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Théâtre De La Ville
(meaning the City Theatre) is one of the two theatres built in the 19th century by Baron Haussmann at Place du Châtelet, Paris, the other being the Théâtre du Châtelet. It is located at 2, place du Châtelet in the 4th arrondissement. Included among its many previous names are Théâtre Lyrique, Théâtre des Nations, and Théâtre Sarah-Bernhardt. Théâtre Lyrique The theatre, which until the fall of Napoleon III in 1870 was officially known as the Théâtre Lyrique Impérial, was designed by the architect Gabriel Davioud for Baron Haussmann between 1860 and 1862 for the opera company more commonly known simply as the Théâtre Lyrique. That company's earlier theatre, the Théâtre Historique on the Boulevard du Temple, where it had performed since 1851, was slated for demolition as part of Haussmann's renovation of Paris. During the company's initial period on the Place du Châtelet, it was under the direction of Léon Carvalho and gave the premieres of Bizet's ''Les p ...
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4th Arrondissement Of Paris
The 4th arrondissement of Paris (''IVe arrondissement'') is one of the twenty arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as ''quatrième''. Along with the 1st, 2nd and 3rd arrondissements, it is in the first sector of Paris, which maintains a single local government rather than four separate ones. The arrondissement, also known as Hôtel-de-Ville, is situated on the right bank of the River Seine. It contains the Renaissance-era Paris City Hall, rebuilt between 1874 and 1882. It also contains the Renaissance square of Place des Vosges, the overtly modern Pompidou Centre, and the lively southern part of the medieval district of Le Marais, which today is known for being the gay district of Paris. (The quieter northern part of Le Marais is within the 3rd arrondissement). The eastern part of the Île de la Cité (including Notre-Dame de Paris) and all of the Île Saint-Louis are also included within the 4th arrondissement ...
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La Jolie Fille De Perth
''La jolie fille de Perth'' (''The Fair Maid of Perth'') is an opera in four acts by Georges Bizet (1838–1875), from a libretto by Jules-Henri Vernoy de Saint-Georges and Jules Adenis, after the 1828 novel '' The Fair Maid of Perth'' by Sir Walter Scott. Many writers have reserved severe criticism for the librettists for their stock devices and improbable events, while praising Bizet's advance on his earlier operas in construction of set pieces and his striking melodic and instrumental ideas. It was first performed at the Théâtre Lyrique (Théâtre-Lyrique Impérial du Châtelet), Paris, on 26 December 1867. Performance history Although commissioned by Léon Carvalho in 1866 and completed by Bizet by the end of that year (with the soprano lead intended for Christine Nilsson), the dress rehearsal took place in September 1867 and the first performance three months later. Hugh Macdonald: "''La jolie fille de Perth''". In: ''The New Grove Dictionary of Opera'', Macmillan, Lo ...
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Josephine De Reszke
Joséphine de Reszke, in Polish Józefina Reszke (4 June 1855 – 22 February 1891) was a Polish operatic soprano. She and her brothers Jean and Édouard de Reszke learned to sing from their mother Emilja. Josephine also had lessons with Mme. Nissen-Salomon. She made her debut in Paris as Ophelia in ''Hamlet'' on 21 June 1875. She performed in Western Europe. She was with the Paris Opera for several years, during which time she became known for her performances in Italian and French operas. She retired from the stage after she married Baron Leopold Julian Kronenberg, yet she stayed in the arena as a voice teacher. Early years Reske was the daughter of Emilja (also Emilie) Ufniarska (born ca. 1827) and Jan Reszke Emilja was an amateur soprano who had studied under Manuel García II and Pauline Viardot, his sister. She had a clear, powerful voice. She traveled throughout Italy and attended performances by the great masters of the opera. In Warsaw, she performed the role of D ...
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Édouard De Reszke
Édouard de Reszke (22 December 185325 May 1917) was a Polish bass from Warsaw. A member of the musical Reszke family, he was a successful opera singer, as were his brother Jean and his sister Josephine. He made his debut in ''Aida'' in Paris on 22 April 1876. Born with an impressive natural voice and equipped with compelling histrionic skills, he became one of the most illustrious opera singers active in Europe and America during the late-Victorian era. He is most famous for his role as Mephistopheles in ''Faust''. He was also known for his roles as Leporello, Sachs, and Hagen. When in London, the Reszke brothers performed for Queen Victoria during gala performances at the Royal Opera House or command performances at Windsor Castle. He was awarded the Royal Victorian Order (R.V.O.) from the Queen. The Reszke brothers were entertained near London by Lady de Grey, a patron of the arts. After he retired from the stage, he taught singing until he had significant health problems. ...
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Jean De Reszke
Jean de Reszke (14 January 18503 April 1925) was a Polish tenor and opera star. Reszke came from a musically inclined family. His mother gave him his first singing lessons and provided a home that was a recognized music centre. His sister Josephine and younger brother Édouard performed in Western Europe, and Reszke would perform with each of them throughout his career. He began as a baritone, but after having been trained by Giovanni Sbriglia he found that he was better suited and was most proficient as a tenor. His performance of Meyerbeer's ''Robert le diable'' in Madrid in 1879, made him a notable singer. Reszke ranked as the foremost dramatic tenor from that point until his retirement from the stage. He performed at opera venues in Paris, London, and New York, including command performances for Queen Victoria. He was known for his desire to perform operas in the language in which they were written. Rather than taking the time-honored interpretation of the music and the ch ...
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Hérodiade
''Hérodiade'' is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella ''Hérodias'' (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881. The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's '' Salome'', which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play." Performance history The opera reached Paris at the Théâtre des Nations on 1 February 1884, and the final performance of the run on 13 March featured the three De Reszkes; Jean (Jean), Édouard (Phanuel), and Josephine (Salom ...
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Victor Maurel
Victor Maurel (17 June 184822 October 1923) was a French operatic baritone who enjoyed an international reputation as a great singing actor. Biography Maurel was born in Marseille. Educated in music and stagecraft at the Paris Conservatory, he made his debut in opera in 1867, in the city of his birth. The following year, he performed on stage in Paris for the first time. New York first heard him in 1873, when he performed at the Academy of Music. Later, he would sing at New York's Metropolitan Opera (in 1894-96 and 1898–99). Other famous venues at which he appeared included London's Royal Opera House, Covent Garden — in 1873–79, 1891–95 and 1904 — and the Paris Opera, where he was on the roster of singers from 1879 to 1894. Maurel was renowned in Europe and the United States for his vivid stage presence and exceptional acting and make-up skills; but his voice, while well trained and of good quality, was not considered to be as impressive as that of his chief Frenc ...
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Paris Commune
The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defended Paris, and working-class radicalism grew among its soldiers. Following the establishment of the Third Republic in September 1870 (under French chief executive Adolphe Thiers from February 1871) and the complete defeat of the French Army by the Germans by March 1871, soldiers of the National Guard seized control of the city on March 18. They killed two French army generals and refused to accept the authority of the Third Republic, instead attempting to establish an independent government. The Commune governed Paris for two months, establishing policies that tended toward a progressive, anti-religious system of social democracy, including the separation of church and state, self-policing, the remission of rent, the abolition of child ...
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Adolphe Thiers
Marie Joseph Louis Adolphe Thiers ( , ; 15 April 17973 September 1877) was a French statesman and historian. He was the second elected President of France and first President of the French Third Republic. Thiers was a key figure in the July Revolution of 1830, which overthrew King Charles X in favor of the more liberal King Louis Philippe, and the French Revolution of 1848, which overthrew the Orléans monarchy and established the Second French Republic. He served as a prime minister in 1836 and 1840, dedicated the Arc de Triomphe, and arranged the return to France of the remains of Napoleon from Saint-Helena. He was first a supporter, then a vocal opponent of Louis-Napoléon Bonaparte (who served from 1848 to 1852 as President of the Second Republic and then reigned as Emperor Napoleon III from 1852 to 1871). When Napoleon III seized power, Thiers was arrested and briefly expelled from France. He then returned and became an opponent of the government. Following the defeat ...
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Rienzi
' (''Rienzi, the last of the tribunes''; WWV 49) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to ''Rienzi''. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success. The opera's format is the Grand Opera in Meyerbeer style. Wagner had been fascinated by this genre of opera at an early age, and with Rienzi and its enormous dimensions wanted to surpass anything else that had previously been composed in this style. It is thus a rare study in pomp and splendor, both scenically and musically, and partly represents a great contrast to his later works. Rienzi is in full version Wagner's longest opera. It includes a ballet that lasts alone for 40 minutes. During the premiere in Dresden, Wagner noted to his dismay that the performance lasted ...
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