Timeline Of Progressive Rock (1960–1969)
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Timeline Of Progressive Rock (1960–1969)
This is a timeline of artists, albums, and events in progressive rock and its subgenres. This article contains the timeline for the period 1960–1969. 1962–1967: Background and roots The roots of progressive rock developed from pop groups in the 1960s, like the Beatles and the Yardbirds, who "progressed" rock and roll by exploiting new recording techniques, and by merging electric blues with various other music styles such as Indian ragas, oriental melodies and Gregorian chants. Hegarty and Halliwell identify the Beatles, the Beach Boys, the Doors, the Pretty Things, the Zombies, the Byrds, the Grateful Dead and Pink Floyd as "not merely as precursors of prog" but "essential developments of progressiveness in its early days". According to musicologist Walter Everett, the Beatles' "experimental timbres, rhythms, tonal structures, and poetic texts" on their albums '' Rubber Soul'' (1965) and ''Revolver'' (1966) "encouraged a legion of young bands that were to create progr ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Revolver (Beatles Album)
''Revolver'' is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / " Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release ''Rubber Soul''. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds, and lyrical content. The Beatles recorded ''Revolver'' after taking a three-month break at the start of 1966, and during a period when London was feted as the era's cultural capital. Regarded by some commentators as the start of the group's psychedelic period, the songs reflect their interest in the drug LSD, Eastern philosophy and the avant-garde while addressing themes such as ...
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Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ...
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Dolly Collins
Dorothy Ann Collins (6 March 1933 â€“ 22 September 1995), was an English folk musician, arranger and composer. She was the older sister of Shirley Collins. Born in Hastings, Sussex (now East Sussex), she grew up in an artistic, socialist, folk singing family. She learned the piano at school, and then studied with composer Alan Bush while taking odd jobs in London, including working as a bus conductor. In the mid-1960s she began working with her sister Shirley, who was establishing a reputation as a leading folk singer. She arranged some of Shirley's songs and, on the album ''Sweet Primeroses'', accompanied her on portative organ. Further work with Shirley followed: Shirley said ''"You could launch yourself off on a Dolly arrangement."'' In 1968 they produced the album ''Anthems in Eden'', commissioned by BBC Radio and written for a six-piece early music consort directed by David Munrow, and regularly toured together. Dolly also worked as a musician and arranger with othe ...
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Shirley Collins
Shirley Elizabeth Collins MBE (born 5 July 1935) is an English folk singer who was a significant contributor to the English Folk Revival of the 1960s and 1970s. She often performed and recorded with her sister Dolly, whose accompaniment on piano and portative organ created unique settings for Shirley's plain, austere singing style. Biography Early life Shirley Collins was born in Hastings, East Sussex, England on 5 July 1935. She grew up, with her older sister Dolly, in the area, in a family which kept alive a great love of traditional song. Songs learnt from their grandfather and from their mother's sister, Grace Winborn, were to be important in the sisters' repertoire throughout their career. On leaving school, at the age of 17, Collins enrolled at a teachers' training college in Tooting, south London. In London she also involved herself in the early folk revival, making her first appearance on vinyl on the 1955 compilation ''Folk Song Today''. In 1954, at a party hos ...
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The Incredible String Band
The Incredible String Band (sometimes abbreviated as ISB) were a Scottish psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Edinburgh in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums ''The 5000 Spirits or the Layers of the Onion'', ''The Hangman's Beautiful Daughter'', and ''Wee Tam and the Big Huge''. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians. The band split up in 1974. They reformed in 1999 and continued to perform with changing lineups until 2006. History Formation as a trio: 1965–66 In 1963, acoustic musicians Robin Williamson and Clive Palmer began performing together as a traditional folk duo in Edinburgh, particularly at a weekly club run ...
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Fairport Convention
Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater (with Frater replaced by Martin Lamble after their first gig.) They started out heavily influenced by American folk rock, with a setlist dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album. Denny began steering the group towards traditional British music for their next two albums, ''What We Did on Our Holidays'' and ''Unhalfbricking'' (both 1969); the latter featured fiddler Dave "Swarb" Swarbrick, most notably on the song "A Sailor's Life", which laid the groundwork for British folk rock by being the first time a trad ...
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British Folk Rock
British folk rock is a form of folk rock which developed in the United Kingdom from the mid 1960s, and was at its most significant in the 1970s. Though the merging of folk and rock music came from several sources, it is widely regarded that the success of "The House of the Rising Sun" by British band the Animals in 1964 was a catalyst, prompting Bob Dylan to "Electric Dylan controversy, go electric", in which, like the Animals, he brought folk and rock music together, from which other musicians followed. In the same year, the Beatles began incorporating overt folk influences into their music, most noticeably on their ''Beatles for Sale'' album. The Beatles and other British Invasion bands, in turn, influenced the American band the Byrds, who released their recording of Dylan's "Mr. Tambourine Man" in April 1965, setting off the mid-1960s American folk rock movement. A number of British groups, usually those associated with the British folk revival, moved into folk rock in the mid ...
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Yes (band)
Yes are an English progressive rock band formed in London in 1968 by lead singer and frontman Jon Anderson, bassist Chris Squire, guitarist Peter Banks, keyboardist Tony Kaye and drummer Bill Bruford. The band has undergone numerous line-up changes throughout their history, during which 19 musicians have been full-time members. Since May 2022, the band has consisted of guitarist Steve Howe, keyboardist Geoff Downes, singer Jon Davison, and bassist Billy Sherwood, as well as touring drummer Jay Schellen. Yes have explored several musical styles over the years and are most notably regarded as progressive rock pioneers. Yes began performing original songs and rearranged covers of rock, pop, blues and jazz songs, as evidenced on their self-titled first album from 1969, and it's follow-up ''Time and a Word'' from 1970. A change of direction later in 1970 led to a series of successful progressive rock albums, with four consecutive U.S. platinum or multi-platinum sellers in ''T ...
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Stereogum
''Stereogum'' is a daily Internet publication that focuses on music news, reviews, interviews, and commentary. The site was created in January 2002 by Scott Lapatine. ''Stereogum'' was one of the first MP3 blogs and has received several awards and citations, including the PLUG Award for Music Blog of the Year, ''Blender''s Powergeek 25, and ''Entertainment Weekly''s Best Music Websites. The site was named an Official Honoree of the Webby Awards in the music category and won the OMMA Award for Web Site Excellence in the Entertainment/Music category. In 2011, ''Stereogum'' won ''The Village Voice''s Music Blog of the Year. History The site was named after a lyric from the song "Radio #1" by the French electronic duo Air. In late 2006, ''Stereogum'' received an influx of capital through Bob Pittman's private investment entity The Pilot Group. In November 2007, it was purchased by SpinMedia (formerly known as Buzz Media). April 2008 saw the launch of '' Videogum'', a sister si ...
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Brian Wilson
Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness. Raised in Hawthorne, California, Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and ''de facto'' leader. After signing w ...
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Pet Sounds
''Pet Sounds'' is the 11th studio album by American rock band the Beach Boys, released on May 16, 1966, by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the ''Billboard'' Top LPs chart. In the United Kingdom, the album was lauded by critics and reached number 2 on the '' Record Retailer'' chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", ''Pet Sounds'' was recognised for its ambitious production, sophisticated music, and emotional lyrical content. It is considered to be among the greatest and most influential albums in music history. The album was produced, arranged, and almost entirely composed by Brian Wilson with guest lyricist Tony Asher. It was recorded largely between January and April 1966, a year after Wilson had quit touring with his bandmates. His goal was to create "the greatest rock album ever made"—a cohesive work with ...
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