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Time (Pink Floyd Song)
"Time" is a song by the English progressive rock band Pink Floyd. It is included as the fourth track on their eighth album ''The Dark Side of the Moon'' (1973) and was released as a single in the United States. Bassist Roger Waters wrote the lyrics, and the music is credited to all four band members. Keyboardist Richard Wright shares lead vocals (his last until "Wearing the Inside Out" on ''The Division Bell'') alongside guitarist David Gilmour. The lyrics deal with the passage of time. Waters got the idea when he realised he was no longer preparing for anything in life, but was right in the middle of it. He has described this realisation taking place at ages 28 and 29 in various interviews. It is noted for its long introductory passage of clocks chiming and alarms ringing. The sounds were recorded in an antique store made as a quadrophonic test by engineer Alan Parsons, not specifically for the album. The album track also includes a reprise of the song " Breathe". It is the only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvest Records
Harvest Records is a British-American record label belonging to Capitol Music Group, originally created by EMI in 1969. History Harvest Records was created by EMI in 1969 to market progressive rock music, and to compete with Philips' Vertigo and Decca's Deram labels, and the independent Island label. Harvest was initially under the direction of Malcolm Jones, and was distributed in North America by EMI's US affiliate, Capitol Records. They were the European licensee for the American label Blue Thumb Records from 1969 to 1971. In the 1970s, the label primarily released progressive rock recordings by British acts including Pink Floyd, Syd Barrett, Kevin Ayers, The Move, Roy Wood, Barclay James Harvest, Be Bop Deluxe and Deep Purple. Most acts on the Harvest roster were British; two notable exceptions were Australian progressive band Spectrum (whose first two LPs were issued on Harvest) and Spectrum's successor Ariel, whose first two LPs also came out on the label. The Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breathe (Pink Floyd Song)
"Breathe (In the Air)" is a song by English progressive rock band Pink Floyd. It appears on their 1973 album ''The Dark Side of the Moon''. Authorship and composition The authorship and composition of this song is credited to David Gilmour and Richard Wright for the music and Roger Waters for the lyrics. ''Dark Side'', admitted the latter, "is a little adolescent and naïve in its preoccupations, but I'm not belittling it. It's like a rather wonderful, naïve painting. 'Breathe in the air / Don't be afraid to care' – that's the opening couplet. Well, yeah, I can cop that, but it's kind of simplistic stuff." The song is slow-paced and rich in texture, and features Gilmour playing the electric guitar with a Uni-Vibe and lap steel guitar with a volume pedal and several overdubs. On the original album, it is a separate track from "Speak to Me", the sound collage that opens the first side. Since this track segues into "Breathe" via a sustained backwards piano chord, the two ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C-sharp Minor
C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: : : Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor.) Classical music in this key There are only two known symphonies in the 18th century written in this key. One of them is by Joseph Martin Kraus, who appears t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninth Chord
In music theory, a ninth chord is a chord that encompasses the interval of a ninth when arranged in close position with the root in the bass. Heinrich Schenker and also Nikolai Rimsky-Korsakov allowed the substitution of the dominant seventh, leading-tone, and leading tone half-diminished seventh chords, rejected the concept of a ninth chord on the basis that only that on the fifth scale degree (V9) was admitted and that inversion was not allowed of the ninth chord. Dominant ninth There is a difference between a major ninth chord and a dominant ninth chord. A dominant ninth is the combination of a dominant chord (with a minor seventh) and a major ninth. A major ninth chord (e.g., Cmaj9), as an extended chord, adds the major seventh along with the ninth to the major triad. Thus, a Cmaj9 consists of C, E, G, B and D. When the symbol "9" is not preceded by the word "major" or "maj" (e.g., C9), the chord is a dominant ninth. That is, the implied seventh chord is a domina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Seventh Chord
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a ''Delta chord'', can be written as maj7, M7, , ⑦, etc. The "7" doesn't have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj7, has pitches C–E–G–B: : It can be represented by the integer notation . According to Forte, the major seventh chord is exemplified by IV7, which originates melodically. Forte, Allen (1979). ''Tonal Harmony in Concept & Practice'', p. 150. . : The just major seventh chord is tuned in the ratios 8:10:12:15, as a just major chord is tuned 4:5:6 and a just major seventh is tuned 15:8. The minor-minor sixth chord (minor triad with an added minor sixth) is an inversion of this chord. Examples In 1888, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Starting with B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Binson
The Binson Echorec is an echo machine produced by Italian (Milan) company Binson founded by Dr. Bonfiglio Bini, an early manufacturer of such devices. Unlike most other analog echo machines, they used an analog magnetic drum recorder instead of a tape loop. After using Meazzi Echomatic machines successfully to establish his signature sound, Hank Marvin of The Shadows began using Binson echoes. He used various Binson units on record and stage for much of the mid-to-late 1960s, in conjunction with Vox AC30 amplifiers and Burns London guitars. Marvin continued to use Binsons until c.1979/1980, when he began using the Roland RE-201 echo. Binson units were used to great effect by Pink Floyd's original frontman Syd Barrett and then guitarist David Gilmour, but also by keyboardist Richard Wright. The classic Binson delay effect can be heard on songs such as "Interstellar Overdrive", "Astronomy Domine", "Shine On You Crazy Diamond" and "Time". Engineer Andy Johns used a Binson echo un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexicon (company)
Lexicon is an American company that engineers, manufactures, and markets audio equipment as a brand of Harman International Industries. The company was founded in 1971 with headquarters in Waltham, Massachusetts, and offices in Salt Lake City, Utah. It was acquired by Harman in 1993. Lexicon traces its history to the 1969 founding of American Data Sciences by MIT professor Dr. Francis F. Lee and engineer Chuck Bagnaschi, developers of digital audio devices for medical heart monitoring. The company is widely known for the design and development of the multi-speaker audio system for the Rolls-Royce Phantom, as well as the Hyundai Genesis, Hyundai Equus, and the Kia K900. Professional audio equipment Digital delay systems Lexicon is sometimes credited as the inventor of commercial digital delay products. The first product to market was the popular Gotham Delta T-101 delay in 1971, followed by the Delta T-102, the first product to bear the Lexicon name, in 1972. Reverb and effec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boobam
The boobam is a percussion instrument of the membranophone family consisting of an array of tubes with membranes stretched on one end, the other end open. The tuning depends partly on the tension on the membrane and partly on the length of the tube. History In 1948 Harry Partch, an American composer, developed a system of music that depended on the building of various instruments that could play non-tempered scales. Some of them were based on Greek models and some on more primitive instruments like marimbas. Musician David "Buck" Wheat and his roommate in Sausalito, California, Bill Loughborough, a musician and electronic engineer, assisted Partch in the development of his instruments. Around 1955-1956 Partch designed and built an instrument he called the "boo", short for "bamboo marimba". This instrument, a lamellophone, consisted of sections of bamboo with one end closed, and a tongue cut in the side, tuned to the same pitch as the resonating chamber of the stopped bamboo sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Vocalist
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal ensem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rototom
The Rototom is a drum developed by Al Payson, Robert Grass, and Michael Colgrass that has no shell and is tuned by rotating. A rototom consists of a single head in a die-cast zinc or aluminum frame. Unlike most other drums, this type has a variable definite pitch. Composers are known to write for them as tuned instruments, demanding specific pitches. Rototoms are often used to extend the tom range of a standard drum kit. They were commercialized by the drumhead company Remo Inc., of North Hollywood, California. Drums and drumheads Tuning Rototoms can be tuned quickly by rotating the drumhead, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drumhead. Sizes Remo currently markets Rototoms in seven sizes — 6" (15.2 cm), 8" (20.3 cm), 10" (25.4 cm), 12" (30.5 cm), 14" (35.6 cm), 16" (40.6 cm) and 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
