Théâtre De La Michodière
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Théâtre De La Michodière
The Théâtre de la Michodière is a theatre building and performing arts venue, located at 4 bis, in the 2nd arrondissement of Paris. Built by in 1925 in Art Deco style, it has a tradition of showing boulevard theatre. History On the site of the Hotel de Lorge, sold in lots, the rue de la Michodiere opened in 1778. Around the place where the Gaillon gate stood at the enclosure of Louis XIII, in 1925, the architect built a theatre in the Art Deco style. Decorated by Jacques-Émile Ruhlmann, the red and gold auditorium could accommodate 800 spectators, but in the 21st century, it has only 700 seats left. Unlike the West End, where the activities of "bricks and mortar" and producers tend to be separate, Parisian commercial theatres are producing houses. Management decides on the artistic policy, and shows are financed by the theatre, albeit sometimes in co-production with a touring management that hopes to profit from a Parisian success to take a show out on tour. Inaugur ...
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2nd Arrondissement Of Paris
The 2nd arrondissement of Paris (''IIe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as ''deuxième'' (second/the second). It is governed locally together with the 1st, 3rd and 4th arrondissement, with which it forms the 1st sector of Paris. Also known as Bourse, this arrondissement is located on the right bank of the River Seine. The 2nd arrondissement, together with the adjacent 8th and 9th arrondissements, hosts an important business district, centred on the Paris Opéra, which houses the city's most dense concentration of business activities. The arrondissement contains the former Paris Bourse (stock exchange) and several banking headquarters, as well as a textile district, known as the Sentier, and the Opéra-Comique's theatre, the Salle Favart. The 2nd arrondissement is the home of Grand Rex, the largest movie theater in Paris. The 2nd arrondissement is also the home of ...
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Françoise Dorin
Françoise Dorin (23 January 1928 – 12 January 2018) was a French actor, comedian, novelist, playwright and songwriter. She was most successful in the 1970s, authored about 30 plays and more than 25 books as well as writing songs for various artists. Dorin wrote the song '' N'avoue jamais'' which was performed by Guy Mardel on behalf of France at the Eurovision Song Contest 1965. She was appointed Commandeur of the Légion d'honneur, the Officier of the Ordre des Arts et des Lettres and the Grand officier de l’ordre national du Mérite. A street in Paris' 17th arrondissement was voted unanimously by the Council of Paris to be named after Dorin following her death. Personal background Dorin was born in the 17th arrondissement of Paris, on 23 January 1928. She was the daughter of the songwriter René Dorin, and his wife Yvonne Guilbert. Dorin had one brother. Dorin's great-grandmother was a coffee market store owner and this was taken over by her maternal grandfather Athanase ...
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Marcel Gerbidon
Marcel Gerbidon (1868–1933) was a French playwright and screenwriter. He collaborated frequently with Paul Armont. A number of his plays have been adapted into films such as the 1958 film '' School for Coquettes''.Pallister & Hottell p.77 Selected plays * '' School for Coquettes'' (1918) Filmography *''Le Porion'', directed by Georges Champavert (France, 1921, based on the play ''Le Porion'') *''The Hotel Mouse'', directed by Fred Paul (UK, 1923, based on the play ''Souris d'hôtel'') *''The French Doll'', directed by Robert Z. Leonard (1923, based on the play ''Jeunes filles de palaces'') *''The Goldfish'', directed by Jerome Storm (1924, based on the play '' School for Coquettes'') *'' A Son from America'', directed by Henri Fescourt (France, 1925, based on the play ''Un fils d'Amérique'') *''Souris d'hôtel'', directed by Adelqui Migliar (France, 1929, based on the play ''Souris d'hôtel'') *''Madame Makes Her Exit'', directed by Wilhelm Thiele (German, 1931, based on the ...
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Paul Armont
Paul Armont (1874–1943) was a Russian-born French playwright and screenwriter. He also collaborated with the Swiss writer Marcel Gerbidon. He was born Dimitri Petrococchino in Rostov in the Russian Empire. Selected plays * 1913 – ''Le Chevalier au masque'', co-written by Jean Manoussi * 1920 – ''La Maison du passeur'', episode of World War I, co-written by Louis Verneuil * 1934 – ''Le Coup du parapluie'' * 1939 – ''Garçons, filles et chiens'' (''Face to the Wind''), co-written by Paul Vandenberghe In collaboration with Nicolas Nancey * 1905 – ''Le Truc du Brésilien'' * 1906 – ''Le Trèfle à quatre'' * 1909 – ''Théodore et Cie'' * 1920 – ''Le Zèbre'' In collaboration with Marcel Gerbidon * 1914 – ''La Tontine'' * 1916 – ''Le Coq en pâte'' * 1916 – ''Le Mari garçon'' * 1918 – ''School for Coquettes (play), School for Coquettes'', Théâtre du Grand-Guignol * 1923 – ''Dicky'', co-written with Jean Manoussi * 1924 – ''Un chien qui rapporte'' * 19 ...
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Reynaldo Hahn
Reynaldo Hahn (; 9 August 1874 â€“ 28 January 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – ''mélodies'' – of which he wrote more than 100. Hahn was born in Caracas but his family moved to Paris when he was a child, and he lived most of his life there. Following the success of his song "''Si mes vers avaient des ailes''" (If my verses had wings), written when he was aged 14, he became a prominent member of ''fin de siècle'' French society. Among his closest friends were Sarah Bernhardt and Marcel Proust. After the First World War, in which he served in the army, Hahn adapted to new musical and theatrical trends and enjoyed successes with his first opérette, ''Ciboulette'' (1923) and a collaboration with Sacha Guitry, the musical comedy ''Mozart (comédie musicale), Mozart'' (1926). During the Second World War Hahn, who was of Jewish descent, took refuge in Monaco, returning to Paris in 1945 where he w ...
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Hugues Delorme
Hugues Delorme (10 April 1868 – 20 May 1942) was a French poet, comedian, playwright and journalist. Life Hugues Delorme was born on 10 April 1868 at Avize in the department of Marne with the name of Georges Thiebost. He first lived in Rouen where he worked as a journalist for several years before moving to Paris. From 1896 he frequented the cabarets of Montmartre and became a poet, humorist, playwright and actor. He was well known at ''Le Chat Noir'' cabaret. He joined ''Gardénia'', a theatrical and artistic circle founded by Paul Fabre. Hugues Delorme was very tall and slender, and was nicknamed ''La Voltige''. He participated with Paul Delmet, Gaston Montoya, Jacques Ferny and Marcel Legay in creating popular or sentimental songs that were mainly sung in the cabarets of Montmartre. Delorme was an editor of the journal '' Le Courrier français''. He wrote two books about cartoonists, one about Georges Goursat (Sem) and the other about Carlègle (pseudonym of Charles à ...
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Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ...
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Henri Duvernois
Henri Duvernois (4 March 1875 in Paris - 30 January 1937 in Paris) was a French novelist, playwright and screenwriter. Filmography *''La Guitare et le Jazz-band'', directed by Gaston Roudès (1923, based on the play ''La Guitare et le Jazz-band'') *''Après l'amour'', directed by Maurice Champreux (1924, based on the play '' After Love'') *', directed by Charles Burguet (1925, based on the novel ''Faubourg Montmartre'') *''La Dame de bronze et le Monsieur de cristal'', directed by (1929, based on the play ''La Dame de bronze et le Monsieur de cristal'') *', directed by Raymond Bernard (1931, based on the novel ''Faubourg Montmartre'') *''When Love Is Over'', directed by Léonce Perret (1931, based on the play '' After Love'') *', directed by René Guissart (1933, based on the novel ''La Poule'') *'' Jeanne'', directed by Georges Marret, (1934, based on the play ''Jeanne'') *', directed by René Guissart (1935, based on the operetta ''Les Soeurs Hortensias'') *''You Are Me'' ...
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Pierre Wolff
Pierre Wolff (1 January 1865, in Paris – 1944) was a French playwright. Biography Pierre Wolff was a Jewish writer, who wrote numerous plays, as well as some libretti for operettas. He was the nephew of journalist Albert Wolff. His dramas were characterized by bitingly ironic observation of contemporary life, and by witty dialogue.Frank Moore Colby; Talcott Williams, editors (1918) "Wolff, Pierre"''The New International Encyclopædia'', Vol. 23, p. 671 Dodd, Mead and Co., New York One of his earliest plays, ''Jacques Bouchard'' (1890) which was performed at Théâtre Libre, was such a flop that even his famous uncle lambasted it, but his subsequent plays were received with enthusiasm. He had great success with the adultery-themed comedy '' The Secret of Polichinelle'', which played in over 80 cities including in the United States, and also with ''Le Ruisseau''. Nazimova performed in ''Les Marionnettes'' when it was produced in the United States. Works Plays * ''Le Cheval d'Ar ...
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André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty opéra comique, opéras comiques, opérettes and other stage works, among which his ballet ''Les Deux Pigeons (ballet), Les Deux Pigeons'' (1886) and opéra comique ''Véronique (operetta), Véronique'' (1898) have had lasting success; ''Les p'tites Michu, Les P'tites Michu'' (1897) and ''Monsieur Beaucaire (opera), Monsieur Beaucaire'' (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revival ...
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Albert Willemetz
Albert Willemetz (14 February 1887 – 7 October 1964) was a French libretto, librettist. Career Albert Willemetz was a prolific lyricist. He invented a new type of musical, with a humorous and "sexy" style. He was the author of more than 3000 songs, including "Mon homme" (popularized in English as "My Man"), "Valentine (Maurice Chevalier song), Valentine," "Dans la vie faut pas s'en faire," "Les palétuviers," "Ramona," "Est-ce que je te demande," "Ah si vous connaissiez ma poule," "Amusez-vous," and "Félicie aussi"), more than 100 musicals (including ''Phi-Phi'', ''Ta Bouche'', ''Là-Haut'', ''Dédé (opérette), Dédé'', ''3 jeunes filles nues'', ''Florestan 1er'', and ''Trois Valses''), more than 100 revues (including seven with Sacha Guitry), and work for films. He worked with some of the notable musicians of his day, including André Messager, Maurice Yvain, Arthur Honegger, Henri Christiné, José Padilla Sánchez, José Padilla, Vincent Scotto, Reynaldo Hahn, Raoul Mo ...
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Maurice Hennequin
Maurice Hennequin (10 December 1863 – 3 September 1926) was a French-naturalized Belgian playwright. Biography A great-grandson of the painter Philippe-Auguste Hennequin, Maurice Hennequin was the son of Alfred Hennequin (1842–1887), himself a playwright, who created a kind of vaudeville, with a complex plot but rigorously structured, nicknamed "hennequinade" The young Maurice began in the world of theater at the age of 19 in 1882, sometimes helped by his father during his early years. In a 45-year long career, he gave nearly a hundred plays, mostly comedies and vaudevilles, written either alone or in collaboration. Many of these works experienced vivid success, such as ''Le Système Ribadier'', written in collaboration with Georges Feydeau, or ''Vous n'avez rien à déclarer ?'', quoted by one character in the play ''A Flea in Her Ear'' by Feydeau, and twice adapted for film. Some of his plays even experienced real triumph, like ''Le Monsieur de cinq heures'' with 568 per ...
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