Three Little Words (song)
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Three Little Words (song)
"Three Little Words" is a popular song with music by Harry Ruby and lyrics by Bert Kalmar, published in 1930. The Rhythm Boys (including Bing Crosby), accompanied by the Duke Ellington orchestra, recorded it on August 26, 1930 and it enjoyed great success. Their version was used in the 1930 Amos 'n' Andy film ''Check and Double Check,'' with orchestra members miming to it. The film was co-written by Kalmar and Ruby along with J. Walter Ruben. The song also figured prominently in the film '' Three Little Words'', a 1950 biopic about Kalmar and Ruby. Other recordings *Jacques Renard - (1930) * Ipana Troubadors - (1930) *Frank Crumit - (1930) *Ethel Waters - (1931) *Claude Hopkins - (1934) *Django Reinhardt - recorded on June 14, 1938. *Ella Fitzgerald recorded the song in 1941 * Sid Phillips and his Orchestra recorded the song in London on September 25, 1950 with a vocal by Johnnie Eager. It was released by EMI on the His Master's Voice label as catalog number BD 6077. *Al Hir ...
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Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, ...
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Sid Phillips (musician)
Isador Simon "Sid" Phillips (14 June 1907 – 23 May 1973) was an English jazz clarinettist, bandleader, and arranger. Early life and education Phillips was born in London, England, into a Jewish family. He learned violin and piano as a child, and played reeds in his teens as a member of his brother's European band. He got into the music business as a publisher and director for the Edison Bell. Career In 1930, Phillips began writing arrangements for Bert Ambrose, and joined Ambrose's ensemble in 1933, remaining there until 1937. Later in the 1930s, Phillips played in the United States on radio and freelance in clubs. He served in the Royal Air Force during World War II, then put together his own quartet in 1946 and wrote several pieces for the BBC Symphony Orchestra. He led a Dixieland jazz band of his own formation from 1949, and his sidemen variously included George Shearing, Colin Bailey, Tommy Whittle, and Kenny Ball. Phillips's first recordings under his own name we ...
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Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ...
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Maurice Chevalier
Maurice Auguste Chevalier (; 12 September 1888 – 1 January 1972) was a French singer, actor and entertainer. He is perhaps best known for his signature songs, including " Livin' In The Sunlight", " Valentine", "Louise", " Mimi", and "Thank Heaven for Little Girls" and for his films, including ''The Love Parade'', ''The Big Pond'', ''The Smiling Lieutenant'', '' One Hour with You'' and ''Love Me Tonight''. His trademark attire was a boater hat and tuxedo. Chevalier was born in Paris. He made his name as a star of musical comedy, appearing in public as a singer and dancer at an early age before working in menial jobs as a teenager. In 1909, he became the partner of the biggest female star in France at the time, Fréhel. Although their relationship was brief, she secured him his first major engagement, as a mimic and a singer in ''l'Alcazar'' in Marseille, for which he received critical acclaim by French theatre critics. In 1917, he discovered jazz and ragtime and went to London, ...
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Cal Tjader
Callen Radcliffe Tjader Jr. ( ; July 16, 1925 – May 5, 1982) was an American Latin Jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform music of Afro-Jazz, the Caribbean, México and Latin America. Cal Tjader played the vibraphone primarily, but was accomplished on the drums, bongos, congas, timpani, and the piano. He worked with many musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although fusing Jazz with Latin music is often categorized as "Latin Jazz", Tjader's works swung freely between both styles. His Grammy award in 1980 for his album ''La Onda Va Bien'' capped off a career that spanned over forty years. Early years (1925–1943) Callen Radcliffe Tjader Jr. was born July 16, 1925, in St. Louis to touring Swedish American vaudevillians. His father tap danced and his mother played piano, a husband-wife team going from city to ...
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Something To Swing About
''Something to Swing About'' is a 1960 album by jazz singer Carmen McRae, arranged by Ernie Wilkins. Reception The initial ''Billboard'' magazine review from January 1960 wrote that "McRae fans are going to like this and the gal can easily make herself new friend with the set. ...This is Miss McRae in top form". Allmusic awarded the album three and a half stars, but did not review the album. Track listing # "I See Your Face Before Me" (Arthur Schwartz, Howard Dietz) # "A Sleepin' Bee" (Harold Arlen, Truman Capote) # " Comes Love" (Sam H. Stept, Lew Brown, Charles Tobias) # " Three Little Words" (Harry Ruby, Bert Kalmar) # "It's Love" (Leonard Bernstein, Betty Comden, Adolph Green) # "(How Little It Matters) How Little We Know" (Philip Springer, Carolyn Leigh) # "You Leave Me Breathless" (Frederick Hollander, Ralph Freed) # "Love Is a Simple Thing" ( Arthur Siegel, June Carroll) # "I Couldn't Care Less" (Rogers L. Simon) # " Falling in Love with Love" (Richard Rodgers, Lorenz Ha ...
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Carmen McRae
Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer. She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics. Early life and education McRae was born in Harlem, New York City, United States. Her father, Osmond, and mother, Evadne (Gayle) McRae, were immigrants from Jamaica. She began studying piano when she was eight, and the music of jazz greats such as Louis Armstrong and Duke Ellington filled her home. When she was 17 years old, she met singer Billie Holiday. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings. One of McRae's early songs, "Dream of Life", was, through their influence, recorded in 1939 by Wilson’s long-time collaborator Billie Holiday.Brian Berger"Carmen McRae" HiLobrow, April 8, 2015. McRae considered Holiday to be her primary influence. Early career In her l ...
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Bags & Trane
''Bags & Trane'' is an album credited to jazz musicians Milt Jackson and John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the two, although only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of the Modern Jazz Quartet, and not in that of Coltrane, who had left the label for Impulse Records at the time of this album's first issue. However, like Prestige Records, as Coltrane's profile grew after he had stopped recording for the label, Atlantic released them with Coltrane's name more prominently displayed. Reception The contemporaneous '' DownBeat'' reviewer blamed the rhythm section for Jackson and Coltrane not gelling, and concluded: "the general impression is one of a session that could have been better, though it is still above ...
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Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Al Martino
Al Martino (born Jasper Cini; October 7, 1927 – October 13, 2009) was an American singer and actor. He had his greatest success as a singer between the early 1950s and mid-1970s, being described as "one of the great Italian American pop crooners", and also became known as an actor, particularly for his role as singer Johnny Fontane in ''The Godfather''. Early life Jasper Cini was born in Philadelphia, Pennsylvania. The name Jasper was an anglicisation of his father's name, Gasparino. His parents were immigrants from the region of Abruzzo, in the town of Nereto, Italy, who ran a construction business. While growing up, he worked alongside his brothers, Pasquale and Francis as a bricklayer. He aspired to become a singer, emulating artists such as Al Jolson and Perry Como, and by the success of a family friend, Alfredo Cocozza, who had changed his name to Mario Lanza. Career After serving with the United States Navy in World War II, during which he took part in the Iwo Jima in ...
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He's The King And His Band
''He's the King and His Band'' is the first album by Al Hirt to be released by RCA Records, RCA Victor. The album was recorded at RCA Victor's Studio A in New York City. The album reached No. 61 on the Billboard 200, ''Billboard'' Top LPs chart in 1961. Track listing # "I Love Paris" (Cole Porter) # "One O'Clock Jump" (Count Basie) # "Jitterbug Waltz, The Jitterbug Waltz" (Fats Waller) # "Jazz Me Blues" (Tom Delaney) # "The King's Blues" (Gerard Purcell) # "Cornet Chow Suey" (Louis Armstrong) # "Old Folks at Home, The Old Folks At Home" (Stephen Foster) # "Lover, Come Back to Me, Lover Come Back To Me" (Sigmund Romberg, Oscar Hammerstein II) # "Christopher Columbus" (Chu Berry, Leon Berry, Andy Razaf) # "Laura (1945 song), Laura" (David Raksin, Johnny Mercer) # "Down by the Riverside" (Traditional) # "Three Little Words (song), Three Little Words" (Harry Ruby, Bert Kalmar) Chart positions References

1961 albums Al Hirt albums Albums produced by Steve Sholes RCA Rec ...
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