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Théâtre De L'Athénée
The Théâtre de l'Athénée is a theatre at 7 rue Boudreau, in the 9th arrondissement of Paris. Renovated in 1996 and classified a historical monument, the Athénée inherits an artistic tradition marked by the figure of Louis Jouvet who directed the theatre from 1934 to 1951. During the period when he was director, it became known as the Athenée Théâtre Louis-Jouvet. History The current Théâtre de l'Athénée was constructed from a foyer (part of the former Éden-Théâtre), which was converted into an intimate theatre in 1893 by the architect Stanislas Loison with further modifications carried out by the architect Paul Fouquiau in 1894. It opened on 31 December 1894 under the name Théâtre de la Comédie-Parisienne. Oscar Wilde's play '' Salomé'' (originally written in French) was premiered there on 11 February 1896 in a staging by Lugné-Poe's theatre group, the Théâtre de l'Œuvre. The location had become rather unsafe, as demolition work on the Éden-Théâtr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De L'Athénée (rue Scribe)
Théâtre de l'Athénée or Salle de l'Athénée was the name of a theatre in the basement of a building built in 1865 by the banker Bischoffsheim at 17 rue Scribe in the 9th arrondissement of Paris (near the new, but at the time unfinished opera house, now known as the Palais Garnier). The Athénée was initially small, with a capacity of 760 spectators, but was enlarged to 900 places by the addition of a top gallery in 1867. The interior was decorated by Charles Cambon. The venue was used by a variety of companies, including the Théâtre des Fantaisies-Parisiennes (1869), the Théâtre Lyrique (1871–1872), the Théâtre Scribe (1874–1875), and the Athénée-Comique (1876–1883). It closed permanently in 1883.Wild 1989, pp. 45–46. History The Athénée was inaugurated on 21 November 1866 with a series of concerts conducted by Jules Pasdeloup. Concerts were generally given on Monday, Wednesday, and Friday, and conferences on Tuesday, Thursday, or Saturday. The concerts we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Folle De Chaillot
''The Madwoman of Chaillot'' (french: La Folle de Chaillot) is a play, a poetic satire, by French dramatist Jean Giraudoux, written in 1943 and first performed in 1945, after his death. The play is in two acts. The story concerns an eccentric woman who lives in Paris and her struggles against the straitlaced authority figures in her life. The original production was done with Giraudoux's frequent collaborator, actor and theater director Louis Jouvet, who played the Ragpicker. The celebrated French actress Marguerite Moreno was the inspiration for the piece. The play has frequently been revived in France, with the title role played by Edwige Feuillère, Madeleine Robinson, or Judith Magre. Plot summary The play is set in the cafe "chez Francis" in the Place de l'Alma in the Chaillot district of Paris. A group of corrupt corporate executives are meeting. They include the Prospector, the President, the Broker and the Baron, and they are planning to dig up Paris to get at the oil whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau Architecture In Paris
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In The 9th Arrondissement Of Paris
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In Paris
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Google Books
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google Inc. that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database.The basic Google book link is found at: https://books.google.com/ . The "advanced" interface allowing more specific searches is found at: https://books.google.com/advanced_book_search Books are provided either by publishers and authors through the Google Books Partner Program, or by Google's library partners through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Docteur Ox
''Le docteur Ox'' is an opéra bouffe in three acts and six tableaux of 1877 with music by Jacques Offenbach. The French libretto was by Arnold Mortier and Philippe Gille, adapted from the 1872 short story '' Une fantaisie du docteur Ox'' by Jules Verne. Background Offenbach had already set a libretto based closely on a work by Verne with the opéra féerie ''Le voyage dans la lune'' in 1875. Verne had been a co-librettist for several operas presented at the Théâtre Lyrique, as well as for ''Monsieur de Chimpanze'' for the Bouffes-Parisiens between 1853 and 1855.Walsh TJ. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870.'' John Calder Ltd, London, 1981. For ''Le Docteur Ox'' the novelist collaborated more closely with Offenbach and his librettists, and attended several of the later rehearsals at the Variétés. A first read-through took place on 18 November 1876 and during the course of rehearsals the number of scenes was increased from four to six. In chang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Renoir
Pierre Renoir (March 21, 1885 – March 11, 1952) was a French stage and film actor. He was the son of the impressionist painter Pierre-Auguste Renoir and elder brother of the film director Jean Renoir. He is also noted for being the first actor to play Georges Simenon's character Inspector Jules Maigret in ''Night at the Crossroads'', directed by his brother. Life and career Pierre Renoir was born on March 21, 1885, in Paris, at 18 rue Houdon, about a hundred meters from place Pigalle, to painter Pierre-Auguste Renoir and Aline Charigot. He was married to actress Véra Sergine from 1914 to 1925. For his best remembered role, as Jėricho the ragman in '' Children of Paradise'' (''Les Enfants du Paradis'', 1945), he was cast at short notice to replace the collaborator Robert Le Vigan; Jėricho's scenes had to be reshot after Le Vigan fled. Renoir was briefly the director of the Théâtre de l'Athénée in Paris, taking over after the death of Louis Jouvet in 1951. Pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'école Des Femmes
''The School for Wives'' (french: L'école des femmes; ) is a theatrical comedy written by the seventeenth century French playwright Molière and considered by some critics to be one of his finest achievements. It was first staged at the Palais Royal theatre on 26 December 1662 for the brother of the King. The play depicts a character who is so intimidated by femininity that he resolves to marry his young, naïve ward and proceeds to make clumsy advances to this purpose. It raised some outcry from the public and established Molière as a bold playwright who would not be afraid to write about controversial issues. In June 1663, the playwright cunningly responded to the uproar with another piece entitled ''La Critique de L'École des femmes'', which provided some insight into his unique style of comedy. Characters and scene Its characters include: *Arnolphe: also known as ''Monsieur de la Souche'' *Agnès: an innocent young girl, Arnolphe's ward *Horace: Agnès's lover, Oronte's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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