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Tieline
Tieline Technology has offices in Indianapolis in the United States (Tieline America LLC) and in Perth, Western Australia (Tieline Pty Ltd). The company has a wide and established distribution network throughout Europe, the Americas and Australasia. Tieline develops a range of broadcast audio codecs that are sold to television and radio networks around the globe. All Tieline codecs are IP codecs, ISDN codecs, POTS codecs, GSM codecs, X.21 codecs and satellite-capable (IP and ISDN) codecs. Broadcasters use these codecs for remote broadcasts (outside broadcasting), for audio distribution between studios and for studio/transmitter link (STL) applications. Tieline codecs are Session Initiation Protocol (SIP) compatible and Tieline and ten other codec manufacturers have successfully tested IP Interoperability using SIP to connect according to EBU N/ACIP tech 3326 specifications relating to sending audio over IP. History The company was founded in 1981 by John Gouteff and Rod Henderso ...
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Tieline In Brasilia
Tieline Technology has offices in Indianapolis in the United States (Tieline America LLC) and in Perth, Western Australia (Tieline Pty Ltd). The company has a wide and established distribution network throughout Europe, the Americas and Australasia. Tieline develops a range of broadcast audio codecs that are sold to television and radio networks around the globe. All Tieline codecs are IP codecs, ISDN codecs, POTS codecs, GSM codecs, X.21 codecs and satellite-capable (IP and ISDN) codecs. Broadcasters use these codecs for remote broadcasts (outside broadcasting), for audio distribution between studios and for studio/transmitter link (STL) applications. Tieline codecs are Session Initiation Protocol (SIP) compatible and Tieline and ten other codec manufacturers have successfully tested IP Interoperability using SIP to connect according to EBU N/ACIP tech 3326 specifications relating to sending audio over IP. History The company was founded in 1981 by John Gouteff and Rod Henderso ...
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IP Audio Codec
Audio over IP (AoIP) is the distribution of digital audio across an IP network such as the Internet. It is used increasingly to provide high-quality audio feeds over long distances. The application is also known as audio contribution over IP (ACIP) in reference to the programming contributions made by field reporters and remote events. Audio quality and latency are key issues for contribution links. In the past, these links have made use of ISDN services but these have become increasingly difficult or expensive to obtain. Many proprietary systems came into existence for transporting high-quality audio over IP based on Transmission Control Protocol (TCP), User Datagram Protocol (UDP) or Real-time Transport Protocol (RTP). An interoperable standard for audio over IP using RTP has been published by the European Broadcasting Union (EBU). Within a single building or music venue, audio over Ethernet is more likely to be used instead, avoiding audio data compression and, in some cases, ...
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IP Audio Codec
Audio over IP (AoIP) is the distribution of digital audio across an IP network such as the Internet. It is used increasingly to provide high-quality audio feeds over long distances. The application is also known as audio contribution over IP (ACIP) in reference to the programming contributions made by field reporters and remote events. Audio quality and latency are key issues for contribution links. In the past, these links have made use of ISDN services but these have become increasingly difficult or expensive to obtain. Many proprietary systems came into existence for transporting high-quality audio over IP based on Transmission Control Protocol (TCP), User Datagram Protocol (UDP) or Real-time Transport Protocol (RTP). An interoperable standard for audio over IP using RTP has been published by the European Broadcasting Union (EBU). Within a single building or music venue, audio over Ethernet is more likely to be used instead, avoiding audio data compression and, in some cases, ...
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Audio Over IP
Audio over IP (AoIP) is the distribution of digital audio across an IP network such as the Internet. It is used increasingly to provide high-quality audio feeds over long distances. The application is also known as audio contribution over IP (ACIP) in reference to the programming contributions made by field reporters and remote events. Audio quality and latency are key issues for contribution links. In the past, these links have made use of ISDN services but these have become increasingly difficult or expensive to obtain. Many proprietary systems came into existence for transporting high-quality audio over IP based on Transmission Control Protocol (TCP), User Datagram Protocol (UDP) or Real-time Transport Protocol (RTP). An interoperable standard for audio over IP using RTP has been published by the European Broadcasting Union (EBU). Within a single building or music venue, audio over Ethernet is more likely to be used instead, avoiding audio data compression and, in some case ...
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Opus (audio Format)
Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors. Opus replaces both Vorbis and Speex for new applications, and several blind listening tests have ranked it higher-quality than any other standard audio format at any given bitrate until transparency is reached, including MP3, AAC, and HE-AAC. Opus combines the speech-oriented LPC-based SILK algorithm and the lower-latency MDCT-based CELT algorithm, switching between or combining them as needed for maximal efficiency. Bitrate, audio bandwidth, complexity, and algorithm can all be adjusted seamlessly in each frame. Opus has the low algorithmic delay (26.5 ms by default) necessary for use as part of a real-time communication link, networke ...
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IP Codec
IP codecs are used to send video or audio signals over an IP network such as the Internet. The initials "IP" here stand for "Internet Protocol", while the term "codec" is short for "encoder/decoder" or "compressor/decompressor". IP video codecs IP video codecs are used widely in security and broadcast applications to send video between two locations. Video codecs use compression algorithms to send good video quality at substantially lower bit rates than uncompressed signals. Broadcast applications often use MPEG-2 and H.264/MPEG-4 AVC standards for video compression. The EBU is working on a minimum set of common standards for real-time video over IP transmissions. The recommended standards and protocols are designed to ensure compatibility between different codecs and provide adequate high quality transmissions. IP audio codecs IP audio codecs are used to send broadcast quality audio over IP from remote broadcast locations to radio and television studios around the globe. IP cod ...
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ISDN Codec
A POTS codec is a type of audio coder-decoder (codec) that uses digital signal processing to transmit audio digitally over standard telephone lines ("Plain Old Telephone Service") at a higher level of audio quality than the telephone line would normally provide in its analog mode. The POTS codec is one of a family of broadcast codecs differentiated by the type of telecommunications circuit used for transmission. The ISDN codec, which instead uses ISDN lines, and the IP codec which uses private or public IP networks are also common. Primarily used in broadcast engineering to link remote broadcast locations to the host studio, a hardware codec, implemented with digital signal processing, is used to compress the audio data enough to travel through a pair of a 33.6k modems. POTS codecs have the disadvantages of being restricted to relatively low bit rates and being susceptible to variable line quality. ISDN and IP codecs have the advantage of being natively digital, and operate at ...
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POTS Codec
A POTS codec is a type of audio coder-decoder (codec) that uses digital signal processing to transmit audio digitally over standard telephone lines ("Plain Old Telephone Service") at a higher level of audio quality than the telephone line would normally provide in its analog mode. The POTS codec is one of a family of broadcast codecs differentiated by the type of telecommunications circuit used for transmission. The ISDN codec, which instead uses ISDN lines, and the IP codec which uses private or public IP networks are also common. Primarily used in broadcast engineering to link remote broadcast locations to the host studio, a hardware codec, implemented with digital signal processing, is used to compress the audio data enough to travel through a pair of a 33.6k modems. POTS codecs have the disadvantages of being restricted to relatively low bit rates and being susceptible to variable line quality. ISDN and IP codecs have the advantage of being natively digital, and operate a ...
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Broadcasting
Broadcasting is the distribution (business), distribution of sound, audio or video content to a dispersed audience via any electronic medium (communication), mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a :wikt:one-to-many, one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and radio receiver, receivers. Before this, all forms of electronic communication (early radio, telephone, and telegraph) were wikt:one-to-one, one-to-one, with the message intended for a single recipient. The term ''broadcasting'' evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as ...
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Radio (magazine)
''Radio'' magazine, a radio broadcasting trade publication, covers the technology side of radio broadcasting. The publication is targeted at radio broadcast engineers, technology managers and owners of radio stations, networks, and recording studios. It is owned by Future US. History ''Radio'' magazine was first published in 1994 under the title ''BE Radio''. It is, essentially, a spin-off of ''Broadcast Engineering'' magazine, which began publication in 1959. Prior to 1994, ''Broadcast Engineering'' (often known as "''BE''") covered radio, television, and cable broadcasting. In 1993, the editors of ''Broadcast Engineering'', recognizing a growing divergence in the technical issues faced by radio and television broadcasting, chose to split the scope of the original magazine. This resulted in the creation of ''BE Radio'', to cover only the radio broadcasting industry, and narrowed the scope of ''Broadcast Engineering'' to television and cable broadcasting only. For the firs ...
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Surface-mount Technology
Surface-mount technology (SMT), originally called planar mounting, is a method in which the electrical components are mounted directly onto the surface of a printed circuit board (PCB). An electrical component mounted in this manner is referred to as a surface-mount device (SMD). In industry, this approach has largely replaced the through-hole technology construction method of fitting components, in large part because SMT allows for increased manufacturing automation which reduces cost and improves quality. It also allows for more components to fit on a given area of substrate. Both technologies can be used on the same board, with the through-hole technology often used for components not suitable for surface mounting such as large transformers and heat-sinked power semiconductors. An SMT component is usually smaller than its through-hole counterpart because it has either smaller leads or no leads at all. It may have short pins or leads of various styles, flat contacts, a matrix ...
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European Broadcasting Union
The European Broadcasting Union (EBU; french: Union européenne de radio-télévision, links=no, UER) is an alliance of Public broadcasting, public service media organisations whose countries are within the European Broadcasting Area or who are member states of the Council of Europe, members of the Council of Europe. , it is made up of 112 member organizations from 54 countries, and 31 associate members from a further 20 countries. It was established in 1950, and had its administrative headquarters in Geneva and technical office in Brussels. The EBU owns and operates the Eurovision (network), Eurovision and Euroradio telecommunications networks on which major television and radio broadcasts are distributed live to its members. It also operates the daily Eurovision news exchange in which members share breaking news footage. In 2017, the EBU launched the Eurovision Social Newswire, an eyewitness and video verification service. Led by Head of Social Newsgathering, Derek Bowler, t ...
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