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Tiriel (poem)
''Tiriel'' is a narrative poem by William Blake, written ''c.''1789. Considered the first of his prophetic books, it is also the first poem in which Blake used free septenaries, which he would go on to use in much of his later verse. ''Tiriel'' was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti's ''Poetical Works of William Blake''.Damon (1988: 405) Although Blake did not engrave the poem, he did make twelve sepia drawings to accompany the rough and unfinished manuscript, although three of them are considered lost as they have not been traced since 1863.Bentley (1967) Synopsis Many years before the poem begins, the sons of Har and Heva revolted and abandoned their parents. Tiriel subsequently set himself up as a tyrant in the west, driving one of his brothers, Ijim, into exile in the wilderness, and chaining the other, Zazel, in a cave in the mountains. Tiriel then made slaves of his own children, until eventually, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiriel Plate1
''Tiriel'' is a narrative poem by William Blake, written ''c.''1789. Considered the first of his prophetic books, it is also the first poem in which Blake used free septenaries, which he would go on to use in much of his later verse. ''Tiriel'' was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti's ''Poetical Works of William Blake''.Damon (1988: 405) Although Blake did not engrave the poem, he did make twelve sepia drawings to accompany the rough and unfinished manuscript, although three of them are considered lost as they have not been traced since 1863.Bentley (1967) Synopsis Many years before the poem begins, the sons of Har and Heva revolted and abandoned their parents. Tiriel subsequently set himself up as a tyrant in the west, driving one of his brothers, Ijim, into exile in the wilderness, and chaining the other, Zazel, in a cave in the mountains. Tiriel then made slaves of his own children, until eventually, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heaven
Heaven or the heavens, is a common religious cosmological or transcendent supernatural place where beings such as deities, angels, souls, saints, or venerated ancestors are said to originate, be enthroned, or reside. According to the beliefs of some religions, heavenly beings can descend to Earth or incarnate and earthly beings can ascend to Heaven in the afterlife or, in exceptional cases, enter Heaven alive. Heaven is often described as a "highest place", the holiest place, a Paradise, in contrast to hell or the Underworld or the "low places" and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply divine will. Some believe in the possibility of a heaven on Earth in a ''world to come''. Another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, heaven is considered a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imagination
Imagination is the production or simulation of novel objects, sensations, and ideas in the mind without any immediate input of the senses. Stefan Szczelkun characterises it as the forming of experiences in one's mind, which can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes. Imagination helps make knowledge applicable in solving problems and is fundamental to integrating experience and the learning process.Norman 2000 pp. 1-2Brian Sutton-Smith 1988, p. 22 Kieran Egan 1992, pp. 50 As an approach to build theory, it is called "disciplined imagination". A basic training for imagination is listening to storytelling (narrative), in which the exactness of the chosen words is the fundamental factor to "evoke worlds". One view of imagination links it with cognition, seeing imagination as a cognitive process used in mental functioning. It is increasingly used - in the form of visual imagery - by clin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urthona
In the mythological writings of William Blake, Urthona is one of the four Zoas, who were created when Albion, the primordial man, was divided fourfold. Specifically, he is the Zoa of inspiration and creativity, and he is a blacksmith god. His female counterpart is Enitharmon. Urthona usually appears in his "fallen" form, that of Los. Character Urthona (likely intended to imply "earth owner") is one of the Four Zoas and represents both the north and imagination within the individual. He is aligned with the Christian Trinity in the aspect of the Holy Ghost and is opposed to Urizen, the Zoa of reason. He is the last to be created, and his corresponding element is Earth. In his eternal form, he is portrayed as a blacksmith, working in his forge in Golgonooza. In terms of senses, he is represented by the ear, in terms of art he is represented by poetry, and in his fallen form, his profession is religion. He and Luvah are the guardians of the gates of heaven. Unlike the other Zoas, he d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tharmas
In the mythological writings of William Blake, Tharmas is one of the four Zoas, who were created when Albion, the primordial man, was divided fourfold. He represents sensation, and his female counterpart is Enion, who represents sexual urges. He is connected to the God the Father aspect of the Christian Trinity and is the begetter of Los. Tharmas is mostly peaceful, and flees during most of his fights with Urizen. He is depicted in various ways ranging from a youth with wings to an old bearded man. Character Tharmas is both the last Zoas described but also the first in the number. His aspect as a Zoas is Sensation. As connected to the Trinity, Tharmas is seen as God the Father. As a body part, he is the loins with his Emanation/mate Enion representing sexual urges. He is also represented as a shepherd. Tharmas is connected to the direction point West and his fallen state is to mark the Circumference of the world. His elemental connection is to water and, in turn, to time. His artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Blake's Mythology
The prophetic books of the English poet and artist William Blake contain an invented mythology, in which Blake worked to encode his spiritual and political ideas into a prophecy for a new age. This desire to recreate the cosmos is the heart of his work and his psychology. His myths often described the struggle between enlightenment and free love on the one hand, and restrictive education and morals on the other. Sources Among Blake's inspirations were John Milton's ''Paradise Lost'' and ''Paradise Regained'', the visions of Emanuel Swedenborg and the near-cabalistic writings of Jakob Böhme. Blake also included his own interpretations of druidism and paganism. The Fall of Albion The longest elaboration of this private myth-cycle was also his longest poem, '' The Four Zoas: The Death and Judgment of Albion The Ancient Man'', written in the late 1790s but left in manuscript form at the time of his death. In this work, Blake traces the fall of Albion, who was "originally fourfold b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise
In religion, paradise is a place of exceptional happiness and delight. Paradisiacal notions are often laden with pastoral imagery, and may be cosmogonical or eschatological or both, often compared to the miseries of human civilization: in paradise there is only peace, prosperity, and happiness. Paradise is a place of contentment, a land of luxury and fulfillment. Paradise is often described as a "higher place", the holiest place, in contrast to this World (theology), world, or underworlds such as Hell. In eschatological contexts, paradise is imagined as an Entering heaven alive, abode of the virtuous dead. In Christianity and Islam, Heaven is a paradisiacal relief. In old Egyptian beliefs, the underworld is Aaru, the reed-fields of ideal hunting and fishing grounds where the dead lived after judgment. For the Celts, it was the Fortunate Isles, Fortunate Isle of Mag Mell. For the classical Greeks, the Elysium, Elysian fields was a paradisiacal land of plenty where the heroic and ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matha
A ''matha'' (; sa, मठ, ), also written as ''math'', ''muth'', ''mutth'', ''mutt'', or ''mut'', is a Sanskrit word that means 'institute or college', and it also refers to a monastery in Hinduism.Matha Encyclopædia Britannica Online 2009 An alternative term for such a monastery is ''adheenam''. The earliest epigraphical evidence for ''mathas'' related to Hindu-temples comes from the 7th to 10th century CE. The most famous ''mathas'' or ''peethams'', which came to be affiliated with the Advaita tradition in the 14th century, are Govardhanmaṭha Pīṭhaṃ at |
Tiriel Borne Back To The Palace On The Shoulders Of Ijim
''Tiriel'' is a narrative poem by William Blake, written ''c.''1789. Considered the first of his prophetic books, it is also the first poem in which Blake used free septenaries, which he would go on to use in much of his later verse. ''Tiriel'' was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti's ''Poetical Works of William Blake''.Damon (1988: 405) Although Blake did not engrave the poem, he did make twelve sepia drawings to accompany the rough and unfinished manuscript, although three of them are considered lost as they have not been traced since 1863.Bentley (1967) Synopsis Many years before the poem begins, the sons of Har and Heva revolted and abandoned their parents. Tiriel subsequently set himself up as a tyrant in the west, driving one of his brothers, Ijim, into exile in the wilderness, and chaining the other, Zazel, in a cave in the mountains. Tiriel then made slaves of his own children, until eventually, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghost
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a ''séance''. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter or spectre, spirit, spook, wraith, demon, and ghoul. The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shapeshifting
In mythology, folklore and speculative fiction, shape-shifting is the ability to physically transform oneself through an inherently superhuman ability, divine intervention, demonic manipulation, Magic (paranormal), sorcery, Incantation, spells or having inherited the ability. The idea of shape-shifting is in the oldest forms of totemism and shamanism, as well as the oldest existent literature and Epic poetry, epic poems such as the ''Epic of Gilgamesh'' and the ''Iliad''. The concept remains a common literary device in modern fantasy, children's literature and popular culture. Folklore and mythology Popular shape-shifting creatures in folklore are werewolf, werewolves and vampires (mostly of European, Canadians, Canadian, and Native Americans in the United States, Native American/early American origin), Ichchadhari naag and naagin (shape-shifting cobra), ichchadhari naag and ichchadhari naagin (shape-shifting cobras) of India, the huli jing of East Asia (including the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
