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Tibetan Chant
The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture. The new-age 'singing bowl' music marketed in the West as 'Tibetan music' is of 1970s US origin. History Western research into the history of Tibetan music has often focused more on religious than secular musics. It has been suggested that Tibetan religious music may have been strongly influenced by West-Asian musics, including those of pre-Muslim Persia (and perhaps even of Byzantium). It has also been suggested that the landscape – and in particular the resonances of caves, with their natural percussive sounding stones - exerted a formative influence on the overtone singing found in Tibetan Buddhist chant (and plausibly also in prehistoric shamanic invocations), which is produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundesarchiv Bild 135-S-16-09-12, Tibetexpedition, Mönche Blasen Tuben
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Cave
A cave or cavern is a natural void in the ground, specifically a space large enough for a human to enter. Caves often form by the weathering of rock and often extend deep underground. The word ''cave'' can refer to smaller openings such as sea caves, rock shelters, and grottos, that extend a relatively short distance into the rock and they are called ''exogene'' caves. Caves which extend further underground than the opening is wide are called ''endogene'' caves. Speleology is the science of exploration and study of all aspects of caves and the cave environment. Visiting or exploring caves for recreation may be called ''caving'', ''potholing'', or ''spelunking''. Formation types The formation and development of caves is known as ''speleogenesis''; it can occur over the course of millions of years. Caves can range widely in size, and are formed by various geological processes. These may involve a combination of chemical processes, erosion by water, tectonic forces, microorgani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chöd
Chöd ( lit. 'to sever') is a spiritual practice found primarily in the Yundrung Bön tradition as well as in the Nyingma and Kagyu schools of Tibetan Buddhism (where it is classed as Anuttarayoga Tantra). Also known as "cutting through the ego," the practices are based on the Prajñāpāramitā or "Perfection of Wisdom" sutras, which expound the "emptiness" concept of Buddhist philosophy. According to Mahayana Buddhists, emptiness is the ultimate wisdom of understanding that all things lack inherent existence. Chöd combines prajñāpāramitā philosophy with specific meditation methods and tantric ritual. The chod practitioner seeks to tap the power of fear through activities such as rituals set in graveyards, and visualisation of offering their bodies in a tantric feast in order to put their understanding of emptiness to the ultimate test. Definition and Sanskrit ''chedasādhanā'' both literally mean "cutting practice". In Standard Tibetan (the prestige dialect asso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kangling
''Kangling'' (), literally translated as "leg" (''kang'') "flute" (''ling''), is the Tibetan name for a trumpet or horn made out of a human tibia or femur, used in Tibetan Buddhism for various chöd rituals as well as funerals performed by a chöpa. The leg bone of a criminal or a person who died a violent death is preferred. Alternatively, the leg bone of a respected teacher may be used. The kangling may also be made out of wood. The kangling should only be used in chöd rituals performed outdoors with the chöd damaru and bell. In Tantric chöd practice, the practitioner, motivated by compassion, plays the kangling as a gesture of fearlessness, to summon hungry spirits and demons so that she or he may satisfy their hunger and thereby relieve their sufferings. It is also played as a way of "cutting off of the ego." A minor figure from Katok Monastery, the First Chonyi Gyatso, Chopa Lugu (17th – mid-18th century), is remembered for his "nightly bellowing of bone-trumpet angli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damaru
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghanta
Ghanta (Sanskrit: घण्टा, IAST: ghaṇṭā; Tibetan: drilbu) is the Sanskrit term for a ritual bell used in Hinduistic religious practices. The ringing of the bell produces what is regarded as an auspicious sound. Hindu temples generally have one metal bell hanging at the entrance and devotees ring the bell while entering the temple which is an essential part in preparation of having a darshan. A bell is also rung by poojari during Pūjā or Yajna – during the waving of light, burning of incense in front of the deity, while bathing the deity and while offering food or flowers. There are bells specially made to produce the long strains of the sound Aum. Description The bell is made out of five to seven precious metals, which are connected to the planets: lead (Saturn), tin (Jupiter), iron (Mars), copper (Venus), mercury (Mercury), silver (the Moon) and gold (the Sun). A clapper is attached to the inside and the bell makes a high pitched sound when rung. The top o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrayana
Vajrayāna ( sa, वज्रयान, "thunderbolt vehicle", "diamond vehicle", or "indestructible vehicle"), along with Mantrayāna, Guhyamantrayāna, Tantrayāna, Secret Mantra, Tantric Buddhism, and Esoteric Buddhism, are names referring to Buddhism, Buddhist traditions associated with Tantra and "Secret Mantra", which developed in the Medieval India, medieval Indian subcontinent and spread to Tibet, Nepal, other Himalayan states, East Asia, and Mongolia. Vajrayāna practices are connected to specific lineages in Buddhism, through the teachings of lineage holders. Others might generally refer to texts as the Buddhist Tantras. It includes practices that make use of mantras, dharanis, mudras, mandalas and the visualization of deities and Buddhas. Traditional Vajrayāna sources say that the tantras and the lineage of Vajrayāna were taught by Gautama Buddha, Śākyamuni Buddha and other figures such as the bodhisattva Vajrapani and Padmasambhava. Contemporary historians of Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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