Time (David Bowie Song)
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Time (David Bowie Song)
"Time" is a song by English singer-songwriter David Bowie. Written in New Orleans in November 1972 during the American leg of the Ziggy Stardust Tour, it was recorded in London in January 1973 and released as the opening track on side two of the album ''Aladdin Sane'' that April. An edited version of the song supplanted the release of the single "Drive-In Saturday" in the United States, Canada and Japan. It was also released in France and South Africa, while early Spanish copies of ''David Live'' included a free copy of the single. Production and style The piece has been described as "burlesque vamp", and compared to the cabaret music of Jacques Brel and Bertolt Brecht/Kurt Weill. Keyboardist Mike Garson said that he employed "the old stride piano style from the 20s and I mixed it up with avant-garde jazz styles plus it had the element of show music, plus it was very European." Co-producer Ken Scott took credit for the idea of mixing the sound of Bowie's breathing right up fro ...
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David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ...
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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ...
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Roy Carr
Roy Carr (1945 – 1 July 2018) was an English music journalist, covering pop, rock and jazz. He joined the ''New Musical Express (NME)'' in the late 1960s, and edited ''NME'', '' Vox'' and ''Melody Maker'' magazines. Biography Born in Blackpool, Lancashire, after his family moved there from London during the Second World War, Allan Jones, "Roy Carr: NME/Uncut Legend", ''Uncut'', #256, September 2018, p.112 he was the son of jazz musician and composer Tony Carr, a member of Joe Loss's band and writer of "March of the Mods". Roy Carr started his music career as a member of Blackpool-based band The Executives, who also featured Glenn Cornick. The band supported many leading acts in the mid-1960s, including the Beatles, the Rolling Stones and The Who, and had several unsuccessful singles issued on the Columbia and CBS labels.
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Chronos
Chronos (; grc-gre, Χρόνος, , "time"), also spelled Khronos or Chronus, is a personification of time in pre-Socratic philosophy and later literature. Chronos is frequently confused with, or perhaps consciously identified with, the Titan Cronus in antiquity due to the similarity in names. The identification became more widespread during the Renaissance, giving rise to the iconography of Father Time wielding the harvesting scythe. Greco-Roman mosaics depicted Chronos as a man turning the zodiac wheel. He is comparable to the deity Aion as a symbol of cyclical time. He is usually portrayed as an old callous man with a thick grey beard, personifying the destructive and stifling aspects of time. Name During antiquity, Chronos was occasionally interpreted as Cronus. According to Plutarch, the Greeks believed that Cronus was an allegorical name for Chronos. Mythology In the Orphic tradition, the unaging Chronos was "engendered" by "earth and water", and produced Aether, ...
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New York Dolls
New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—'' New York Dolls'' (1973) and '' Too Much Too Soon'' (1974)—became among the most popular cult records in rock. The line-up at this time consisted of, vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today". According to the ''Encyclopedia of Popular Music'' (1995), the New York Dolls predated the punk and glam m ...
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Billy Murcia
Billy Murcia (October 9, 1951 – November 6, 1972) was the original drummer for the New York Dolls.Jacobson, Mark"The Icon: Doll Face" ''New York (magazine)'', September 23, 2002. Accessed May 28, 2009. "Then came the sad pictures: Johnny and Jerry, RIP, and Billy Murcia too, their first drummer, a Colombian from Jackson Heights, dead in a London bathtub." Biography Murcia was born in Bogotá, Colombia, and raised in Jackson Heights, New York, United States. He and Sylvain Sylvain both attended Quintano's School for Young Professionals, in the late sixties. It was at Quintano's that they met Johnny Thunders, also a student there. They made their musical debut in 1967, in a band called "The Pox". They owned and co-managed a clothing business called "Truth and Soul". Murcia was a fundamental ingredient of the original New York Dolls sound and played during their now-legendary series of weekly shows at the Mercer Arts Center. While on a brief tour of England in 1972, Murcia w ...
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Methaqualone
Methaqualone is a hypnotic sedative. It was sold under the brand names Quaalude ( ) and Sopor among others, which contained 300 mg of methaqualone, and sold as a combination drug under the brand name Mandrax, which contained 250 mg methaqualone and 25 mg diphenhydramine within the same tablet, mostly in Europe. Commercial production of methaqualone was halted in the mid-1980s due to widespread abuse and addictiveness. It is a member of the quinazolinone class. The sedative–hypnotic activity of methaqualone was first noted in 1955. In 1962, methaqualone was patented in the United States by Wallace and Tiernan. Its use peaked in the early 1970s for the treatment of insomnia, and as a sedative and muscle relaxant. Methaqualone became increasingly popular as a recreational drug and club drug in the late 1960s and 1970s, known variously as "ludes" or "disco biscuits" due to its widespread use during the popularity of disco in the 1970s, or "sopers" (also "soaps") ...
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The 1980 Floor Show
The 1980 Floor Show was a rock musical spectacle featuring English rock musician David Bowie as the protagonist, held at the Marquee Club in Soho, London, on October 18–20, 1973. It was broadcast in the United States by NBC on November 16, 1973, as part of the series ''The Midnight Special (TV series), The Midnight Special'', and presented the last performance of Bowie as his character Ziggy Stardust (character), Ziggy Stardust. Lineup and content The lineup included songs from the albums ''Aladdin Sane'' and ''Pin Ups'', as well as a medley of "1984" with the then-unreleased song "Dodo". The title of the show was a Word play, play-on-words, referring to the song "1984 (song), 1984" and "floor shows", capturing a transitional moment between the glamorous science fiction of the previous year's ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' album and the dark dystopia of the ''Diamond Dogs'' album, released six months later. The live audience was made up of 20 ...
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Masturbation
Masturbation is the sexual stimulation of one's own genitals for sexual arousal or other sexual pleasure, usually to the point of orgasm. The stimulation may involve hands, fingers, everyday objects, sex toys such as vibrators, or combinations of these. Mutual masturbation is masturbation with a sexual partner, and may include manual stimulation of a partner's genitals ( fingering or a handjob), or be used as a form of non-penetrative sex. Masturbation is frequent in both sexes and at any age. Various medical and psychological benefits have been attributed to a healthy attitude toward sexual activity in general and to masturbation in particular. No causal relationship is known between masturbation and any form of mental or physical disorder. In the Western world, masturbation in private or with a partner is generally considered a normal and healthy part of sexual enjoyment. Masturbation has been depicted in art since prehistoric times, and is both mentioned and discussed in ...
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Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ...
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Mick Ronson
Michael Ronson (26 May 1946 – 29 April 1993) was an English musician, songwriter, arranger, and producer. He achieved critical and commercial success working with David Bowie as the guitarist of the Spiders from Mars. He was a session musician who recorded five studio albums with Bowie followed by four with Ian Hunter, and also worked as a sideman in touring bands with Van Morrison and Bob Dylan. Ronson and Bowie also produced Lou Reed's ''Transformer'' with Ronson playing lead guitar and piano and writing string arrangements, which brought mainstream recognition. The album is considered an influential landmark of the glam rock genre, anchored by Reed's most successful single, " Walk on the Wild Side". Ronson recorded five solo studio albums, the most popular being '' Slaughter on 10th Avenue'', which reached No. 9 on the UK Albums Chart. He played with various bands after his time with Bowie. A classically trained musician, Ronson was known for his melodic approach to g ...
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Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ...
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