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Théâtre Impérial De Compiègne
The Théâtre Impérial de Compiègne is a theater in Compiègne, France. Origins The Emperor Napoleon III decided to construct a theater in Compiègne to entertain his court in 1866. He chose the location and the architect of the building, Gabriel-Auguste Ancelet. Work began in 1867 and went well until the outbreak of the 1870 Franco-Prussian War. The Battle of Sedan ruined the Empire and eliminated the possibility of completing the building on schedule. The walls were built, but the project for decorating the theater was suspended. The sculptures by Gustave Crauck Gustave Adolphe Désiré Crauck (or Crauk; 16 July 1827 – 17 November 1905) was a French sculptor with a long distinguished career. He was born and died at Valenciennes, where a special museum for his works was erected in his honor. Educat ... were made on time, but the ceiling, which was to include paintings by Élie Delaunay, remained bare. Reconstruction In 1987 the association for the Théâtre Impé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compiègne
Compiègne (; pcd, Compiène) is a commune in the Oise department in northern France. It is located on the river Oise. Its inhabitants are called ''Compiégnois''. Administration Compiègne is the seat of two cantons: * Compiègne-1 (with 19 communes and part of Compiègne) * Compiègne-2 (with 16 communes and part of Compiègne) History by year : 665 - Saint Wilfrid was consecrated Bishop of York. Wilfrid refused to be consecrated in Northumbria at the hands of Anglo-Saxon bishops. Deusdedit, Archbishop of Canterbury, had died, and as there were no other bishops in Britain whom Wilfrid considered to have been validly consecrated, he travelled to Compiègne, to be consecrated by Agilbert, the Bishop of Paris. : 833 - Louis the Pious (also known as King Louis I, the Debonair) was deposed in Compiègne. : February 888 - Odo, Count of Paris and king of the Franks was crowned in Compiègne. : 23 May 1430 - During the Hundred Years' War, Joan of Arc was captured by the Burgund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel-Auguste Ancelet
Gabriel-Auguste Ancelet (21 December 1829 – 3 August 1895) was a French architect who undertook various projects for the Emperor Napoleon III, and later taught for many years at the École des Beaux-Arts in Paris. Birth and education Gabriel-Auguste Ancelet was born in Paris on 21 December 1829. In 1845 he entered the studio of the architects Lequeux and Victor Baltard. From 1846 to 1851 he studied at the École des Beaux-Arts. In 1848 he won a prize for his drawing of "a fountain for Algeria". He won the Grand Prix de Rome for architecture in 1851 on the subject of "a hospice in the Alps". Ancelet was a scholar resident at the Villa Medici between 1852 and 1855. In 1853 he drew a "Restoration of the decor of the porch of Macellum in Pompeii", making great efforts to accurately reproduce both the form and the colors of this unusual interior decoration. He drew reconstructions of the Appian Way, a military road built in 312 BC between Rome and Capua, drawing on the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Crauck
Gustave Adolphe Désiré Crauck (or Crauk; 16 July 1827 – 17 November 1905) was a French sculptor with a long distinguished career. He was born and died at Valenciennes, where a special museum for his works was erected in his honor. Educated at the École des Beaux-Arts, Crauck took the Prix de Rome in 1851. Little known to the world at large during his long life, he ranks among the best modern sculptors of France. At Paris his Coligny monument is in the rue de Rivoli; his ''Victory'' in the Place des Arts et Métiers; and ''Twilight'' in the Avenue de l'Observatoire. Among his finest works is his ''Combat du Centaure'', on which he was engaged for thirty years, the figure of the Lapith having been modelled after the strongman, Eugen Sandow. He also sculpted the monuments of Jules-Auguste Béclard and Edmond About among several of his works at Père Lachaise Cemetery in Paris. He contributed the figures of ''Douai'' and ''Dunkirk'' to the façade of the Gare du Nord, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Élie Delaunay
Élie is the French equivalent of " Elie", "Elias" or "Elijah."''The Complete Baby Name Book'' 1989 Page 92 "It was revived in the seventeenth century by the Puritans, and it's still used, especially by religious Protestant families. Famous name: Elie Wiesel (novelist) Variations: Elia (Italian), Elias (English), Élie (French), ..." French masculine given name * Élie Vinet (1509–1587) French Renaissance humanist * Élie Diodati (1576–1661) Swiss French jurist * Élie Benoist (1640–1728) French Protestant minister and historian of the Edict of Nantes * Élie Bouhéreau (1643–1719) French Huguenot refugee in Ireland and the first librarian of Marsh's Library * Élie, duc Decazes (1780–1860) * Élie Bertrand (1713–1797) Swiss French geologist * Élie Catherine Fréron (1719–1776) French (male) writer and controversialist * Élie Lacoste (1745–1806) French politician during the French Revolution * Élie Halévy (Chalfan) (1760–1826) French Hebrew poet and author * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry VIII (opera)
''Henry VIII'' is an opera in four acts by Camille Saint-Saëns, from a libretto by Léonce Détroyat and Armand Silvestre, based on ''El cisma en Inglaterra'' (''The Schism in England'') (1627) by Pedro Calderón de la Barca. Composition history The action covers the period in Henry VIII's life when the king was attempting to divorce Queen Catherine of Aragon in favour of marrying Anne Boleyn, a move rejected by the Church. In an effort to evoke the historical context, Saint-Saëns researched English music from the period and incorporated several English, Scottish, and Irish folk melodies into his score, as well as two airs by William Byrd (c. 1540–1623), contained in ''The Will Forster Virginal Book'' (1624), the "Carman's Whistle" and a section of a tune called "The New Medley". He also sampled from the Benjamin Cosyn's ''Virginal Book'' (1620), using the opening from the tune "Mr Beauins Service", along with "Te Deum". Henry VIII died in 1547, about 70 years before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In France
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres Completed In 1991
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Oise
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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