|
Tino Pattiera
Tino Pattiera (27 June 1890 – 24 April 1966) was a Croatian-Dalmatian Italian tenor, born in Cavtat, near Dubrovnik. Prior to taking up the repertory for which he became famous, he was notable in operetta. Cervenka, Gottfried (18 April 2006)"Schöner Mann mit erotischer Stimme" Österreichischer Rundfunk. Retrieved 13 May 2013 Pattiera was a handsome man with an exceptional, dark heroic tenor voice, that was, some say, perfectly suited for roles such as Manrico in ''Il trovatore''. It was in this role that he made his stage debut at the Dresden Opera in 1914 and it was in the Italian repertoire that he specialized. Among his closest friends and colleagues during the early days at Dresden were Richard Tauber and Elisabeth Rethberg. Pattiera was the most popular tenor in Dresden in the 1920s. It was during that time he partnered with the soprano Meta Seinemeyer and was responsible for a resurgence of interest in Giuseppe Verdi's operas in Germany. Singing with Seinemeyer under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavtat
Cavtat (, it, Ragusa Vecchia, lit=Old Ragusa) is a village in the Dubrovnik-Neretva County of Croatia. It is on the Adriatic Sea coast south of Dubrovnik and is the centre of the Konavle municipality. History Antiquity The original city was founded by the Greeks in the 6th century BC under the name of Epidaurus (or Epidauros, el, Ἐπίδαυρος). The surrounding area was inhabited by the Illyrians, who called the city Zaptal. The town changed its name to Epidaurum when it came under Roman rule in 228 BC. Justinian I the Emperor of the Byzantine Empire sent his fleet to Cavtat during the Gothic War (535–554) and occupied the town. The city was sacked and destroyed by the Avars and Slavs in the 7th century. Refugees from Epidaurum fled to the nearby island, Laus (Ragusa) which over time evolved into the city of Dubrovnik. Middle Ages The town was re-established in the Middle Ages ( it, Ragusa Vecchia). After a short while it came under the control of its powerful ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Busch
Fritz Busch (13 March 1890 – 14 September 1951) was a German conductor. Busch was born in Siegen, Westphalia, to a musical family, and studied at the Cologne Conservatory. After army service in the First World War, he was appointed to senior posts in two German opera houses. At the Stuttgart Opera (1918 to 1922) he modernised the repertory, and at the Dresden State Opera (1922 to 1933) he presented world premieres of operas by Richard Strauss, Ferruccio Busoni, Paul Hindemith and Kurt Weill among others. He also conducted at the Bayreuth and Salzburg Festivals. Being an ardent Anti-Nazi, Busch was dismissed from his post as director at Dresden in 1933 and made most of his later career outside Germany. He conducted in New York and London, but his main bases were Buenos Aires, where he was in charge at the Teatro Colón for several opera seasons in the 1930s and 1940s; Copenhagen and Stockholm, conducting the Danish Radio Symphony Orchestra and the Stockholm Philharmonic; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Venice (1934 Hungarian Film)
''A Night in Venice'' ( hu, Egy éj Velencében) is a 1934 Hungarian comedy film directed by Géza von Cziffra and starring Gyula Csortos, Zsuzsa Simon and, Lici Balla. The film's sets were designed by the art director Márton Vincze. It was shot at the Hunnia Studios in Budapest Budapest (, ; ) is the capital and most populous city of Hungary. It is the ninth-largest city in the European Union by population within city limits and the second-largest city on the Danube river; the city has an estimated population .... A separate German version '' A Night in Venice'' was also produced. Plot summary Cast References External links * Hungarian comedy films Films directed by Géza von Cziffra 1934 comedy films Films set in Venice Hungarian black-and-white films {{Hungary-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Géza Von Cziffra
Géza von Cziffra (; 19 December 1900 – 28 April 1989) was a Hungarian and Austrian film director and screenwriter. Life Cziffra was a Banat German in origin, born in 1900 in Arad in the Banat region, at that date in the Kingdom of Hungary, now in Romania. Cziffra made films from the 1930s onwards, at first in Hungary, and from 1936 in Germany as well, where he was initially more active as a screenwriter. In 1945, in Prague, then occupied by the Germans, he made the film ''Leuchtende Schatten'' ("Glowing Shadows"). As adviser for the criminal police, he was assigned SS-Sturmbannführer Eweler, a member of the SD and brother of the actress Ruth Eweler. After some time, Cziffra banned Eweler from the studios for excessive and obstructive criticism. Shortly afterwards, he was arrested and taken to the Prague Gestapo Headquarters in the Pecec Palace, where he was accused of having eaten several times in the Czech restaurant "Neumann" without using ration stamps. He was event ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Venice (1934 German Film)
''A Night in Venice '' (german: Eine Nacht in Venedig) is a 1934 German- Hungarian operetta film directed by Robert Wiene and starring Tino Pattiera, Tina Eilers and Ludwig Stössel. It is loosely based on the 1883 operetta ''Eine Nacht in Venedig'' by Johann Strauss II. It was made at the Hunnia Studios in Budapest with three weeks of location shooting in Venice. In common with the practice of multi-language versions at the time, the film was also made in a separate Hungarian language version '' Egy éj Velencében'' based on the same screenplay. The Hunnia Studios specialised in such co-productions during the era. The two versions were shot simultaneously. The Hungarian version was co-directed by Wiene and Géza von Cziffra and used a separate cast of Hungarian actors. The film appears to have been popular with Austrian and German audiences, although its critical reception was less enthusiastic.Jung & Schatzberg p. 180–181 Cast * Tino Pattiera * Tina Eilers * Ludwig Stössel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wiene
Robert Wiene (; 27 April 1873 – 17 July 1938) was a film director of the silent era of German cinema. He is particularly known for directing the German silent film ''The Cabinet of Dr. Caligari'' and a succession of other German Expressionism, expressionist films. Wiene also directed a variety of other films of varying styles and genres. Following the Nazi rise to power in Germany, Wiene, who was of Jewish descent, fled into exile. Biography Early life Robert Wiene was born in Breslau, in the German Province of Silesia (now the city of Wrocław in Poland), as the elder son of the successful theatre actor Carl Wiene. His younger brother Conrad Wiene, Conrad also became an actor, but Robert Wiene at first studied law at the University of Berlin. Career in Germany In 1908 he also started to act, at first in small parts on stage. His first involvement with film was in 1912, writing and (possibly) directing ''Die Waffen der Jugend''. His most memorable feature films are the horror ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Bonnard
Mario Bonnard (24 December 1889 – 22 March 1965) was an Italian actor and film director. Bonnard was born and died in Rome. He began his cinematic career as an actor becoming a popular romantic lead in numerous silent films made before World War I. In 1917 he ventured into film directing for the first time. Before the arrival of sound films he worked for a period in Germany in films directed by Luis Trenker. Back in Italy in 1932, he became a prolific director working with the major stars of the time as: Assia Noris, Elsa Merlini, Amedeo Nazzari, Luisa Ferida, Henry Viarisio. ''Il feroce Saladino'' (1937) was the most popular of his films of the 1930s. During the war he continued to work. In the post World War II period his films, ranging from comedies to period dramas enjoyed much success. However, today he's no longer well known. One of his last films was ''The Last Days of Pompeii (1959 film), The Last Days of Pompeii'' (1959). An illness made him leave production early, so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nellie Melba
Dame Nellie Melba (born Helen Porter Mitchell; 19 May 186123 February 1931) was an Australian operatic dramatic coloratura soprano (three octaves). She became one of the most famous singers of the late Victorian era and the early 20th century, and was the first Australian to achieve international recognition as a classical musician. She took the pseudonym "Melba" from Melbourne, her home town. Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Royal Opera House, Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera in New York, debuting there in 1893. Her repertoire was small; in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Chénier
''Andrea Chénier'' () is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet André Chénier (1762–1794), who was executed during the French Revolution. The character Carlo Gérard is partly based on Jean-Lambert Tallien, a leading figure in the Revolution. It remains popular with audiences, though less frequently performed than in the first half of the 20th century. One reason for its survival in the repertoire is the lyrical-dramatic music provided by Giordano for the tenor lead, which gives a talented singer opportunities to demonstrate his skills and flaunt his voice. Giuseppe Borgatti's triumph in the title role at the first performance immediately propelled him to the front rank of Italian opera singers. He went on to become Italy's greatest Wagnerian tenor, rather than a verismo-opera specialist. Performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Giordano
Umberto Menotti Maria Giordano (28 August 186712 November 1948) was an Italian composer, mainly of operas. He was born in Foggia in Apulia, southern Italy, and studied under Paolo Serrao at the Conservatoire of Naples. His first opera, ''Marina'', was written for a competition promoted by the music publishers Casa Sonzogno for the best one-act opera, remembered today because it marked the beginning of Italian ''verismo''. The winner was Mascagni's ''Cavalleria rusticana''. Giordano, the youngest contestant, was placed sixth among seventy-three entries with his ''Marina'', a work which generated enough interest for Sonzogno to commission the staging of an opera based on it in the 1891–92 season. The result was ''Mala vita'', a gritty ''verismo'' opera about a labourer who vows to reform a prostitute if he is cured of his tuberculosis. This work caused something of a scandal when performed at the Teatro Argentina, Rome, in February 1892. It played successfully in Vienna, Pragu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Nellie Melba")
