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Thriving On A Riff
"Anthropology" (also known as "Thriving from a Riff" or "Thriving on a Riff") is a bebop-style jazz composition that is credited to Charlie Parker and Dizzy Gillespie. Parker stated in 1949 that Gillespie had played no part in its writing, and that others had added the trumpeter as co-composer. It is a contrafact, being based on the harmony of "I Got Rhythm". The first recording of the composition, then known as "Thriving from a Riff", was made on November 26, 1945, by an ensemble led by Parker. The other musicians were trumpeter Miles Davis, pianist Argonne Thornton, bassist Curley Russell, and drummer Max Roach. See also * List of jazz contrafacts A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be re ... * List of 1940s jazz standards * Charlie Parker's Savoy and Dial Sessions Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Jazz Contrafacts ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. This article is a list of notable contrafacts by jazz artists. References Further reading * * * . * * * * * External links Searchable Realbook Indexat www.seventhstring.co.uk "Charlie Parker I: – Hot House", article by Bernard Chazelle (Princeton, Collège de France), Sep. 9, 2008 {{Music theory lists Musical techniques Jazz contrafacts, list of Contrafacts A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop Jazz Standards
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1940s Jazz Standards
Year 194 ( CXCIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 '' Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus and Decimus Clodius Septimius Albinus Caesar become Roman Consuls. * Battle of Issus: Septimius Severus marches with his army (12 legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to Antioch, and is executed by Severus' troops. * Septimius Severus besieges Byzantium (194–196); the city walls suffer extensive damage. Asia * Battle of Yan Province: Warlords Cao Cao and Lü Bu fight for control over Yan Province; the battle lasts for over 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Dizzy Gillespie
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Charlie Parker
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hunga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of 1940s Jazz Standards
Jazz standards are musical compositions that are widely known, performed, and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in the 1940s that are considered standards by at least one major fake book publication or reference work. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "Cotton Tail" (1940) and Billy Strayhorn's "Take the 'A' Train" (1941). When the big bands struggled to keep going during World War II, a shift was happening in jazz in favor of smaller groups. Some swing era musicians, like Louis Jordan, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s. Bebop emerged in the early 1940s, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk, and others. It appealed to a more specialized audience than earlier forms of jazz, with sophisticated harmonies, fast tempos, and often virtuoso music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Roach
Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz Jazz drumming, drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the ''DownBeat'' Hall of Fame in 1980 and the ''Modern Drummer'' Hall of Fame in 1992. In the mid-1950s, Roach co-led a pioneering quintet along with trumpeter Clifford Brown. In 1970, he founded the percussion ensemble M'Boom. He made numerous musical statements relating to the civil rights movement. Biography Early life and career Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curley Russell
Dillon "Curley" Russell (19 March 1917 – 3 July 1986) was an American jazz musician, who played bass on many bebop recordings. He was born in New York, United States. He was nicknamed "Curley" for his curly hair. A member of the Tadd Dameron Sextet, he was in demand for his ability to play at the rapid tempos typical of bebop, and appears on several key recordings of the period. He left the music business in the late 1950s. On May 1, 1951, Russell played in the recording session for "Un Poco Loco", composed by American jazz pianist Bud Powell, with Max Roach on drums. Literary critic Harold Bloom included this performance on his short list of the greatest works of twentieth-century American art. According to jazz historian Phil Schaap, the classic bebop tune "Donna Lee", a contrafact on "Back Home Again in Indiana", was named after Curley's daughter. In 2002, she donated her father's bass to the Institute of Jazz Studies at Rutgers University. He died of emphysema at Quee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argonne Thornton
Sadik Hakim (born Forrest Argonne Thornton; July 15, 1919 – June 20, 1983) was an American jazz pianist and composer. Early life Forrest Argonne Thornton was born on July 15, 1919 in Duluth, Minnesota. The name Argonne came from the World War I battle. He was taught music by his grandfather and played locally before moving to Chicago. Later life and career In Chicago in 1944, Hakim was heard by the tenor saxophonist Ben Webster, who took him to New York to be the pianist in his band. He appeared on some Charlie Parker recordings for Savoy Records in the following year. He toured with another saxophonist, Lester Young from 1946 to 1948, including for recordings. He changed his name to Sadik Hakim, a Muslim formulation, in 1947. "In the 1950s Hakim played in Canada with Louis Metcalf, toured with James Moody (1951–4), and was a member of Buddy Tate's orchestra (1956–60)." Hakim's debut recording as a leader was in 1962, on an album for Charlie Parker Records that was share ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
