|
Three Blind Mice (2001 Film)
"Three Blind Mice" is an English language, English nursery rhyme and musical Round (music), round.I. Opie and P. Opie, ''The Oxford Dictionary of Nursery Rhymes'' (Oxford: Oxford University Press, 1951, 2nd edn., 1997), p. 306. It has a Roud Folk Song Index number of 3753. Lyrics The modern words are: Origins and meaning A version of this rhyme, together with music (in a minor key), was published in ''Deuteromelia or The Seconde part of Musicks melodie'' (1609). The editor of the book, and possible author of the rhyme, was Thomas Ravenscroft. The original lyrics are: Attempts to read historical significance into the words have led to the speculation that this musical round was written earlier and refers to Mary I of England, Queen Mary I of England blinding and executing three Oxford Martyrs, Protestant bishops. However, the Oxford Martyrs, Ridley, Latimer and Cranmer, were burned at the stake, not blinded; although if the rhyme was made by crypto-Catholics, the mice's " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nursery Rhyme
A nursery rhyme is a traditional poem or song for children in Britain and many other countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes. From the mid-16th century nursery rhymes begin to be recorded in English plays, and most popular rhymes date from the 17th and 18th centuries. The first English collections, ''Tommy Thumb's Song Book'' and a sequel, ''Tommy Thumb's Pretty Song Book'', were published by Mary Cooper (publisher), Mary Cooper in 1744. Publisher John Newbery's stepson, Thomas Carnan, was the first to use the term Mother Goose for nursery rhymes when he published a compilation of English rhymes, ''Mother Goose's Melody, or, Sonnets for the Cradle'' (London, 1780). History Lullabies The oldest children's songs of which we have records are Lullaby, lullabies, intended to help a child fall asleep. Lullabies can be found in every human culture. The English term lullaby i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Coates
Eric Francis Harrison Coates (27 August 1886 – 21 December 1957) was an English composer of light music and, early in his career, a leading violist. Coates was born into a musical family, but, despite his wishes and obvious talent, his parents only reluctantly allowed him to pursue a musical career. He studied at the Royal Academy of Music under Frederick Corder (composition) and Lionel Tertis (viola), and played in string quartets and theatre pit bands, before joining symphony orchestras conducted by Thomas Beecham and Henry Wood. Coates's experience as a player added to the rigorous training he had received at the academy and contributed to his skill as a composer. While still working as a violist, Coates composed songs and other light musical works. In 1919 he gave up the viola permanently and from then until his death he made his living as a composer and occasional conductor. His prolific output includes the '' London Suite'' (1932), of which the well-known "Knightsbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byron Lee And The Dragonaires
Byron Lee and the Dragonaires (known as Byron Lee's Dragonaires after Lee's death and now The Dragonaires) are a Jamaican ska, calypso and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world. Byron Lee died on 4 November 2008, after suffering from cancer for a sustained period. History The band was originally formed around 1950 by Byron Lee and his friend Carl Brady, taking its name from the St. George's College football team for which they played. The band originally played mento, and performed their first shows in the college common room to celebrate the team's victories. After a few years of playing at parties, birthdays and weddings, Lee decided to turn professional. By 1956, the Dragonaires had become a fixture on Jamaica's hotel circuit, playing under their own name and also providing backing to visiting American stars including Harry Belafonte, Chuck Berry, The Drifters, Sam Cooke, and Fats Domino. The Dragonaires prided the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monty Norman
Monty Norman (''né'' Noserovitch; 4 April 1928 – 11 July 2022) was a British composer, musician and singer. A contributor to West End musicals in the 1950s and 1960s, he is best known for composing the "James Bond Theme", first heard in the 1962 film ''Dr. No''. He was an Ivor Novello Award and Olivier Award winner, and a Tony Award nominee. Early life Norman was born in Stepney in the East End of London on 4 April 1928. His father, Abraham Noserovitch (anglicised to Norman), was a Jewish cabinet maker who immigrated to the United Kingdom from Latvia when he was a child; his mother, Ann (Berlyn), who was also Jewish, worked as a seamstress. He lived with his Jewish immigrant grandparents for the first few years of his life. As a child during World War II, Norman was evacuated to St Albans from London but later returned during the Blitz. His mother gave him his first guitar (a Gibson) when he was sixteen. As a young man he did national service in the Royal Air Force, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a ''chantuelle'' and eventually, ''calypsonian''. As English replaced "patois" (Antillean creole) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Recorded Classical Music
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havergal Brian
Havergal Brian (born William Brian; 29 January 187628 November 1972) was an English composer. He is best known for having composed 32 symphonies (an unusually high total for a 20th-century composer), most of them late in his life. His best-known work is his Symphony No. 1, ''The Gothic'', which calls for some of the largest orchestral forces demanded by a conventionally structured concert work. He also composed five operas and a number of other orchestral works, as well as songs, choral music and a small amount of chamber music. Brian enjoyed a period of popularity earlier in his career and rediscovery in the 1950s, but public performances of his music have remained rare and he has been described as a cult composer. He continued to be extremely productive late into his career, composing large works even into his nineties, most of which remained unperformed during his lifetime. Life Early life William Brian (he adopted the name "Havergal" from a family of hymn-writers, of whom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiddle Faddle (musical Composition)
Fiddle-Faddle is a musical composition in 2/2 time composed by Leroy Anderson. It is considered to be a "light" classical music composition, sometimes referred to as "classical pops" music. Fiddle-Faddle was published on January 1, 1947. Arthur Fiedler gave the composition its premiere on March 30, 1947 during a concert radio broadcast from the old Boston Opera House. Leroy Anderson conducted Fiddle-Faddle in a monaural recording for Decca Records on June 29, 1951. Anderson made a stereo recording of Fiddle-Faddle for Decca Records on June 11, 1959. Anderson wrote the piece as one of a number of pieces conducted over time by Arthur Fiedler and the Boston Pops Orchestra. The finished piece instantly became a favorite of audiences and Arthur Fiedler alike. Fiedler programmed it so frequently in Pops concerts that the Pops audiences began referring to it as "Fiedler-Faddle". Written in classic "song-and-trio Within classical European music, the Song and Trio form is often referr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Anderson
Leroy Anderson ( ) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music." Early life Born in Cambridge, Massachusetts to Swedish parents, Anderson was given his first piano lessons by his mother, who was a church organist. He continued studying piano at the New England Conservatory of Music. In 1925, Anderson entered Harvard College, where he studied musical harmony with Walter Spalding, counterpoint with Edward Ballantine, canon and fugue with William C. Heilman, orchestration with Edward B. Hill and Walter Piston, composition, also with Piston, and double bass with Gaston Dufresne. He also studied organ with Henry Gideon. He graduated with a Bachelor of Arts, magna cum laude in 1929 and was elected to Phi Beta Kappa."Syncopated Clock, Indeed"; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Three Blind Mice (2001 Film)")
.png "Click for more on -> The Penguin Guide To Recorded Classical Music")
.jpg "Click for more on -> Havergal Brian")
