Samaya Kuravar'' (''religious preceptors'') His works are celebrated for their poetic expression of the anguish of being separated from Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tirumurai
''Thirumurai'' (Tamil: திருமுறை, meaning holy division) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sampandhar and Sundarar as ''Tevaram'' during the 12th century. During the course of time, a strong necessity was felt by scholars to compile Saiva literature to accommodate other works. ''Tiruvasakam'' and ''Tirukovayar'' by Manickavasagar are included as the eighth, nine parts are compiled as the ninth ''Tirumurai'' out of which most are unknown, and the tenth as ''Tirumandiram'' by Tirumular, the famous ''Siddhar''. The eleventh is compiled by Karaikal Ammaiyar, Cheraman Perumal and others. The contemporary Chola king was impressed by the work of Nambi and included Nambi's work in the eleventh ''Tirumurai''. Sekkizhar's ''Periya Puranam'', composed a century later, contains the life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiruvasakam
''Thiruvasagam'' ( ta, திருவாசகம், tiruvācakam, translit-std=IAST, lit=sacred utterance) is a volume of Tamil hymns composed by the ninth century Shaivite ''bhakti'' poet Manikkavasagar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of the Tamil Shaiva Siddhanta. Legend has it that Manikkavasakar was appointed as minister by king Arimarttanar and sent to purchase 10,000 horses from Arab traders but spent the money building a temple in Tirupperunturai. As the legend goes, ''Thiruvasagam'' is the only work which is signed as well as written by Lord Shiva in guise of a Tamil man when narrated by Manikkavasagar. The poet chased the writer but without success but the palm leaf manuscript had been seen inside the locked sanctum sanctorum of Thillai Nataraja with the Lord's signature. Poet Manikkavasagar's ''Thiruvasagam'' and ''Thirukovayar'' are compiled as the eighth ''Thirumurai'' and is full of visionary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hindu Saint Manikkavacakar LACMA AC1997
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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