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Tim Maia
Tim Maia (, born Sebastião Rodrigues Maia; September 28, 1942 – March 15, 1998) was a Brazilian musician, songwriter, and businessman known for his iconoclastic, ironic, outspoken, and humorous musical style. Maia contributed to Brazilian music within a wide variety of musical genres, including soul music, soul, funk, disco, jazz, rock and roll, rhythm and blues, Ballads#Sentimental ballads, romantic ballads, samba, bossa nova, baião (music), baião and música popular brasileira (MPB). He introduced the soul style on the Brazilian musical scene. Along with Jorge Ben, Maia pioneered samba rock, sambalanço, combining samba, soul, funk and rock and roll. He is recognized as one of the biggest icons in Music of Brazil, Brazilian music. Tim Maia recorded numerous albums and toured extensively in a long career. After his death in 1998, his recorded oeuvre has shown enduring popularity. A theatrical retrospective of his career, the popular musical ''Vale Tudo'', was first staged i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rio De Janeiro City
Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a beta global city, Rio de Janeiro is the Largest cities in the Americas, sixth-most populous city in the Americas. Part of the city has been designated as a World Heritage Site, named "Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea", on 1 July 2012 as a Cultural Landscape. Founded in 1565 by the Portuguese people, Portuguese, the city was initially the seat of the Captaincies of the Portuguese Empire, Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a List of states of the Portuguese Empire, state of the Portuguese Empire. In 1808, when the Transfer of the Portuguese Court to Brazil, Portuguese Royal Court moved to Brazil, Rio de Janeiro became the sea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockabilly
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the Southern United States, South. As a genre it blends the sound of Western music (North America), Western musical styles such as country music, country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass music, bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "Hillbilly#Music, hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues. Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs, doo-wop acapella singing, and common use of the tape echo; bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Self
Ronnie Self (July 5, 1938 – August 28, 1981) was an American rockabilly singer and songwriter. His solo career was unsuccessful, despite being signed to contracts with Columbia and then Decca from the late 1950s through the early 1960s. His only charted single was "Bop-A-Lena"; recorded in 1957 and released in 1958, it reached No. 68 on the Billboard charts. His boastful country anthem "Ain't I'm a Dog" was a regional hit in the South, but failed to score nationally. It reached #31 in Australia and Bop-A-Lena #25. A talented performer and songwriter, Self's career was blighted by his severe alcoholism and erratic behavior, including incidents of violence. However, Brenda Lee's recordings of his songs " I'm Sorry", "Sweet Nothin's", and "Everybody Loves Me But You" became major pop classics. His country gospel song "Ain't That Beautiful Singing", recorded by Jake Hess, was awarded a Grammy Award for Best Sacred Performance in 1969. He also wrote Brenda Lee's 1963 No. 28 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Ben Jor
Jorge Duílio Lima Menezes (born March 22, 1939) is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben (). His characteristic style fuses samba, funk, rock and bossa nova with lyrics that blend humor and satire with often esoteric subject matter. _Biography_))).html" ;"title="allmusic ((( Jorge Ben > Biography )))">allmusic ((( Jorge Ben > Biography )))/ref> His hits include "Chove Chuva", " Mas, que Nada!", "Ive Brussel" and "Balança Pema", and have been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte. Ben's broad-minded and original approach to samba led him through participation in some of Brazilian popular music's most important musical movements, such as bossa nova, Jovem Guarda, and Tropicália, with the latter period defined by his albums ''Jorge Ben'' (1969) and ''Fôrça Bruta'' (1970). He has been called "the father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tijuca
Tijuca () (meaning marsh or swamp in the Tupi language, from ''ty'' ("water") and ''îuk'' ("rotten")) is a neighbourhood of the Northern Zone of the city of Rio de Janeiro, Brazil. It comprises the region of Saens Peña and Afonso Pena squares. According to the 2000 Census, the district has close to 150,000 inhabitants. It borders with Praça da Bandeira, Maracanã, Vila Isabel, Andaraí, Grajaú and Alto da Boa Vista neighbourhoods. It is one of the most traditional districts of Rio de Janeiro and has the third largest urban forest in the world, the Tijuca Forest, which is result of reforestation from coffee fields that led to lack of water at that time. Mainly a middle class district, it has been historically inhabited by Portuguese immigrant families and the families of military officers. Tijuca hosts Salgueiro, Império da Tijuca and Unidos da Tijuca, three of the main Rio de Janeiro Samba Schools, that together have won 13 titles. Tijuca is also home to many favela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Brazil
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, have received much attention abroad since the 1950s, when the song " Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Out Group
Time Out Group is a global media and entertainment company. Its digital and physical presence comprises websites, mobile editions, magazines, live events and markets. Time Out covers events, entertainment and culture in cities around the world. Time Out was established in 1968, by founder Tony Elliott and has developed into a global platform across 315 cities and in 58 countries. Time Out Market was launched in 2014 in Lisbon. History The original '' Time Out'' magazine was first published in 1968 by Tony Elliott with Bob Harris as co-editor, and has since developed into a global platform across 315 cities and 58 countries. The magazine was a one-sheet pamphlet with listings for London. It started as a counter-culture publication that had an alternative viewpoint on issues such as gay rights, racial equality, and police harassment. Early issues had a print run of around 5,000 and evolved to a weekly circulation of 110,000. One of the editors in the 1970s was Roger Hutchinson. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Música Popular Brasileira
Música popular brasileira (, ''Popular Brazilian Music'') or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock. This movement has produced and is represented by many Brazilian artists, such as Jorge Ben Jor, Ivan Lins, Novos Baianos, Belchior and Dominguinhos, whose individual styles generated their own trends within the genre. The term is often also used to describe any kind of music with Brazilian origins and "voice and guitar style" that arose in the late 1960s. Variations within MPB were the short-lived but influential artistic movement known as tropicália, and the music of samba rock. MPB songs are in part characterized by their harmonic complexity and their elaborate lyrics, which call back to a connection between Brazil’s popular music and poetry that has been culturally relev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baião (music)
Baião () is a Northeastern Brazilian music genre and dance style based on a syncopated duple meter rhythm, based around the pulse of the zabumba, a flat, double-headed bass drum played with a mallet in one hand and a stick in the other, each striking the opposite head of the drum for alternating high and low notes, frequently accompanied by an accordion and a triangle pattern. The baião rhythm is integral to the genres of forró, repente and coco (or embolada). It is mostly associated with the state of Pernambuco. Baião was popularized via radio in the 1940s, reaching peak popularity in the 1950s. Description Amerindian elements include the use of flutes, later replaced by the accordion, and wooden shakers; African-influenced baião might be accompanied by atabaque drums and include overlapping call and response singing; and European influences include the use of the triangle, Western harmony, and dance music such as the quadrille, polka, mazurka, and schottische, heavy influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballads
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
