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Timothy Read
Timothy Read ( fl. 1626–1647) was a comic actor of the Caroline era, and one of the most famous and popular performers of his generation. Biography As with many other performers of his historical era, nothing is known of Read's early life. The first evidence of his career comes in 1626, when he played Cardona, a woman's role, in James Shirley's '' The Wedding'' with Queen Henrietta's Men. Read appears to have spent the early 1630s with the King's Revels Men, but returned to the Queen Henrietta's company after the bubonic plague epidemic of 1636–37, when personnel of the two troupes combined. With the Queen's company, Read played Buzzard in Richard Brome's ''The English Moor'', perhaps in 1637. He won his fame as a dancer. Performances in English Renaissance theatre, even tragedies, ended with a clown dancing a jig, and Read was one of a long line of comics, reaching from Richard Tarlton through John Shank, who earned a large and welcoming audience through this practic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Eades Bentley
Gerald Eades Bentley (September 15, 1901 – July 25, 1994) was an American academic and literary scholar, best remembered for his seven-volume work, ''The Jacobean and Caroline Stage,'' published by Oxford University Press between 1941 and 1968. That work, modeled on Edmund Kerchever Chambers' classic four-volume ''The Elizabethan Stage,'' has itself become a standard and essential reference work on English Renaissance theatre. Bentley was born in Brazil, Indiana, the son of a Methodist clergyman. Originally intending to be a creative writer, he changed his career to literary scholarship during his graduate studies. He earned his B.A. at DePauw University (1923), his M.A. in English at the University of Illinois at Urbana–Champaign (1926), and his Ph.D. at the University of London (1929), studying under Allardyce Nicoll. Bentley taught at the University of Chicago from 1929 to 1945 before accepting a position as Murray Professor of English at Princeton University in 1945, where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century English Male Actors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Male Stage Actors
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cripplegate
Cripplegate was a gate in the London Wall which once enclosed the City of London. The gate gave its name to the Cripplegate ward of the City which straddles the line of the former wall and gate, a line which continues to divide the ward into two parts: ''Cripplegate Within'' and ''Cripplegate Without'', with a beadle and a deputy (alderman) appointed for each part. Since the 1994 (City) and 2003 (ward) boundary changes, most of the ward is Without, with the ward of Bassishaw having expanded considerably into the Within area. Until World War II, the area approximating to ''Cripplegate Without'' was commonly known as simply ''Cripplegate''. The area was almost entirely destroyed in the Blitz of World War II, causing the term to fall out of colloquial speech. Cripplegate Without is the site of the Barbican Estate and Barbican Centre, with a small part of these lying in neighbouring Aldersgate Without. The gate The origins of the gate's name are unclear. One theory, bolstered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Careless Shepherdess
''The Careless Shepherdess'' is a Jacobean era stage play, a pastoral tragicomedy generally attributed to Thomas Goffe. Its 1656 publication is noteworthy for the introduction of the first general catalogue of the dramas of English Renaissance theatre ever attempted. Date and performance The dates of authorship and first performance for the play are not known with any certainty; the 1619–29 era is usually cited, with "c. 1625" as a common approximation. The play was revived at the Salisbury Court Theatre in 1638, and also was twice performed at Court before King Charles I and Queen Henrietta Maria, in 1629 and 1632. The play was well-enough known to have influenced Ben Jonson as he wrote his final work, ''The Sad Shepherdess'' (1637). Authorship All of the external evidence, including the 1656 first edition, assigns the authorship of the play to Thomas Goffe; one modern scholar, however, has argued that this may have been an error for John Gough, author of ''The Strange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salisbury Court Theatre
The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A King And No King
''A King and No King'' is a Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher and first published in 1619. It has traditionally been among the most highly praised and popular works in the canon of Fletcher and his collaborators. The play's title became almost proverbial by the middle of the 17th century, and was used repeatedly in the polemical literature of the mid-century political crisis to refer to the problem and predicament of King Charles I. Date and performance Unlike some of the problematic Beaumont and Fletcher works (see, for example, ''Love's Cure,'' or ''Thierry and Theodoret''), there is little doubt about the date and authorship of ''A King and No King.'' The records of Sir Henry Herbert, the Master of the Revels during much of the 17th century, assert that the play was licensed in 1611 by Herbert's predecessor Sir George Buck. The drama was acted at Court by the King's Men on 26 December 1611, again in the following Christm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaumont And Fletcher
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially given the difficulties of some of the individual cases—contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men. (See the individual pages on Beaumont and Fletcher for more details.) Works The plays generally r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Civil War
The English Civil War (1642–1651) was a series of civil wars and political machinations between Parliamentarians (" Roundheads") and Royalists led by Charles I ("Cavaliers"), mainly over the manner of England's governance and issues of religious freedom. It was part of the wider Wars of the Three Kingdoms. The first (1642–1646) and second (1648–1649) wars pitted the supporters of King Charles I against the supporters of the Long Parliament, while the third (1649–1651) saw fighting between supporters of King Charles II and supporters of the Rump Parliament. The wars also involved the Scottish Covenanters and Irish Confederates. The war ended with Parliamentarian victory at the Battle of Worcester on 3 September 1651. Unlike other civil wars in England, which were mainly fought over who should rule, these conflicts were also concerned with how the three Kingdoms of England, Scotland and Ireland should be governed. The outcome was threefold: the trial of and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Theatre Closure 1642
On September 2, 1642, just after the First English Civil War had begun, the Long Parliament ordered the closure of all London theatres. The order cited the current "times of humiliation" and their incompatibility with "public stage-plays", representative of "lascivious Mirth and Levity". The closure was the culmination of the rising anti-theatrical sentiment among Puritans, and along with William Prynne's ''Histriomastix'' (1633), its text was the most notorious attack on theatre in English history. The ban, which was not completely effective, was reinforced by an Act of 11 February 1648, at the beginning of the Second English Civil War, Second Civil War. It provided for the treatment of actors as rogue (vagrant), rogues, the demolition of theatre seating, and fines for spectators. On 24 January 1643, the actors pleaded with Parliament to reopen the theatres by writing a pamphlet called '''The Actors remonstrance or complaint for the silencing of their profession, and banishmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puritan
The Puritans were English Protestants in the 16th and 17th centuries who sought to purify the Church of England of Catholic Church, Roman Catholic practices, maintaining that the Church of England had not been fully reformed and should become more Protestant. Puritanism played a significant role in English history, especially during the Protectorate. Puritans were dissatisfied with the limited extent of the English Reformation and with the Church of England's toleration of certain practices associated with the Roman Catholic Church. They formed and identified with various religious groups advocating greater purity of worship and doctrine, as well as personal and corporate piety. Puritans adopted a Reformed theology, and in that sense they were Calvinists (as were many of their earlier opponents). In church polity, some advocated separation from all other established Christian denominations in favour of autonomous gathered churches. These English Dissenters, Separatist and Indepe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
