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Three Studies Of The Male Back
''Three Studies of the Male Back'' is a 1970 oil-on-canvas triptych by the British painter Francis Bacon. Typical of Bacon's figurative but abstract and distorted style, it depicts male figures isolated within flat nondescript interior spaces. Each figure is a portrait of Bacon's lover George Dyer. There are similarities and differences between the three depictions of the male figure. Each man is shown sitting on a pedestal, within a trapezoidal box-like cage, facing away from the viewer. The framework encloses - almost entraps - the human figure. In each of the two side panels, a classical perspective would have the edge of the cage logically obscured behind the figure, but instead Bacon has the frame crossing the back of its head. The figure in each side panel is placed in front of a shaving mirror, but the glass visible to the viewer distorts the reflection. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Studies Of The Male Back
''Three Studies of the Male Back'' is a 1970 oil-on-canvas triptych by the British painter Francis Bacon. Typical of Bacon's figurative but abstract and distorted style, it depicts male figures isolated within flat nondescript interior spaces. Each figure is a portrait of Bacon's lover George Dyer. There are similarities and differences between the three depictions of the male figure. Each man is shown sitting on a pedestal, within a trapezoidal box-like cage, facing away from the viewer. The framework encloses - almost entraps - the human figure. In each of the two side panels, a classical perspective would have the edge of the cage logically obscured behind the figure, but instead Bacon has the frame crossing the back of its head. The figure in each side panel is placed in front of a shaving mirror, but the glass visible to the viewer distorts the reflection. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil-on-canvas
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triptych
A triptych ( ; from the Greek language, Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the easter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Bacon (artist)
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included Crucifixion of Jesus, crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style. Bacon said that he saw images "in series", and his work, which numbers in the region of 590 extant paintings along with many others he destroyed,Harrison, Martin.Out of the Black Cavern. Christie's. Retrieved 4 November 201Archivedon 11 November 2019 typically focused on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trapezoidal
A quadrilateral with at least one pair of parallel sides is called a trapezoid () in American and Canadian English. In British and other forms of English, it is called a trapezium (). A trapezoid is necessarily a convex quadrilateral in Euclidean geometry. The parallel sides are called the ''bases'' of the trapezoid. The other two sides are called the ''legs'' (or the ''lateral sides'') if they are not parallel; otherwise, the trapezoid is a parallelogram, and there are two pairs of bases). A ''scalene trapezoid'' is a trapezoid with no sides of equal measure, in contrast with the special cases below. Etymology and ''trapezium'' versus ''trapezoid'' Ancient Greek mathematician Euclid defined five types of quadrilateral, of which four had two sets of parallel sides (known in English as square, rectangle, rhombus and rhomboid) and the last did not have two sets of parallel sides – a τραπέζια (''trapezia'' literally "a table", itself from τετράς (''tetrás''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Perspective
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Francesca and Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaving Mirror
A curved mirror is a mirror with a curved reflecting surface. The surface may be either ''convex'' (bulging outward) or ''concave'' (recessed inward). Most curved mirrors have surfaces that are shaped like part of a sphere, but other shapes are sometimes used in optical devices. The most common non-spherical type are parabolic reflectors, found in optical devices such as reflecting telescopes that need to image distant objects, since spherical mirror systems, like spherical lenses, suffer from spherical aberration. Distorting mirrors are used for entertainment. They have convex and concave regions that produce deliberately distorted images. They also provide highly magnified or highly diminished (smaller) images when the object is placed at certain distances. Convex mirrors A convex mirror or diverging mirror is a curved mirror in which the reflective surface bulges towards the light source. Convex mirrors reflect light outwards, therefore they are not used to focus light. Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Studies Of Lucian Freud
''Three Studies of Lucian Freud'' is a 1969 oil-on-canvas triptych by the Irish-born British painter Francis Bacon, depicting artist Lucian Freud. It was sold in November 2013 for 142.4 million, which at the time was the highest price attained at auction for a work of art when not factoring in inflation. That record was surpassed in May 2015 by Version O of Picasso's ''Les Femmes d'Alger'' series. Background Bacon and Freud and Leila were all friends but artistic rivals. Introduced in 1945 by artist Graham Sutherland, they swiftly became close friends who met frequently. The two artists painted each other several times, starting in 1951, when Freud first sat for Bacon. Two full-length triptychs of Freud by Bacon resulted. ''Three Studies of Lucian Freud'' is the later of the two; the first one, created in 1966, has not been seen since 1992. They form part of a series of large triptych portraits of Bacon's friends painted in the 1960s; other subjects include Isabel Rawsthorne, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling for w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After The Bath, Woman Drying Herself
''After the Bath, Woman Drying Herself'' is a pastel drawing by Edgar Degas, made between 1890 and 1895. Since 1959, it has been in the collection of the National Gallery, London. This work is one in a series of pastels and oils that Degas created depicting female nudes. Originally, Degas exhibited his works at Impressionist exhibitions in Paris, where he gained a loyal following. Degas's nude works, including ''After the Bath, Woman Drying Herself,'' continue to spark controversy among art critics. Artwork Edgar Degas often used photographs and sketches as a preliminary step, studying the light and the composition for his paintings. His use of light may be attributable to his deteriorating eyesight. Degas applied numerous pastel layers in ''After the Bath, Woman Drying Herself,'' making the woman appear somewhat translucent. The heavily worked pastel creates deep textures and blurred contours, emphasizing the figure's movement. The work depicts a woman sitting on white t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery, London
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunsthaus Zürich
The Kunsthaus Zürich is in terms of area the biggest art museum of Switzerland and houses one of the most important art collections in Switzerland, assembled over the years by the local art association called '. The collection spans from the Medieval art, Middle Ages to contemporary art, with an emphasis on Swiss art. Architecture The old museum part was drawn-up by architects Karl Moser and Robert Curjel and opened in 1910. Particularly notable are the several preserved Moser interiors in the original section of the museum, decorated in masterful Neo-Grec version of Secession (art), Secession style. The bas-reliefs on the facade are by Moser's longtime collaborator Oskar Kiefer. The original museum building was extended in 1925, 1958 and 1976. A $230 million extension by London-based David Chipperfield was opened in 2020. Half of the extension's budget came from the city and canton of Zurich, with the other half provided by private donors. Chipperfield's design is a massive rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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