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Tim Moore (comedian)
Tim Moore (December 9, 1887 – December 13, 1958) was an American vaudevillian and comic actor of the first half of the 20th century. He gained his greatest recognition in the starring role of George "Kingfish" Stevens in the CBS TV's '' The Amos 'n' Andy Show''. He proudly stated, "I've made it a point never to tell a joke on stage that I couldn't tell in front of my mother." Biography Early years Moore was born Harry Roscoe Moore in Rock Island, Illinois, one of 13 children of Harry and Cynthia Moore. His father was a night watchman at a brewery. Tim Moore dropped out of grammar school to work at odd jobs in town and even danced for pennies in the streets with his friend, Romeo Washburn. In 1898, Moore and Washburn went into vaudeville in an act called "Cora Miskel and Her Gold Dust Twins." It was booked by agents and travelled through the United States and even Great Britain. As Moore and Washburn grew older, the act became less effective and Miss Miskel sent them back to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Amos 'n Andy Show
''Amos 'n' Andy'' is an American radio sitcom about black characters, initially set in Chicago and later in the Harlem section of New York City. While the show had a brief life on 1950s television with black actors, the 1928 to 1960 radio show was created, written and voiced by two white actors, Freeman Gosden and Charles Correll, who played Amos Jones (Gosden) and Andrew Hogg Brown (Correll), as well as incidental characters. On television, 1951–1953, black actors took over the majority of the roles; white characters were infrequent. ''Amos 'n' Andy'' began as one of the first radio comedy series and originated from station WMAQ in Chicago. After the first broadcast in 1928, the show became a hugely popular series, first on NBC Radio and later on CBS Radio and Television. Early episodes were broadcast from the El Mirador Hotel in Palm Springs, California.here for Table of Contents The show ran as a nightly radio serial (1928–43), as a weekly situation comedy (1943–55) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Langford
Samuel Edgar Langford (March 4, 1886 – January 12, 1956), known as the Boston Tar Baby, Boston Terror and Boston Bonecrusher, was a Black Canadian boxing standout of the early part of the 20th century. Called the "Greatest Fighter Nobody Knows", by ESPN, Langford is considered by many boxing historians to be one of the greatest fighters of all time. Originally from Weymouth Falls, a small community in Nova Scotia, he was known as "The Boston Bonecrusher", "The Boston Terror", and his most famous nickname, "The Boston Tar Baby". Langford stood and weighed in his prime. He fought from lightweight to heavyweight and defeated many world champions and legends of the time in each weight class. Considered a devastating puncher even at heavyweight, Langford was rated No. 2 by '' The Ring'' on their list of "100 greatest punchers of all time". One boxing historian described Langford as "experienced as a heavyweight James Toney with the punching power of Mike Tyson". He was deni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida Ward
Aida Ward (February 11, 1900 – June 23, 1984) was an American jazz singer. Born in Washington, D.C., Ward rose to fame in the 1920s and 1930s in New York, on Broadway and at Harlem's Cotton Club. She appeared alongside Adelaide Hall and Bill "Bojangles" Robinson in the hit Broadway musical revue '' Blackbirds of 1928.'' Throughout the 1930s, Ward appeared regularly at the Cotton Club, performing with Duke Ellington and Cab Calloway. She was associated with the introduction of the songs " Between the Devil and the Deep Blue Sea" and "I've Got the World on a String" at the Cotton Club in 1931-2. She also starred at Harlem's Apollo Theater. See also * Adelaide Hall * Cotton Club The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940).Elizabeth Winter"Cotton Club of Harlem (1923- )" Blac ... * Williams, Iain Cameron (2002) Underneath A Har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Hall
Adelaide Louise Hall (20 October 1901 – 7 November 1993) was an American-born UK-based jazz singer and entertainer. Her long career spanned more than 70 years from 1921 until her death and she was a major figure in the Harlem Renaissance. Hall entered the '' Guinness Book of World Records'' in 2003 as the world's most enduring recording artist, having released material over eight consecutive decades."Devotees – Honours and Tributes" (researched and compiled by Stephen Bourne), Devotional. Adelaide Hall enters ''Guinness Book of World Records'' as the World's most enduring recording artiste. She performed with major artists such as , |
Blackbirds Of 1928
''Blackbirds of 1928'' was a hit Broadway musical revue that starred Adelaide Hall, Bill Bojangles Robinson, Tim Moore and Aida Ward, with music by Jimmy McHugh and lyrics by Dorothy Fields. It contained the hit songs "Diga Diga Do", the duo's first hit, "I Can't Give You Anything But Love", "Bandanna Babies" and "I Must Have That Man" all sung by Hall. History ''Blackbirds of 1928'' was the idea of impresario Lew Leslie, who planned to build the show around Florence Mills in New York City after her success in the hit 1926 show ''Blackbirds'' in London. Mills died of appendicitis in 1927 before rehearsals for the new show had started and Hall was enlisted to replace her. ''Blackbirds of 1928'' started its life as a floorshow at Les Ambassadeurs Club on 57th Street, New York with songs written by Jimmy McHugh and Dorothy Fields. Fields recalled, ‘''Lew Leslie (the producer) hired us to do a show called Blackbirds of 1928. First, we’d written songs for a show of his in a cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (namely the Broadwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two Black Crows
The Two Black Crows (also called The Black Crows and Moran and Mack) was a blackface comedy act popular in the 1920s and 1930s. The duo appeared in vaudeville, on Broadway, on radio, comedy records, and in film features and shorts. History The act was originated by Charles Sellers (1888–1934), who hired actor John Swor as his partner. "Swor & Mack" enjoyed moderate success until Swor left the act. He was replaced by George Moran. The team of Moran and Mack caught on and became major recording stars. ''The Two Black Crows'' became a weekly radio show in 1928; Moran and Mack also guest-starred on Fred Waring's radio show in 1933. Although Moran and Mack's gags were mostly corny and the characters were stereotypical (one practical but naive, the other seemingly slow and lazy yet quick with a quip and a certain skewed logic), the relationship depicted plus their laconic delivery made them one of the most successful of comedy teams. The team was known for two catchphrases. Moran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucky Sambo
''Lucky Sambo'' was a 1925 musical comedy staged on Broadway. It originally toured as ''Aces and Queens'' in 1923 and 1924. It was by Porter Grainger and Freddy Johnson. It played at the Colonial Theatre (New York City). Time magazine described it as an imitator of ''Shuffle Along''. A June 8, 1925 New York Times write-up for it at the Colonial Theatre called it an amusing and "agile entertainment". A 1925 advertisement ran for it at the New Hyperion theater. The ad touted it as "The Black Streak of Lightning" and "The World's Fastest Show". It starred Billy Higgins and Joe Byrd. They were also together in ''Midnight Steppers'' in 1927. Ernest Whitman appeared in a touring version of the show. Cast *Billy Higgins * Joe Byrd *3 Dixie Song Birds (including Amanda Randolph and Hilda Perleno) *Ernest Whitman *Jim Vaughn and His Jazz Hands *30 High Yellows *20 Seal Skinned Browns See also * Jesse A. Shipp * Johnny Hudgins *Gertie Brown Gertie Brown Moore (born Gilberta Gertrude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Long (actor)
Walter Huntley Long (March 5, 1879 – July 4, 1952) was an American character actor in films from the 1910s. Career Born in Nashua, New Hampshire, Long appeared in nearly 200 films. Long debuted in films in 1909 with Broncho Billy Anderson. He disliked the working conditions for making films, so after that project he returned to acting on stage. He appeared in many D. W. Griffith films, notably ''The Birth of a Nation'' (1915), where he appeared as Gus, an African American, in blackface make-up, and ''Intolerance'' (1916). He also supported Rudolph Valentino in the films '' The Sheik,'' '' Moran of the Lady Letty,'' and '' Blood and Sand.'' He later appeared as a comic villain in four Laurel and Hardy films during the early 1930s. On Broadway, Long appeared in ''Adonis'' (1899), ''Leave It to Me!'' (1938), ''Very Warm for May'' (1939), ''Boys and Girls Together'' (1940), ''Follow the Girls'' (1944), and ''Toplitzky of Notre Dame'' (1946). Personal life In 1908, Long marri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandy Burns
Sandy Burns was a comedian. He toured on the T.O.B.A. circuit. Burns led the Sandy Burns Stock Company. He was married to fellow performer Gretchen Burns. He was born in Oklahoma City, Oklahoma and grew up in Huntsville, Texas Huntsville is a city in and the county seat of Walker County, Texas. The population was 45,941 as of the 2020 census. It is the center of the Huntsville micropolitan area. Huntsville is in the East Texas Piney Woods on Interstate 45 and home to .... He performed with Ferdinand “Jelly-Roll” Morton. He performed with Sam “Bill” Russell. Quintart Miller met his future performing partner Marcus Slayter when both were part of the Burns’ stock company. Shows *The Hunter Hors (1919) *Hello Sue (1921) *Hot Rhythm (1932) Filmography * His Great Chance (1923) * The Brand of Cain (1935) References American male comedians Year of birth missing (living people) Living people {{Improve categories, date=October 2022 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roaring Twenties
The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the United States and Europe, particularly in major cities such as Berlin, Buenos Aires, Chicago, London, Los Angeles, Mexico City, New York City, Paris, and Sydney. In France, the decade was known as the ''années folles'' ("crazy years"), emphasizing the era's social, artistic and cultural dynamism. Jazz blossomed, the flapper redefined the modern look for British and American women, and Art Deco peaked. In the wake of the military mobilization of World War I and the Spanish flu, President Warren G. Harding " brought back normalcy" to the United States. The social and cultural features known as the Roaring Twenties began in leading metropolitan centres and spread widely in the aftermath of World War I. The spirit of the Roaring Twenties was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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