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This One's For Tedi
''This One's for Tedi'' is a studio album by American jazz vocalist Johnny Hartman, released in 1985 by Audiophile Records. It was his final studio recording, made in August 1980, three years before his death. The album is dedicated to Hartman's wife Theodora (Tedi). According to producer George H. Buck Jr., ''This One's for Tedi'' "was the first ''digital'' recording to be made in Canada." Reception Reception for ''This One's for Tedi'' has been mostly favorable. The album "finds the 56-year-old singer still in prime form," writes Scott Yanow at AllMusic. "Hartman is as warm as usual on ballads, and also swings lightly on a few medium-tempo pieces." Andrew Sussman, critic at ''Fanfare'', called the album "the most satisfying I have heard from him since his landmark LP with John Coltrane. . . . If Mel Torme is the 'Velvet Fog,' then Johnny Hartman was surely pure silk, singing most often through the rain of human tears." Sussman also complimented the musicians, saying "there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hartman
John Maurice Hartman (July 3, 1923 – September 15, 1983) was an American jazz singer who specialized in ballads. He sang and recorded with Earl Hines' and Dizzy Gillespie's big bands and with Erroll Garner. Hartman is best remembered for his collaboration in 1963 with saxophonist John Coltrane, ''John Coltrane and Johnny Hartman'', a landmark album for both him and Coltrane. Biography Born in Louisiana and raised in Chicago, Hartman began singing and playing the piano by the age of eight. He attended DuSable High School studying music under Walter Dyett before receiving a scholarship to the Chicago Musical College. He sang as a private in the Army's Special Services during World War II, but his first professional break came in September 1946 when he won a singing contest at the Apollo Theater, earning him a one-week engagement with Earl Hines, which lasted a year. Hartman's first recordings were with Marl Young during that time, though it was his collaboration with Hines tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon", " The Lady Is a Tramp", "Manhattan", " Bewitched, Bothered and Bewildered", and " My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including '' Pal Joey'', '' A Connecticut Yankee'', '' On Your Toes'' and '' Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as '' Oklahoma!'', '' Flower Drum Song'', '' Carousel'', ''South Pacific'', ''The King and I'', and '' The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for bringing the Broadway musical to a new maturity by telling stories that were focused on characters and drama ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wait Till You See Her
"Wait till You See Her" (or, sung by a female, "Wait till You See Him") is a popular song. The music was written by Richard Rodgers, the lyrics by Lorenz Hart. The song was published in 1942 and introduced in the musical play, ''By Jupiter'' (1942) where it was performed by Ronald Graham. Since then, the song has been recorded by many artists. Selected recordings * Vic Damone - included on his album ''That Towering Feeling!'' (1956). * Ella Fitzgerald recorded it on her 1956 Verve release: ''Ella Fitzgerald Sings the Rodgers & Hart Songbook''; her version was remixed by De-Phazz in 2002. * Blossom Dearie - ''Blossom Dearie'' (1957). Her first recording for Verve Records. * Frank Sinatra - included the song on the CD reissue of his album '' Close to You'' (1957). His version was originally recorded on April 4, 1956. * Doris Day - '' Duet'' with André Previn (1962) * Johnny Hartman - on ''This One's for Tedi'' (1985) * Nancy Sinatra - the song was featured in 1967 TV specia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Loesser
Frank Henry Loesser (; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals ''Guys and Dolls'' and ''How to Succeed in Business Without Really Trying'', among others. He won a Tony Award for ''Guys and Dolls'' and shared the Pulitzer Prize for Drama for ''How to Succeed''. He also wrote songs for over 60 Hollywood films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for Baby, It's Cold Outside. Early years Frank Henry Loesser was born to a Jewish family in New York City to Henry Loesser, a pianist,Frank Loesser biography pbs.org, accessed December 5, 2008 and Julia Ehrlich. He grew up in a house on West 107th Street in M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
More I Cannot Wish You
"More I Cannot Wish You" is a song written and composed by Frank Loesser and first performed by Pat Rooney, Sr. in 1950. The song was featured in the musical ''Guys and Dolls''. The sentimental lyrics relate the feelings of the oldest character in the play, missionary Arvide Abernathy, who sings it tenderly to his granddaughter, Sarah Brown. Development Loesser originally wrote the song for the 1949 movie ''Roseanna McCoy''. In a scene in which the title character sat next to her elder brother in a wagon seat, her brother was to sing the song to her, "wishing her good fortune in the heart." When the song was cut from the movie, because producer Samuel Goldwyn "neither liked nor understood the song," Loesser added the song to ''Guys and Dolls''. To devise some of the singular lyrics, Loesser derived "with a sheep's eye" from "making sheep's eyes at" to describe "the imagined lover's almost pitiable adoration of the girl." For "lickerish tooth," Loesser consulted a thesaurus to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studyin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards " Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera '' Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Haymes
Robert William Haymes (March 29, 1923 – January 27, 1989), also known by the stage names Robert Stanton and Bob Stanton, was an American singer, songwriter, actor and radio and television host. He is best remembered for co-writing the song " That's All", part of the Great American Songbook. He was the younger brother of singer and actor Dick Haymes.Solid! biography of Bob Haymes Early life Haymes was born in . His mother was Marguerite Wilson, an American of Irish descent. Benjamin Haymes, from |
That's All (1952 Song)
"That's All" is a 1952 song written by Alan Brandt with music by Bob Haymes. It has been covered by many jazz and blues artists. The first recording, by Nat King Cole in 1953, achieved some popularity but was not among that year's top 20 songs. It was Bobby Darin's version from his 1959 album of the same title that introduced the song to a wider audience, and it has since become a jazz standard. The song is part of the Great American Songbook, and Alec Wilder included it in his book ''American Popular Song: The Great Innovators, 1900–1950'', even though it was composed two years after that period. Wilder gave two reasons for making this exception: (1) “it is one of the last free-flowing, native, and natural melodies in the grand pop style”; (2) “it went through no initial hit phase but became an immediate standard”. Cover versions *Edie Adams on the final episode of ''The Lucy–Desi Comedy Hour'' (1960) *Michael Bublé on ''Michael Bublé (2003) *Ceil Clayton on ''Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
