Timanthes (play)
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Timanthes (play)
''Timanthes'' is a 1770 tragedy by the British writer John Hoole. The original Covent Garden cast included William Smith as Timanthes, Robert Bensley as Demaphoon, Richard Wroughton as Cherinthus, Mary Bulkley as Cephisa and Mary Ann Yates Mary Ann Yates (1728–1787) was an English tragic actress. The daughter of William Graham, a ship's steward and his wife, Mary, she married Richard Yates (c. 1706-1796), a well-known comedian of the time. In 1754, aged 25, she appeared at Drur ... as Ismena.Hogan p.1457 References Bibliography * Nicoll, Allardyce. ''A History of English Drama 1660–1900: Volume III''. Cambridge University Press, 2009. * Hogan, C.B (ed.) ''The London Stage, 1660–1800: Volume V''. Southern Illinois University Press, 1968. 1770 plays British plays Tragedy plays West End plays {{play-stub ...
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John Hoole
John Hoole (December 1727 – 2 August 1803) was an English translator, the son of Samuel Hoole (born 1692), a mechanic, and Sarah Drury (c. 1700 – c. 1793), the daughter of a Clerkenwell clockmaker. He became a personal friend of Samuel Johnson's. Family Hoole was born in Moorfields, London, and married in 1757 Susannah Smith (c. 1730 – 1808), a Quaker from Bishop's Stortford. They had a son, Rev. Samuel Hoole, who became a poet and religious writer of some distinction.Vivienne W. Painting: Hoole, John (1727–1803). ''Oxford Dictionary of National Biography'' (Oxford, UK: OUP), 2004 Retrieved 16 April 2018.] Works John Hoole worked in India House (1744–83), of which he rose to be principal auditor. In connection with his post, he wrote ''Present State of the English East India Company's Affairs'' (1772). Meanwhile he translated Torquato Tasso's ''Jerusalem Delivered'' (1763), and Ariosto's '' Orlando Furioso'' (1773–83), as well as other works from the Italian. He ...
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Covent Garden Theatre
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, maki ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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William 'Gentleman' Smith
William is a male given name of Germanic languages, Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will (given name), Will, Wills (given name), Wills, Willy, Willie, Bill (given name), Bill, and Billy (name), Billy. A common Irish people, Irish form is Liam. Scottish people, Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play Douglas (play)#Theme and response, ''Douglas''). Female forms are Willa, Willemina, Wilma (given name), Wilma and Wilhelmina (given name), Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚ ...
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Robert Bensley
Robert Bensley (c. 1740 – 1817) was an 18th-century English actor, of whom Charles Lamb in the ''Essays of Elia'' speaks with special praise. Life His early life is obscure, but his family was not poor: an uncle, Sir William Bensley, was among the directors of the British East India Company. Robert may have attended Westminster School. He is said to have served in America as a lieutenant of marines, attaining his commission through the influence of another relative; in this capacity, he may have participated in theatrical entertainments for soldiers; one early biography mentions a role on Thomas Otway's '' The Orphan''. He appears to have acted with troupes of strolling players, including those of Roger Kemble and another in Staffordshire. In 1768 Johan Zoffany created a painting of Charles Macklin in the role of Shylock. Macklin's daughter Maria Macklin was included as Portia and Bensley as Bassiano in the painting and Jane Lessingham is at the foot of the dias. The pai ...
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Richard Wroughton
Richard Wroughton (1748–1822), was an actor, who worked mainly in Covent Garden (now the Royal Opera house) and Drury Lane (now the Theatre Royal), and occasional in the city of his birth, Bath. Acting at Covent Garden He was born in 1748, and came to London, followed by a young milliner who had fallen in love with him, who nursed him through a severe illness, and whom he married. His first appearance was made at Covent Garden on 24 September 1768 as Zaphna in ‘ Mahomet,’ and not apparently in Altamont in ‘The Fair Penitent’ (acted on the 12th), as all his biographers say. He was seen during the season as Tressel in ‘ Richard III,’ Nerestan in ‘Zara,’ Creon in ‘Medea,’ Altamont, for his benefit, on 4 May 1769, and George Barnwell. He was slow in ripening, and his early performances gave little promise. By dint of sheer hard work he developed, however, into a good actor. During the seventeen years in which he remained at Covent Garden he played the princ ...
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Mary Bulkley
Mary Bulkley, née Wilford (1747/8 – 1792), known professionally as Mrs Bulkley, Miss Bulkley, and later Mrs Barresford, was an English eighteenth-century dancer and comedy stage actress. She performed at various theatres, especially Covent Garden Theatre, the Theatre Royal, Dublin, the Theatre Royal, Edinburgh, the Theatre Royal Haymarket and Shrewsbury Theatre. She performed in all or most of the Shakespearean comedies, and in several tragedies, besides many contemporary comedy plays. She played the part of Hamlet at least twice. She was considered a beauty when young, and her talent was praised. She married George Bulkley and later Captain Ebenezer Barresford, and openly took several lovers. Her early career was successful, but later she was hissed on stage due to her extra-marital affairs, and she died in poverty. Background Mary Bulkley was born as Mary Wilford. Her father was Edward Wilford (d. 1789), an official and treasurer at the Covent Garden Theatre. Because her ...
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Mary Ann Yates
Mary Ann Yates (1728–1787) was an English tragic actress. The daughter of William Graham, a ship's steward and his wife, Mary, she married Richard Yates (c. 1706-1796), a well-known comedian of the time. In 1754, aged 25, she appeared at Drury Lane as Marcia in Samuel Crisp's ''Virginia''. David Garrick played the part of Virginius. Yates was gradually entrusted with all the leading parts and succeeded the then famous actress Mrs Cibber as the leading tragedienne of the English stage. She was in turn succeeded and eclipsed by the famous Sarah Siddons. There were benefit performances for Yates in 1797 at The Haymarket which included an appearance by Harriett Litchfield.K. A. Crouch, ‘Litchfield , Harriett (1777–1854)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 200accessed 1 Feb 2015/ref> Selected roles * Marcia in ''Virginia'' by Samuel Crisp (1754) * Sandane in ''Agis'' by John Home (1758) * Mandane in '' The Orphan of ...
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1770 Plays
Year 177 ( CLXXVII) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Commodus and Plautius (or, less frequently, year 930 ''Ab urbe condita''). The denomination 177 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Commodus Caesar (age 15) and Marcus Peducaeus Plautius Quintillus become Roman Consuls. * Commodus is given the title ''Augustus'', and is made co-emperor, with the same status as his father, Marcus Aurelius. * A systematic persecution of Christians begins in Rome; the followers take refuge in the catacombs. * The churches in southern Gaul are destroyed after a crowd accuses the local Christians of practicing cannibalism. * Forty-seven Christians are martyred in Lyon (Saint Blandina and Pothinus, bishop o ...
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British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ...
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