Tim Hardin 1
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Tim Hardin 1
''Tim Hardin 1'' is the debut album by folk artist Tim Hardin, released in 1966 on Verve Records. History ''Tim Hardin 1'' contains one of his most well-known and frequently covered songs, " Reason to Believe"a notable hit for Rod Stewart in 1971. Some of the songs were demos that ended up on the final release. After principal recording was completed, string arrangements was overdubbed onto some of the tracks without Hardin's consent. Hardin said he was so upset that he cried when he first heard the recordings. The album photography was shot by Lisa Law (credited as Lisa Bachelis) in the garden of her home, which was known as "The Castle" and where Bob Dylan was staying at the time. One of the outtakes of this album shoot was used for Hardin's last album as well as he died the day Law was to photograph him for his new album, ''Hang On to a Dream''. ''Tim Hardin 1'' was re-released on CD in 1998 by Repertoire along with ''Tim Hardin 2''. It was voted number 711 in the third editi ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared d ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual experti ...
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Bob Bushnell (musician)
Robert C. Bushnell (1926 – January 31, 2016) was an American bass player and guitarist who has appeared on dozens of albums and singles as a studio musician, including Bobby Lewis's hit " Tossin' and Turnin'" (1961), " My Boyfriend's Back" by The Angels (1963), " Under the Boardwalk" by The Drifters (1964) and the remixed hit version of Simon and Garfunkel's " The Sound of Silence" (1965). Bushnell was born in West Philadelphia and attended Sulzberger Junior High School where he first learned how to play bass fiddle. He graduated from West Philadelphia High School in 1945 and left for New York City shortly thereafter. He played occasionally with Jimmy Heath's band in the late 1940s, coinciding with John Coltrane. He played in the first house band at Philadelphia's Club 421, a lineup led by Charlie Rice, and featuring Vance Wilson, Red Garland, and Johnny Hughes.
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining ele ...
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Gary Burton
Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be heralded as an innovator, and his sound and technique are widely imitated.Corley, Cheryl (May 8, 2004)"Gary Burton Steps Down, Out: Jazz Vibraphonist Moves On After Three Decades at Berklee". ''NPR''. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years at the Berklee College of Music. Biography Burton was born in Anderson, Indiana, United States. Beginning music at six years old, he mostly taught himself to play marimba and vibraphone. He began studying piano at age sixteen while finishing high school at Princeton Community High School in Princeton, Indiana (1956–60). He has cited jazz pianist Bill Evans as the inspiration for his ap ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the e ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music ...
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How Can We Hang On To A Dream
"How Can We Hang On to a Dream" is a song composed and recorded by Tim Hardin. It was Hardin's first single after his signed with Verve Folkways, released around six months before his debut album ''Tim Hardin 1''. The single was titled "Hang On to a Dream" in some territories. The song has been successfully covered by many artists, including charting versions by Johnny Hallyday and Rudy Bennett. Hardin's own version reached No. 50 on the UK Singles Chart. In the Netherlands, where the Dutch Top 40 chart aggregated Hardin's version with a cover by the Dutch singer Rudy Bennett as one entry, the song reached No. 4 in 1987. Charts Covers Many covers of the song have been recorded by prominent artists of the age, including a 1969 psychedelic rock recording by the short-lived band Gandalf. A cover version with a choral arrangement by Duncan Browne was recorded by The Nice, as "Hang On to a Dream", on their third album, '' Nice'', Ian & Sylvia also as "Hang On to a Dream" on t ...
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Misty Roses (song)
Misty Roses is a popular song, written by Tim Hardin in 1966. It was one of Hardin's most-covered songs and originally appeared on his debut album ''Tim Hardin 1''. Recorded versions *Cilla Black * Colin Blunstone *Sonny Bono * Xavier Cugat *Bobby Darin * The Fifth Dimension *The Four Freshmen *Astrud Gilberto * Irene Kral *Peggy Lee *Johnny Mathis *Modern Jazz Quartet * Kenny Rankin *The Sandpipers (on the 1967 album of the same name) *Sonny & Cher * Jesse Colin Young * The Youngbloods (B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan ... to "Hippie from Olema"The Youngbloods, "Hippie from Olema" single release
Retrieved Ma ...
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Len Chandler
Len Hunt Chandler, Jr. (born May 27, 1935), better known as Len Chandler, is a folk musician from Akron, Ohio. Biography He showed an early interest in music and began playing piano at age 8. Studying classical music in his early teens, he learned to play the oboe so he could join the high school band, and during his senior year joined the Akron Symphony Orchestra. He eventually earned his B.A. in Music Education from the University of Akron, moved to New York City, and received an M.A. from Columbia University. By the early 1960s, Chandler began to get involved in the Civil Rights Movement. He sang at demonstrations and rallies and won a reputation as a protest songwriter. One of his most famous songs was " Beans in My Ears", which was covered by the Serendipity Singers, as well as Pete Seeger. He also served as one of the original crew members of Seeger's CLEARWATER organization, working to save the environment around the Hudson River Valley. One of Chandler's song entitle ...
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Don't Make Promises
"Don’t Make Promises" was the first track on Tim Hardin's debut album ''Tim Hardin 1'', released in 1966. The song, along with "Reason to Believe," was one of the two major songwriting hits from the album, with more than a dozen cover versions having been recorded following its release. British radio presenter and writer Charlie Gillett noted the song's ability to achieve "the elusive balance between personal miseries and universal sufferings," while author Mark Brend praised the song's "fragile pop sensibilities" and how it contrasted with the "swaggering" R&B of album track "Ain't Gonna Do Without." The Beau Brummels version The Beau Brummels released a cover version of "Don't Make Promises" as a single in 1967. The song later appeared on the band's 1987 compilation album ''The Best of The Beau Brummels 1964–1968''. The single's B-side, "Two Days 'Til Tomorrow," was a favorite of lead vocalist Sal Valentino, who called it the band's "greatest" song. It was included o ...
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