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Timeline Of Architectural Styles
This timeline shows the periods of various architectural styles in a graphical fashion. 6000 BC–present *8000 years – the last 1000 years (fine grid) is expanded in the timeline below DateFormat = yyyy ImageSize = width:1024 height:auto barincrement:18 PlotArea = left:20 right:20 bottom:20 top:10 Colors = id:noir value:black id:canvas value:rgb(0.97,0.97,0.97) id:egypt value:rgb(1,1,0.6) id:gris value:gray(0.85) id:gris2 value:gray(0.70) id:grilleMajor value:rgb(0.80,0.80,0.80) id:bleuclair value:rgb(0.56,0.56,0.86) id:rouge value:red id:rougeclair value:rgb(0.86,0.56,0.56) id:bleuclair value:rgb(0.76,0.76,0.96) id:grilleMinor value:rgb(0.86,0.86,0.86) Period = from:-6000 till:2000 TimeAxis = orientation:horizontal format:yyyy AlignBars = justify ScaleMinor = unit:year increment:100 start:1000 gridcolor:grilleMinor ScaleMajor = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timeline Of Architectural Styles 6000BC—Present
This timeline shows the periods of various architectural styles in a graphical fashion. 6000 BC–present *8000 years – the last 1000 years (fine grid) is expanded in the timeline below DateFormat = yyyy ImageSize = width:1024 height:auto barincrement:18 PlotArea = left:20 right:20 bottom:20 top:10 Colors = id:noir value:black id:canvas value:rgb(0.97,0.97,0.97) id:egypt value:rgb(1,1,0.6) id:gris value:gray(0.85) id:gris2 value:gray(0.70) id:grilleMajor value:rgb(0.80,0.80,0.80) id:bleuclair value:rgb(0.56,0.56,0.86) id:rouge value:red id:rougeclair value:rgb(0.86,0.56,0.56) id:bleuclair value:rgb(0.76,0.76,0.96) id:grilleMinor value:rgb(0.86,0.86,0.86) Period = from:-6000 till:2000 TimeAxis = orientation:horizontal format:yyyy AlignBars = justify ScaleMinor = unit:year increment:100 start:1000 gridcolor:grilleMinor ScaleMajor = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Classical Architecture
New Classical architecture, New Classicism or the New Classical movement is a contemporary movement in architecture that continues the practice of Classical architecture. It is sometimes considered the modern continuation of Neoclassical architecture, even though other styles might be cited as well, such as Gothic, Baroque, Renaissance or even non-Western styles - often referenced and recreated from a postmodern perspective as opposed to being strict revival styles. The design and construction of buildings in ever-evolving classical styles continued throughout the 20th and 21st centuries, even as modernist and other non-classical theories broke with the classical language of architecture. The new classical movement is also connected to a surge in new traditional architecture, that is crafted according to local building traditions and materials. Development In Britain during the 1950s and 1960s, a handful of architects continued to design buildings in a neoclassical style, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Usonian
Usonia () is a word that was used by American architect Frank Lloyd Wright to refer to the United States in general (in preference to ''America''), and more specifically to his vision for the landscape of the country, including the planning of cities and the architecture of buildings. Wright proposed the use of the adjective ''Usonian'' to describe the particular New World character of the American landscape as distinct and free of previous architectural conventions. Usonian houses "Usonian" usually refers to a group of approximately 60 middle-income family homes designed by Frank Lloyd Wright beginning in 1934 with the Willey House, with most considering the Herbert and Katherine Jacobs First House, 1937, to be the first true "Usonian." The "Usonian Homes" are typically small, single-story dwellings without a garage or much storage. They are often L-shaped to fit around a garden terrace on unusual and inexpensive sites. They are characterized by native materials; flat roofs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Googie Architecture
Googie architecture ( ) is a type of futurist architecture influenced by car culture, Jet aircraft, jets, the Atomic Age and the Space Age. It originated in Southern California from the Streamline Moderne architecture of the 1930s, and was popular in the United States from roughly 1945 to the early 1970s. Googie-themed architecture was popular among roadside businesses, including motels, coffee houses and gas stations. The style later became widely known as part of the mid-century modern style, elements of which represent the populuxe aesthetic, as in Eero Saarinen's TWA Terminal. The term ''Googie'' comes from the now-defunct Googies Coffee Shop in Hollywood, Los Angeles, Hollywood designed by John Lautner. Similar architectural styles are also referred to as Populuxe or Doo Wop. Features of Googie include upswept roofs, curvilinear, Geometry, geometric shapes, and bold use of glass, steel and neon. Googie was also characterized by Space Age designs symbolic of motion, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brutalist Architecture
Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist constructions that showcase the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick, angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel, timber, and glass, are also featured. Descending from the modernist movement, Brutalism is said to be a reaction against the nostalgia of architecture in the 1940s. Derived from the Swedish phrase ''nybrutalism,'' the term "New Brutalism" was first used by British architects Alison and Peter Smithson for their pioneering approach to design. The style was further popularised in a 1955 essay by architectural critic Reyner Banham, who also associated the movement with the French phrases '' béton bru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Architecture
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. The movement was introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their book ''Learning from Las Vegas''. The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture and deconstructivism. However, some buildings built after this period are still considered post-modern. Origins Postmodern architecture emerged in the 1960s as a reaction against the perceived shortcomings of modern architecture, particularly its rigid doctrines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critical Regionalism
Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style, but also rejects the whimsical individualism and ornamentation of Postmodern architecture. The stylings of critical regionalism seek to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context. Critical regionalism is not simply regionalism in the sense of vernacular architecture. It is a progressive approach to design that seeks to mediate between the global and the local languages of architecture. The phrase "critical regionalism" was first presented in 1981, in ‘The Grid and the Pathway,’ an essay published in ''Architecture in Greece,'' by the architectural theorists Alexander Tzonis and Liane Lefaivre and, with a slightly different meaning, by the historian-theorist Kenneth Frampton. Sri Lankan Architect Minnette De Silva was one of the pioneers in practicing this architecture style in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metabolist Movement
was a post-war Japanese architectural movement that fused ideas about architectural megastructures with those of organic biological growth. It had its first international exposure during CIAM's 1959 meeting and its ideas were tentatively tested by students from Kenzo Tange's MIT studio. During the preparation for the 1960 Tokyo World Design Conference a group of young architects and designers, including Kiyonori Kikutake, Kisho Kurokawa and Fumihiko Maki prepared the publication of the Metabolism manifesto. They were influenced by a wide variety of sources including Marxist theories and biological processes. Their manifesto was a series of four essays entitled: Ocean City, Space City, Towards Group Form, and Material and Man, and it also included designs for vast cities that floated on the oceans and plug-in capsule towers that could incorporate organic growth. Although the World Design Conference gave the Metabolists exposure on the international stage, their ideas remained lar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Structural Expressionism
High-tech architecture, also known as structural expressionism, is a type of late modernist architecture that emerged in the 1970s, incorporating elements of high tech industry and technology into building design. High-tech architecture grew from the modernist style, utilizing new advances in technology and building materials. It emphasizes transparency in design and construction, seeking to communicate the underlying structure and function of a building throughout its interior and exterior. High-tech architecture makes extensive use of aluminium, steel, glass, and to a lesser extent concrete (the technology for which had developed earlier), as these materials were becoming more advanced and available in a wider variety of forms at the time the style was developing - generally, advancements in a trend towards lightness of weight. High-tech architecture focuses on creating adaptable buildings through choice of materials, internal structural elements, and programmatic design. It se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-tech Architecture
High-tech architecture, also known as structural expressionism, is a type of late modernist architecture that emerged in the 1970s, incorporating elements of high tech industry and technology into building design. High-tech architecture grew from the modernist style, utilizing new advances in technology and building materials. It emphasizes transparency in design and construction, seeking to communicate the underlying structure and function of a building throughout its interior and exterior. High-tech architecture makes extensive use of aluminium, steel, glass, and to a lesser extent concrete (the technology for which had developed earlier), as these materials were becoming more advanced and available in a wider variety of forms at the time the style was developing - generally, advancements in a trend towards lightness of weight. High-tech architecture focuses on creating adaptable buildings through choice of materials, internal structural elements, and programmatic design. It se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis Group
The Memphis Group, also known as Memphis Milano, was an Italian design and architecture group founded by Ettore Sottsass. It was active from 1980 to 1987. The group designed postmodern furniture, lighting, fabrics, carpets, ceramics, glass and metal objects. The Memphis group's work often incorporated plastic laminate and terrazzo materials and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles and designs. Background Memphis was born on the evening of December 11, 1980, when Sottsass invited a group of young designers and architects to discuss the future of design. Together, they wanted to change the concept of what design had been focused on, which had been Modernism and aimed to do so by creating and forming a new design collective. After their initial meeting, the group went away to brainstorm different ideas and concepts, and three months later, came bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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